| 摘要: | 自五○年代始，遷台女作家以異軍突起之姿在強大的反共、戰鬥聲浪中，崛起於文壇，其貼近現實生活的書寫題材，與溫雅、含蓄的女性特質，讓女作家的地位逐漸不容忽視。發展至八、九○年代散文起了劇烈的變動，不僅題材趨向多元，文類間的滲透現象也益趨普遍，而新世代女作家們自主、自覺、自信的特質，更是展現在其書寫中。 而根據，在年齡層上，主要出生於一九六五至一九七五年；主要成長於八○年代，逐漸突出在八○年代後期的文壇，而在九○年代嶄露頭角；並曾獲得文學獎的肯定；以及有出版品的發表與經常被選入文學大系、年度散文選或他種散文選中的標準，揀擇出鍾文音、師瓊瑜、柯裕棻、鍾怡雯、利格拉樂?阿?、張惠菁六位新世代女作家。 接著從六位新世代作家的散文作品中歸納出家庭、城市、旅行三大主題，依循著由內往外的脈絡，意即：由家的內部私人空間，移動到街道、公園等開放的公共空間，最後則擴大至全球的流動，來探究新世代女性散文在這三大主題上，相較於以往有何相似或突出的風貌，希冀彰顯出新世代女性散文在台灣現代散文脈流中的價值與意義。 Since the 50’s, female writers moved to Taiwan stood out conspicuously in the literary arena among the atmosphere of anti Communist and fight. Their positions were improved gradually because of their works that are close the real live and their tender and implicit personalities. Prose changes fast during the 80~90’s. Topics are diverse and the boundaries are blurred. These female writers’ independent, conscious and self-confident personalities shown in their writings. Most of them were born in 1965~1975. They grew up in the 80’s, become famous in the late 80’s and made themselves conspicuous in the 90’s. They’ve been approved by literature award. Moreover, they’ve published their works and the works were selected into literary selections. They are Chung, Wen-Yin, Shih, Chun-Yu, Ke, Yu-Fen, Chung, Yi-Wen, Liglale, Awo, and Chang, Hui-Ching. The researcher concludes these writers’ works into three main topics—family, city and journey. According to the context from inside to outside, the researcher inquires these female writers’ works from their private space like homes to public space like streets and parks, and broadens the scope to the whole world. Compared to the style and features of former works, the researcher hopes to manifest the value and meaning of female prose in this new generation among the context of Taiwan modern prose. |
