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    請使用永久網址來引用或連結此文件: http://ir.lib.ncu.edu.tw/handle/987654321/25621


    題名: 清代才媛對《紅樓夢》的接受;Female Writers' Reception to Dream of the Red Chamber during the Qing Dynasty
    作者: 王力堅
    貢獻者: 中國文學系
    關鍵詞: Reception;Dream of the Red Chamber;the Qing Female Writers;literature;arts;語文
    日期: 2010-07-01
    上傳時間: 2010-06-10 17:36:09 (UTC+8)
    出版者: 行政院國家科學委員會
    摘要: 《紅樓夢》是一部為「閨閣昭傳」的小說,破除向來歷史都是以男性為書寫中心的觀點,就此而言,《紅樓夢》可說是一部為女性所寫的立傳之書。作者曹雪芹以新穎的視角和筆觸,塑造了各式各樣的女性形象。自該書於乾隆年間傳抄、刻印以來,這些形象深深地打動、感染著一代又一代的讀者。清代才媛讀者更是為之心折,並進而在題詠、繪畫、戲曲、續書等四個方面,表現出對《紅樓夢》的熱切接受。這一情形與清代女性文學的空前繁榮景象互相呼應,不僅在《紅樓夢》接收史,亦在中國文學發展史中體現出不容忽視的重要意義。「題詠」為清代才媛對《紅樓夢》接受的主要表現方式。清代才媛讀者以詩詞形式對《紅樓夢》進行品題吟詠,即可反映出她們的思想意識與批評旨趣,還能從中展示出更多隱而未顯的清代才媛社會面貌。清代才媛亦嘗試以戲曲、小說等文學形式來表現出對《紅樓夢》的接受,而清代才媛的紅樓人物畫則因與小說原作有很強的關連性,對原作起著畫龍點睛的作用;同時也因作品包含著畫家的獨到見解而體現出鮮明的獨立性。整體而言,清代才媛對《紅樓夢》的接受與她們的現實生活息息相關,既豐富、甚至改造了她們的人生,亦豐富、促進了當時才媛文學創作的蓬勃發展。本計畫將爭取在歷史的縱向發展/演進以及時代∕社會的橫向指涉∕影響兩個面向,探析清代才媛上述表現在整個《紅樓夢》接受史上的歷史定位與文學/文化價值。 Dream of the Red Chamber is a female-writing novel breaking over the male-dominated writing authority throughout Chinese history of literature. Thus Dream of the Red Chamber can be defined as a work of biography for female. The author, Cao Xueqin 曹雪芹, portrayed a variety of female images in a new perspective and style of text. Since the novel has been transcribed in the Qianlong 乾隆years, the female images of the book left behind profound influences to female readers for generations. The Qing female readers were deeply moved by the novel, revealing strong reception by their own creations in poetry, painting, theater and sequel. This situation concerted mutually with prosperous female literature of the Qing Dynasty, reflecting important significance not only in the history of reception of Dream of the Red Chamber, also the history of development of Chinese literature. Poetry creation is a major channel to show reception of the Qing female writers, which reflected their vision of thought and critical concernment, unmasked the hidden social outlook of female in the Qing Dynasty. To express more on the acceptance of Dream of the Red Chamber, the Qing female writers also echoed by creating theater, novels and other literary forms. Portrait paintings of the characters from the novel by Qing painters, due to its strong connection with the original novel, on one way placed an enhancement of the novel itself, on the other way retained the painter’s original interpretation of the characters resulting vivid individuality. Overall, female of the Qing Dynasty received that the Dream of the Red Chamber is closely connected with their daily life in reality, enriched not only their life, also promoted the female literary development. This project will explore the acceptance and recreation of Dream of the Red Chamber by female in the Qing dynasty, contriving by a horizontal way of historical status and a vertical way of literary/cultural values. 研究期間 : 9808 ~ 9907
    關聯: 財團法人國家實驗研究院科技政策研究與資訊中心
    顯示於類別:[中國文學系 ] 研究計畫

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