參考文獻 |
外文書目
Adams, Eric, Francis Danby: Varieties of Poetic Landscape (London: Yale University Press, 1973)
Adams, Steven, The Art of the Pre-Raphaelites (London: The Apple Press, 1988)
Allderidge, Patricia, Richard Dadd (London: Academy Edition; New York: St. Martin’s Press, 1974)
_______. The Late Richard Dadd, 1817 – 1886 (London: The Tate Gallery, 1974)
Altick, Richard D., Paintings from Books: Art and Literature in Britain, 1760 – 1900 (Columbus: Ohio State University Press, 1985)
Anderson, Ross ed., A Brush With Shakespeare: The Bard in Painting: 1780 – 1910 (Alabama: Montgomery Museum of Fine Arts, 1985)
Beals, Katharine M., Flower Lore and Legend (New York: Henry Holt and Company, 1917)
Blair, Matthew, The Paisley Shawl and The Men Who Produced It (Paisley: Alexander Gardner, 1904)
Bonnard, Camille, Costumes Historiques des XIIe, XIIIe, XIVe et XVe Siècles Vol. III (Paris: A. Lévy Fils, Libraire-Éditeur, 1861)
Booth, Martin, Opium: A History (New York: St. Martin’s Griffin, 1996)
Booth, Michael R., Theatre in the Victorian Age (Cambridge: Cambridge University Press, 1991)
Bown, Nicola, Fairies in Nineteenth-century Art and Literature (New York: Cambridge University Press, 2006)
Brewer, Ebenezer Cobham, Dictionary of Phrase and Fable (London: Cassell, Petter, and Galpin, 1870)
Briggs, Katharine, Abbey Lubbers, Banshees and Boggarts (London: Routledge, 2003)
_______. The Anatomy of Puck (London: Routledge, 2003)
_______. The Fairies in Tradition and Literature (London: Routledge, 2003)
_______. The Vanishing People (London: Routledge, 2003)
Cohen, Jane R., Charles Dickens and His Original Illustrators (Columbus: Ohio State University Press, 1980)
Courtwright, David T., Forces of Habit: Drugs and the Making of the Modern World (London: Harvard University Press, 2001)
Croker, Thomas Crofton, Fairy Legends and Traditions of the South of Ireland (London: John Murray, 1826)
_______. Fairy Legends and Traditions of the South of Ireland Part II (London: John Murray, 1828)
Cunningham, Allan, The Life of Sir David Wilkie; with His Journals, Tours and Critical Remarks on Works of Art; and A Selection from His Correspondence Vol. 3 (London: John Murray, Albemarle Street, 1843)
_______. The Lives of the Most Eminent British Painters, Sculptors, and Architects, Vol. II (London: John Murray, 1830)
Cunningham, Patricia A., Reforming Women’s Fashion, 1850 – 1920: Politics, Health, and Art (Kent, Ohio: The Kent State University Press, 2003)
Dorson, Richard M., The British Folklorists: A History (London: Routledge & K. Paul, 1968)
Ellacombe, Henry N., The Plant-Lore and Garden-Craft of Shakespeare (London: W. Satchell and Co., 1884)
Evans-Wentz, Walter Yeeling, The Fairy-Faith in Celtic Countries (London: Henry Frowde, 1911)
Foxcroft, Louise, The Making of Addiction: The ‘Use and Abuse’ of Opium in Nineteenth-Century Britain (Aldershot: Ashgate Publishing Limited, 2007)
Faxon, Alicia Craig, Dante Gabriel Rossetti (Oxford: Phaidon Press, 1989)
Friend, Rev. Hilderic, Flowers and Flower Lore (Troy: Nims and Knight, 1889).
Frith, William Powell, My Autobiography and Reminiscences Vol. 3 (London: Richard Bentley and Son, 1888)
Furniss, Harry, My Bohemian Days (London: Hurst & Blackett, Ltd., 1919)
Greysmith, David, Richard Dadd: The Rock and Castle of Seclusion (New York: Macmillan Publishing Co., Inc., 1974)
Griffin, Dustin, Patriotism and Poetry in Eighteen-Century Britain (Cambridge: Cambridge University Press, 2002)
Hall, Samuel Carter, Retrospect of a Long Life, from 1815 to 1883 (New York: D. Appleton and Company, 1883)
_______. The Book of British Ballads, Vol. 1 (London: J. How, 1842)
Henderson, Lizanne, and Cowan, Edward J., Scottish Fairy Belief: A History (East Linton: Tuckwell Press, 2001)
Herbermann, Charles G. et al eds., The Catholic Encyclopedia Vol. 15 (New York: The Encyclopedia Press, INC., 1913)
Herrmann, Luke, Nineteenth Century British Painting (London: Giles de la Mare Publishers Limited, 2000)
Hunt, William Holman, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood, Vol. I, II (London: Macmillan & Co., Ltd., 1905)
Hunt, Violet, The Wife of Rossetti: Her Life and Death (New York: E. P. Dutton & Co., INC, 1932)
Ingram, John Henry, Flora Symbolica; Or The Language and Sentiment of Flowers (London: Frederick Warne & Co., 1869)
Irwin, David and Francina, Scottish Painters At Home and Abroad, 1700 – 1900 (London: Faber, 1975)
Jamieson, John, An Etymological Dictionary of the Scottish Language Vol. 2 (Edinburgh: Printed at the University Press, 1808)
Keightley, Thomas, The Fairy Mythology (London: George Bell & Sons, 1892)
Korda, Andrea, Printing and Painting the News in Victorian London: The Graphic and Social Realism, 1869 – 1891 (Surrey: Ashgate Publishing Limited, 2015)
Lambourne, Lionel, Victorian Painting (London: Phaidon Press, 1999)
Latham, Minor White, The Elizabethan Fairies: The Fairies of Folklore and the Fairies of Shakespeare (New York: Columbia University Press, 1930)
Leadbeater, Charles Webster, The Hidden Side of Things (New York: Cosimo, 2007)
Leonard, Todd Jay, Talking to the Other Side: A History of Modern Spiritualism and Mediumship (New York: iUniverse, 2005)
Leslie, Charles Robert, Autobiographical Recollections, (Boston: Ticknor and Fields, 1860)
Libson, Lowell, George Romney’s Titania and Her Attendants (London: Lowell Libson Ltd., 2011)
Lytton, Edward Bulwer- , England and the English Vol. 2 (London: Richard Bentley, New Burlington Street, 1833)
Maas, Jeremy, Victorian Painters (New York: Harrison House, 1969)
Marshall, Gail ed., Shakespeare in the Nineteenth Century (Cambridge: Cambridge University Press, 2012)
Martineau, Jane ed., Shakespeare in Art (London: Merrell Publishers Limited, 2003)
_______. Victorian Fairy Painting (London: Royal Academy of Arts, 1997)
Millais, John Guille, The Life and Letters of Sir John Everett Millais Vol. I (London: Methuen & Co., 1899)
Nead, Lynda, Myths of Sexuality: Representations of Women in Victorian Britain (Oxford: Basil Blackwell Ltd, 1988)
Norman, Geraldine, Nineteenth-century Painters and Painting: A Dictionary (Berkeley: University of California Press, 1977)
Ollard, Sidney Leslie, A Short History of the Oxford Movement (London: A. R. Mowbray & Co. Ltd., 1915)
Parris, Leslie ed., The Pre-Raphaelites (London: Tate Gallery, 1984)
Paton, M. H. Noel- , Campbell, J. P., Irwin, Francina ed., Noel Paton (Edinburgh: The Ramsay Head Press, 1990)
Phillips, Henry, Floral Emblems, (London: Saunders and Otley, 1825)
Pope, Alexander, The Rape of Lock (New York: Silver, Burdett & Co., 1901)
Redgrave, Richard and Samuel, A Century of Painters of the English School (London: Sampson Low, Marston, Searle & Rivington, Limited, 1890)
Ritson, Joseph, Fairy Tales, Legends and Romances (London: Frank & William Kerslake, 1875)
Roberts, Leonard and Wildman, Stephen, Arthur Hughes: His Life and Works (Suffolk: Antique Collectors’ Club, 1997)
Rosenfeld, Daniel ed., European Painting and Sculpture, ca. 1770 – 1937, in the Museum of Art, Rhode Island School of Design (Providence, R. I.: The Museum, 1991)
Rossetti, William Michael ed., Dante Gabriel Rossetti: His Family-Letters Vol. I (Boston: Roberts Brothers, 1895)
_______. Præraphaelite Diaries and Letters (London: Hurst and Blackett Limited, 1900)
_______. The Collected Works of Dante Gabriel Rossetti Vol. I (London : Ellis and Elvey, 1901)
Ruskin, John, Giotto and His Works in Padua: Being An Explanatory Notice of the Frescoes in the Arena Chapel (London: George Allen, Sunnyside, Orpington, 1900)
_______. Modern Painters, Vol. I (London: George Allen, Sunnyside, Orpington, 1898)
_______. Modern Painters, Vol. II (London: George Allen, 1906)
_______. Notes on some of the principal pictures exhibited in the rooms of the Royal academy and in the Society of painters in water colours, no. 2 (London: Smith, Elder & Co., 1856)
_______. The Art of England (New York: John Wiley & Sons, 1884)
Schoberl, Frederic, The Language of Flowers; With Illustrative Poetry, (Philadelphia: Lea & Blanchard, 1839)
Scott, Sir Walter, The Lady of the Lake (Boston: Ginn, Heath, & Co., 1885)
_______. The Minstrelsy of the Scottish Border, Vol. II (Edinburgh: Robert Cadell, 1849)
_______. The Monastery (New York: A. L. Burt Company, 1836)
Seaton, Beverly, The Language of Flowers: A History (Charlottesville: University Press of Virginia, 1995)
Shakespeare, William, The Tempest (New York: Washington Square Press, 1970)
Silver, Carole G., Strange and Secret Peoples: Fairies and Victorian Consciousness (New York: Oxford University Press, 1999)
Sims, Martha C. and Stephens, Martin, Living Folklore: An Introduction to the Study of People and Their Traditions, 2nd Edition (Logan: Utah State University Press, 2011)
Smith, Alison, The Victorian Nude: Sexuality, Morality and Art (Manchester: Manchester University Press, 1996)
Squire, Charles, The Mythology of the British Island (London: Blackie & Son, 1905)
Stephen, Leslie, Dictionary of National Biography, Vol. 24 (London: Smith, Elder, & Co., 1890)
Stephens, Frederic George, William Holman Hunt and His Works: A Memoir of the Artist’s Life, with Description of His Pictures (London: James Nisbet & Co., 1860)
Sumpter, Caroline, The Victorian Press and the Fairy Tale (New York: Palgrave Macmillan, 2008)
Sussman, Herbert L., Fact into Figure: Typology in Carlyle, Ruskin, and the Pre-Raphaelite Brotherhood (Columbus: Ohio State University Press, 1979)
Swedenborg, Emanuel, Heaven and Its Wonders and Hell (Pennsylvania: Swedenborg Foundation, 2009)
Talairach-Vielmas, Laurence, Fairy Tales, Natural History and Victorian Culture (New York: Palgrave Macmillan, 2014)
Taylor, Edgar ed., German Popular Stories Vol. 1 (London: Chatto and Windus, 1868)
Taylor, Lou, Establishing Dress History (New York: Manchester University Press, 2004)
Thompson, Collin ed., Pictures for Scotland: The National Gallery of Scotland and Its Collection, A Study of the Changing Attitude to Painting since the 1820’s, (Edinburgh: Trustees of the National Galleries of Scotland, 1972)
Treuherz, Julian, Victorian Painting (London: Thames & Hudson Ltd., 1993)
Vaughan, William, German Romanticism and English Art (London, Yale University Press Limited, 1979)
Tyas, Robert, The Sentiment of Flowers; or, Language of Flora, (London: R. Tyas, 8, Paternoster Row, 1842)
Wahl, Kimberly, Dressed as in a Painting: Women and British Aestheticism in An Age of Reform (Durham, New Hampshire: University of New Hampshire Press, 2013)
Werner, Marcia, Pre-Raphaelite Painting and Nineteenth-Century Realism (Cambridge: The Press Syndicate of the University of Cambridge, 2005)
Weston, Nancy, Daniel Maclise: Irish Artist in Victorian London (Dublin: Four Courts Press, 2001)
Wood, Christopher, Fairies in Victorian Art (Woodbridge, Suffolk: The Antique Collectors’ Club Ltd., 2000)
Wood, Esther, Dante Rossetti and the Pre-Raphaelite Movement (London: Sampson Low, Marston and Company, Limited, 1892)
中英文對照書目
朱生豪譯,《仲夏夜之夢》(中英對照),世界書局,1996年出版
朱生豪譯,《暴風雨》(中英對照),世界書局,1996年出版
學位論文
Clare, Eleanor and Stansbie, Fraser, Richard Dadd: Art and the Nineteenth Century Asylum (ph.D. Dissertation, Birkbeck Colledge, University of London, 2006)
Dias, Rosemarie Angelique, John Boydell’s Shakespeare Gallery and the Promotion of a National Aesthetic (ph.D. Dissertation, The University of York, 2003)
Dideriksen, Gabriella, Repertory and Rivalry: Opera at the Second Covent Garden Theatre, 1830 to 1856 (ph.D. Dissertation, King’s College London, University of London, 1997)
Montbriand, Timothy Leslie, Shakespeare’s Fairies, Ghosts, Witches, and Magic (ph.D. Dissertation, Wayne State University, 1996)
Schindler, Richard Allen, Art to Enchant: A Critical Study of Early Victorian Fairy Painting and Illustration (ph.D. Dissertation, Brown University, 1988)
寧凱婕,《18 – 19世紀畫家筆下的莎翁四大悲劇》(國立高雄師範大學美術學系碩士論文,2006)
期刊論文
Brown, Ford Madox, “On the Mechanism of a Historical Picture,” in The Germ: Thoughts towards Nature in Poetry, Literature, and Art no. 2 (London, 1850 February)
Christison, Robert, “Art. X - Cases and Observations in Medical Jurisprudence. [Continued from Vol. xxxv. 353.] - Case X. On the effects of Opium-eating on Health and Longevity,” in The Edinburgh Medical and Surgical Journal, Vol. 37 (Edinburgh, 1832)
Emrich, Duncan, “‘Folk-Lore’: William John Thoms,” California Folklore Quarterly, Vol. 5, No. 4, (Oct., 1946)
Faberman, Hilarie and McEvansoneya, Philip, “Isambard Kingdom Brunel,” The Burlington Magazine, Vol. 137, No. 1103 (London, 1995 February)
Hottle, Andrew D., “Transition and Transformation in John Everett Millais’ Ferdinand Lured by Ariel,” in Aurora: The Journal of the History of Art 8 (2007)
Shorer, Mark, “Swedenborg and Blake,” Modern Philology, Vol. 36, No. 2 (The University of Chicago Press, 1938 November)
Sperling, Joy, “Art, Cheap and Good,” Nineteenth-century Art Worldwide, Vol. 1, No. 1 (Spring 2002)
Story, Alfred Thomas, “The Life and Work of Sir Joseph Noël Paton,” Art-Journal 57 (1895)
Turpin, John, “Maclise as a Book Illustrator,” Irish Arts Review, Vol. 2, no. 2 (1985)
Blackwood’s Edinburgh Magazine Vol. 52 (Edinburgh: William Blackwood & Sons, 1842)
The Art-Journal Vol. 12, 18, 19, 20, 57 (London)
The Art-Union Vol. 3, 4, 6, 9 (London)
The Athenaeum (London, 1847, 1850)
The Literary Gazette (London, 1847 July)
The Spectator Vol. 20, 23 (London)
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