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    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/4340

    Title: 夢的文學內涵:以台灣現代詩為討論場域;Literal Intimist of Dreams: Taiwanese Modern Poetry as the Theme.
    Authors: 謝韻茹;Yun-Ru Hsieh
    Contributors: 中國文學研究所
    Keywords: 政治語境;女詩人;台灣現代詩;精神分析;;poetess;politic language situation;Taiwanese modern poetry;psychoanalysis;dreams
    Date: 2006-12-26
    Issue Date: 2009-09-22 09:16:59 (UTC+8)
    Publisher: 國立中央大學圖書館
    Abstract: 夢與無意識的概念源於精神分析學,本論文避開佛洛伊德的疾病觀點、方法論的缺陷,聚焦於作品析探,透過夢的審查制度與化妝技巧,了解夢的文學任務與表現手法;同時藉著主題探索,分析外在語境與潛意識的互動關係,最後歸納出夢與詩所共構的美學效果。在研究方法上,主要以《夢的解析》為本,取其作夢的心理機制與審查制度作為詩人寫詩?作夢的開端,了解夢的文學任務,並且整理弗洛伊德的夢工概念、榮格的「幻覺式」藝術模式、拉康的能指法則、克莉絲蒂娃的「符號界」與「象徵界」等相關精神分析文學理論,作為本文討論文本的理論基礎。第二、三章從夢的複合結構和邏輯關係,分析夢的各種文學形式,並歸納出夢的美學效果。在進行夢的書寫主題論述時,第四章以政治語境的詩作作為討論場域,取材範圍從日據時期到戒嚴時期,討論置於政治語境的詩人如何以各種化妝手法,躲避稽查者的監控,也注意到書寫者所置的外部環境與內部心境的互動關係。第五章女性的夢境詩作,取材多從自身生命、所處環境的體驗,並且透過想像策略,編織其幽微的潛意識內容,呈現情欲、女性自覺的獨特內涵。最後大略整理出夢的文學內涵,了解到置於不同的書寫語境,其文學表現形式各有殊異,在本質上,現代詩可以透過夢與潛意識語言結構的「靈活」、「自由」、「流動」、「斷裂」、「拒絕」等特質,完成其共同的文學任務——「衝破象徵秩序的壓抑,指出內心主體的需求」。此外,隨著「稽查越嚴格,夢的偽裝越繁複」的基準,也指出了夢的文學形式必然具備高度的美學效果,是為研究結果。 The concepts of dreams and unconsciousness originate from the psychoanalysis. The study focuses on artistry, analyzing intimist task and expression of dreams by censorship and disguise skill, rather than the mental illness concept of Freud and the inadequacy methodology, and discover the aesthetic effects constructing by the poems and dreams by analyzing the interaction of external language environment and unconscious within the theme. Research methodology, the study adopts the mental mechanism and censorship of dreams from the ”The Interpretation of Dreams” from Freud to explore the intimist task of dreams as the prelude, while Freud’s dream work, Jung’s “visionary” artistic type, Lacan’s signifier/signified concept, and the semiotic and the symbolic of Kristeva, along with related psychoanalysis concepts, are adopted as the basis of the study. In chapter 2 and chapter 3, analyze various literal types of dreams and shed light on aesthetic effects. In chapter 4, poems with politic language are the main discussion for the theme writing of dreams, to find out the disguise skills of poets to avoid censorship from the authority, moreover, poets’ relationship between external environment and internal thoughts are also analyzed in the study, while the range of pieces are taken from the Japanese-colonial age to the martial law age. In chapter 5, female’s dream poetry, the materials are obtained from the personal experiences and feeling on the life to create trippy unconscious contents to present desires and self-consicousness by imaginary strategy. At last, intimist contents of dreams are concluded, and realize the variety of literal presentation of dreams in different writing situation. Essentially, modern poetry reaches intimist tasks - “Breaking the censor under the symbolized order to present the needs of the mind.” by the “flexibility”, “freedom”, ”liquidity”, “fracture”, and “resistance” within the language of dream and unconscious. Nevertheless, the standard of “more censorship, more disguise” also points out the literal forms of dreams should possess exquisite aesthetic effects.
    Appears in Collections:[中國文學研究所] 博碩士論文

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