中大機構典藏-NCU Institutional Repository-提供博碩士論文、考古題、期刊論文、研究計畫等下載:Item 987654321/43632
English  |  正體中文  |  简体中文  |  Items with full text/Total items : 80990/80990 (100%)
Visitors : 41642358      Online Users : 1445
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version


    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/43632


    Title: 明末清初私人養優蓄樂之探討──以李漁家班為例;Li Yu’s family troupe study
    Authors: 詹皓宇;Hao-Yu Chan
    Contributors: 中國文學研究所
    Keywords: 遊歷生活;喬王二姬;女樂;家班;李漁;outgoing life;Li Yu;family troupe;actress;Qian Wang Er ji
    Date: 2010-07-05
    Issue Date: 2010-12-08 13:58:09 (UTC+8)
    Publisher: 國立中央大學
    Abstract: 中文摘要 明末清初,其間政治體制、社會文化、經濟貿易等,皆發生了巨大的衝擊與改變。李漁(1611-1680)身處世代交替之際,其生命情調與生涯際遇也產生不可小覷的質變,在文學史上有著鼎重份量和影響力。他的身份多樣,不僅是著名的戲曲家,身兼編、導、曲家,同時也是具有商業頭腦的書商,從編寫、付梓到販售,都是一人完成。戲曲發展至明清,家班誠為一支特別的戲曲組織,在戲曲文化傳承中扮演著關鍵性的角色,本文即針對李漁所蓄養的家班,做一探究。 本論文共分五章,首章緒論,說明論文研究動機與目的,以確立研究的興趣意向,復次說明研究方法與架構,俾能探討李漁家班的時代性與特殊性,最後以文獻回顧做一文本脈絡梳理,檢視與本論文相關之。 第二章概說李漁家班,包含家班的組織構成與女樂來源、喬王二姬的才媛意涵與地位、女樂的遊歷生活、全本戲與折子戲的演出形式。 第三章鉤玄家班的審美意趣,說明優伶在字音曲詞上的訓練工夫,以及聲、容、色、藝等四部分的歌舞要求與舞台形象,此外,在李漁的交游文化與園林生活上,其與家班涉趣者,皆有相當的著墨。 第四章探究家班的功能屬性,李漁家班的特殊性,與同時代文人家班的功能有很大的不同,它除了擁有一般家班所具備的娛樂與社交兩大功能外,還因家班的商業性特點而具有經濟功能,以及與優伶相處的對待上而具有情慾功能。 末章餘論,在歷代學者文人的評價上,李漁的人品和作品,亦褒亦貶,互有消長,而李漁能無視於外界的褒貶,全然沉浸在自己對戲曲的執著努力與醉心享受中,故本章從生命情感與生活閒情兩部分,綜述李漁與家班的互動關係。 關鍵詞:李漁、家班、女樂、喬王二姬、遊歷生活 Abstract Li Yu ,(1611-1680)born in the late Ming dynasty and the early Qing dynasty , is a renowned Chinese opera writer , stage director , publisher , life aesthete……etc . The dissertation , divded by 5 chapters , mainly explores Li Yu’s family troupe on theory and practice . The study develops as the following structure: Charpter one “Introduction” states the research motives , aims , scope , methodology and historic documents review . Charpter two “General Discussion” describes Li Yu’s family troupe , structure , the actress of family troupe originated from , outgoing Life , Qian Wang Er ji’s talents and status……etc . Charpter three “Family troupe’s aesthetic contents” expores the actress characteristics , singing , dancing , good looks , tatents , and friendship culture , garden life . Charpter four “Family troupe’s fuctions” the particularity of Li Yu’s family troupe differ from literati’s , including four sections on fuctions of Li Yu’s family troupe deeply described . Charpter five “Conclusion” in sum , Li Yu’s family troupe reflects in Li Yu’s life affection and life leisure-amusement clearly expounded . key word:Li Yu、family troupe、actress、Qian Wang Er ji、outgoing life
    Appears in Collections:[Graduate Institute of Chinese Literature] Electronic Thesis & Dissertation

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML776View/Open


    All items in NCUIR are protected by copyright, with all rights reserved.

    社群 sharing

    ::: Copyright National Central University. | 國立中央大學圖書館版權所有 | 收藏本站 | 設為首頁 | 最佳瀏覽畫面: 1024*768 | 建站日期:8-24-2009 :::
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 隱私權政策聲明