| 參考文獻 |
一、 外文專書 （按字母編排）
Alloway, Lawrence. Imagining the Present: Context, Content, and the Role of the Critic, (London, New York: Routledge, 2006)
Belting, Hans. Art History after Modernism, trans. Caroline Saltzwedel and Mitch Cohen (Chicago: University of Chicago Press, 2003)
Bender, John W., Blocker, H. Gene, eds. Contemporary Philosophy of Art: Readings in Analytic Aesthetics, (New Jersey: Prentice Hall, 1993)
Benjamin, Walter, The Work of Art in the Age of Mechanical Reproduction, (Classic Books America: New York, 2009)
Breton, André. What Is Surrealism?,( New York: Haskell House Publishers,1974)
Chilvers, Ian ed. The Concise Oxford Dictionary of Art and Artists, (Oxford: Oxford University Press,2003
Danto, Arthur. After the End of Art: Contemporary Art and the Pale of History, (New Jersey: Princeton University Press, 1997),
Foster, Hal. Compulsive Beauty, (Cambridge, Mass: MIT Press, 1993)
Francis, Mark, ed. Foster, Hal survey, Pop, (London: Phaidon 2005)
Greenberg, Clement. Art and Culture: Critical Essays, (Boston: Beacon Press, 1984)
Hamilton, Richard. Collected Words:1953-1982, (London, New York: Thames and Hudson, 1982)
Hawkes, Terence. Structuralism & Semiotics, (London: Nethuen,1977)
Kirkpatrick, Diane. Eduardo Paolozzi, (London: Studio Vista, 1970)
Krauss, Rosalind. The Originality of the Avant-Garde and Other Modern Myths, (Cambridge, Massachusetts: The MIT Press, 1996)
Lichtenstein, Claude and Thomas Schregenberger, eds. As Found, The Discovery of The Ordinary (Switzerland: Lars Müllers Publishers, 2001)
Lippard, Lucy R. Pop Art, (London: Thames and Hudson, 1992)
Madoff, Steven Henry, ed. Pop Art: A Critical History, (Berkeley: University of California, 1997)
Mahsun, Carol Anne Runyon, ed. Pop Art: The Critical Dialogue, (Ann Arbor / London: UMI Research Press, 1989)
Malcolm, Norman. Ludwig Wittgenstein: A Memoir, (Oxford : Clarendon Press, New York : Oxford University Press, 2001)
Marquis, Alice Goldfarb, The Pop! Revolution : How An Unlikely Concatenation of Artists, Aficionados, Businessmen, Collectors, Critics, Curators, Dealers, and Hangers-on Radically Transformed the Art World, (Boston: MFA Publications, 2010)
Massey, Anne. The Independent Group: Modernism and Mass Culture in Britain,1945-59, (Manchester: Manchester University Press, 1995)
McCarthy, David. Pop Art, (Cambridge: Cambridge University Press, 2000)
McLuhan, Marshall. The Mechanical Bride: Folklore of Industrial Man (New York: Vanguard Press, 1951)
Monem, Nadine Kathe, ed. Pop Art Book, (London: Black Dog, 2007)
Mumford, Lewis Technics and Civilization, (New York: Harcourt, Brace & World,1963)
Nelson, Robert S. and Richard Shiff, eds. Critical Terms for Art History, (Chicago:
University of Chicago Press, 2003)
Scheunemann,Dietrich, ed. Avant-Garde/Neo-Avant-Garde, (Amsterdam: Rodopi, 2005)
Schneede, Uwe M. translated from the German by W. Woodson Hand, Eduardo Paolozzi, (London: Thames and Hudson, 1971)
Spencer, Robin, ed. Eduardo Paolozzi: Writings and Interviews, (London: Oxford University Press, 2000)
二、 外文展覽圖錄
Alloway, Lawrence et al, eds. Modern Dreams: The Rise and Fall and Rise of Pop, (New York: Institute for Contemporary Art; Cambridge Mass.: MIT Press, 1988)
Bezzola, Tobia ed. Europop, (Zürich: Kunsthaus Zürich, 2008)
Brauer, David E (et al.) eds, Pop art: U.S./U.K. Connections, 1956-1966, (Houston, Tex.: Menil Collection in association with Hatje Cantz Publishers, 2001)
Goldman, Judith et al, eds. The Pop Image: Prints and Multiples, (New York: Marlborough Graphics, 1994)
Harrison, Miranda, ed. Eduardo Paolozzi: Collaging Culture, (Chichester: Pallant House Gallery, 2013)
Miles, Rosemary ed. The Complete Prints of Eduardo Paolozzi: Prints, Drawings and Collages 1944-77, (London: Victoria and Albert Museum, 1977)
Paolozzi, Eduardo, Wieland Schmied, Robin Spencer and Frank Whitford. Eduardo Paolozzi: Sculpture, Drawings, Collages and Graphics, (London: Arts Council of Great Britain, 1976)
Robbins, David, ed. The Independent Group: Postwar Britain and the Aesthetics of Plenty, (Cambridge, Mass: MIT Press, 1990)
Selz, Peter and Christopher Finch, Eduardo Paolozzi: A Print Retrospective, (Berkeley: University Art Museum, University of California, 1968)
Weitman, Wendy. Pop Impressions Europe/USA: Prints and Multiples from The Museum of Modern Art, (New York: Museum of Modern Art, 1999)
Whitford, Frank. Eduardo Paolozzi, The Tate Gallery, 22 September - 31 October 1971 (London: Tate Gallery, 1971)
三、 外文期刊
Alloway, Lawrence. “Eduardo Paolozzi,” Architectural Design, April 1956, Reprinted in October Vol. 136, New Brutalism (Spring 2011)
Colomina, Beatriz. “Friends of the Future: A Conversation with Peter Smithson,” October Vol.94, The Independent Group (Fall 2000)
Crosby, Theo. “The New Brutalism”, Architectural Review, (December 1955 ) reprinted in October, Vol. 136, New Brutalism (Spring 2011)
Danto, Arthur. “The Artworld”, The Journal of Philosophy, Vol. 61, No.19, (Oct. 15, 1964)
Foster, Hal. “What is Neo about the Neo-Avant-Garde?” October 70 (autumn, 1994)
Genova, Pamela. ‘Compulsive Beauty by Hal Foster’ The French Review Vol.69, No.6 (May, 2008)
Massey, Anne. “The Independent Group: Towards a Redefinition”, The Burlington Magazine, Vol. 129, No. 1009 (Apr., 1987)
Massey, Anne and Penny Sparke. "The Myth of the Independent Group," Block 10 (1985)
Miró, Joan et al. “Statements and Documents: Artists on Art and Reality, on Their Work, and on Values”, Daedalus, Vol. 89, No. 1, The Visual Arts Today (Winter, 1960)
Myers, Julian. “The Future as Fetish,” October, Vol. 94, The Independent Group (Fall 2000)
Potts, Alex. “Realism, Brutalism, Pop”, Art History, Vol. 35, Issue 2 (April 2012)
Reyner, Banham. “Parallel of Life and Art”, Architectural Review, (October 1953), reprinted in October, Vol. 136, New Brutalism (Spring 2011)
Smithson, Alison and Peter Smithson. “Parallel of Life and Art: Indications of a New Visual Order” (31 August, 1953),”ICA Archives, Tate Gallery, TGA 9211.5.1.2 reprinted in October, Vol. 136, New Brutalism (Spring 2011)
Stonard, John-Paul. “Pop in the Age of Boom: Richard Hamilton’s ‘Just What is It That Makes Today’s Homes so Different, So Appealing?,” The Burlington Magazine, Vol.149, No. 1254, Twentieth-Century Art (Sep., 2007)
_______. “The ‘Bunk’ Collages of Eduardo Paolozzi,” The Burlington Magazine (April 2008)
_______. “Eduardo Paolozzi’s Psychological Atlas” October, Vol. 136, New Brutalism (Spring 2011)
四、 外文學位論文
Huston, Carol, Eduardo Paolozzi and J.G. Ballard: Representing New British Modernities, c. 1966 – 1980, (University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities, 2013)
Kirkpatrick, Diane Marie. Eduardo Paolozzi: A Study of His Art, 1946-1968, (Ph.D. dissertation, The University of Michigan, 1969)
Kitnick, Alex. Eduardo Paolozzi and Others, 1947-1958, (dissertation in candidacy for the Ph.D. degree, The University of Princeton, 2010)
Stakemeier, Kerstin. Entkunstung: Artistic Models for the End of Art, (Ph.D. dissertation, University College London, 2013)
五、 中文專書（按姓名注音編排）
柏格（Peter Bürger）著，蔡美君、徐明松譯，《前衛藝術理論》，（台北：時報文化，1998）
利帕（Lucy R. Lippard）編，張正仁譯，《普普藝術》，（台北：遠流，1994）
李延祥編著，《版畫》，（台北，三民，2000）
廖修平著，《版畫藝術》，（台北：雄獅，1989）
廖修平、董振平著《版畫技法1.2.3》，（台北：雄獅，1991，二版）
羅蘭‧巴特（Roland Barthes）著，李幼蒸譯，《寫作的零度: 結構主義文學理論文選》，（台北，久大，1991）
詹名信（Fredric Jameson）著，吳美真譯，《後現代主義或晚期資本主義的文化邏輯》，（台北：時報文化，1998）
史賓格勒（Oswald Spengler）著，陳曉林譯，《西方的沒落》，（台北：遠流，1986）
蘇其康著，《英國文學源流導覽》，（台北：書林，2007）
亞瑟‧丹托（Arthur Danto）著，鄧伯辰譯，《美的濫用》，（台北縣新店市：立緒文化，2006）
亞瑟‧丹托（Arthur Danto）著，林雅琪、鄭惠雯譯，《在藝術終結之後：當代藝術與歷史藩籬》，（台北市：麥田，城邦文化，2004）
沃爾夫朗（Eddie Wolfram）著，傅嘉琿譯，《拼貼藝術之歷史》，（台北：遠流，1992）
六、 中文學位論文
林葳，〈延伸的空間——艾德華．威亞爾《公園》飾板組研究〉，桃園：國立中央大學藝術學研究所碩士論文，2010。
張執中，〈米萊恩．夏皮洛之「女像」（Femmage）：裝飾的愉悅和政治性〉，
桃園：國立中央大學藝術學研究所碩士論文，2009。
陳蕉，〈過渡．差異．間隔 -- 杜象的「次薄」觀念及其實踐〉，台北：國立藝術學院美術史研究所碩士論文，2000。
王聖閎，〈從哲學化到體制化：早期觀念藝術的終結、離散或轉型〉，（桃園：國立中央大學藝術學研究所碩士論文，2008。
七、 網路資料
Chronicling America Historical American Newspapers
http://chroniclingamerica.loc.gov/
JSTOR
http://www.jstor.org/
Macmillan Dictionary
http://www.macmillandictionary.com/
National Galleries Scotland Collection
http://www.nationalgalleries.org/collection/online-collection/
Tate Art and Artists
http://www.tate.org.uk/art
The American Heritage Dictionary
https://ahdictionary.com/
The British Library
http://www.bl.uk/
The British Library’s Archival Sound Recordings
http://sounds.bl.uk
The Independent Group
http://independentgroup.org.uk/
V&A Search the collections
http://collections.vam.ac.uk/
V&A The National Art Library
http://www.vam.ac.uk/page/n/national-art-library/ |
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