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攝影家著述
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西文書目
Bullough, Vern L. Sexual Variance in Society and History. Chicago and London: University of Chicago Press, 1980.
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Clattenburg, Ellen Fritz. The Photographic Work of F. Holland Day. Wellesley, Mass: Wellesley College Museum of Art, 1975.
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Ellmann, Richard. Oscar Wilde. New York: Vintage Books, 1988.
Facos, Michelle. Symbolist Art in Context. Berkeley: University of California Press, 2009.
Fairbrother, Trevor. Making a Presence: F. Holland Day in Artistic Photography. New Haven: Distributed by Yale University Press, 2012.
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Harker, Margaret. The Linked Ring: The Secession Movement in Photography in Britain, 1892-1910. London: Heinemann, 1979.
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Holloran, Peter. Boston’s Wayward Children: Social Services for Homeless Children 1830-1930. Rutherford [N.J.]: Fairleigh Dickinson University Press, 1989.
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Jussim, Estelle. Slave to Beauty: The Eccentric Life and Controversial Career of F. Holland Day: Photographer, Publisher, Aesthete. Boston: David R. Godine, 1981.
Kiely, Robert. Blessed and Beautiful: Picturing the Saints. London: Yale University Press, 2010.
Kosinski, Dorothy. The Artist and the Camera: Degas to Picasso. New Haven: Yale University Press, 2000.
---. Orpheus in Nineteenth-Century Symbolism. Ann Arbor: UMI Research Press, 1989.
Marien, Mary Warner. Photography: A Cultural History. New York: Harry N. Abrams, 2002.
Matt, Gerald and Fetz, Wolfgang. Saint Sebastian: A Splendid Readiness for Death. Bielefeld: Kerber, 2003.
Newhall, Beaumont. The History of Photography: From 1839 to the Present. New York: Museum of Modern Art, 1994.
Pyne, Kathleen. Modernism and the Feminine Voice: O’Keeffe and the Women of the Stieglitz Circle. Berkeley: University of California Press, 2007.
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Roberts, Pam. F. Holland Day. Amsterdam: Van Gogh Museum; Zwolle: Waanders, 2000.
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Waugh, Thomas. Hard to Imagine: Gay Male Eroticism in Photography and Film from Their Beginnings to Stonewall. New York: Columbia University Press, 1996.
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西文期刊
Berman, Patricia G. “F. Holland Day and His ‘Classical’ Models: Summer Camp,” History of Photography 18.4 (Winter 1994): 348-367.
Caffin, Charles H. “Philadelphia Photographic Salon,” Harper’s Weekly (Nov 1898): 1087.
Crump, James. “F. Holland Day: ‘Sacred’ Subjects and ‘Greek Love’,” History of Photography 18.4 (Winter 1994): 322-333.
Curtis, Verna Posever. “F. Holland Day: The Poetry of Photography,” History of Photography 18.4 (Winter 1994): 299-321.
Denney, Colleen. “The Role of Subject and Symbol in American Pictorialism,” History of Photography 13.2 (1989): 109-128.
Jussim, Estelle, “F. Holland Day’s ‘Nubians’,” History of Photography 7.2 (1983): 131-142.
Kaye, Richard A. “‘Determined Raptures’: St. Sebastian and the Victorian Discourse of Decadence,” Victorian Literature and Culture (1999): 269-303.
Kett, Joseph F. “Adolescence and Youth in Nineteenth-Century America,” The Journal of Interdisciplinary History 2.2 (Autumn 1971): 283-298.
Michaels, Barbara L. “New Light on F. Holland Day’s Photographs of African Americans,” History of Photography 18.4 (Winter 1994): 334-347.
Nimmen, Jane Van. “F. Holland Day and the Display of a New Art: ‘Behold, It Is I’,” History of Photography 18.4 (Winter 1994): 368-382.
Peterson, Christian A. “American Arts and Crafts: The Photograph Beautiful 1895-1915,” History of Photography 16.3 (Autumn 1992): 189-231.
Schwain, Kristin. “F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism,” American Art 19.1 (Spring 2005): 32-59.
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