作勢反叛: 亡命鴛鴦電影與六十年代反文化的批判 ;Rebel Postures: Outlaw Couple Films and the Critique of the Sixties’ Counterculture

NCU Institutional Repository > 文學院 > 英美語文研究所 > 博碩士論文 > Item 987654321/4412

請使用永久網址來引用或連結此文件: http://ir.lib.ncu.edu.tw/handle/987654321/4412

題名:	作勢反叛: 亡命鴛鴦電影與六十年代反文化的批判;Rebel Postures: Outlaw Couple Films and the Critique of the Sixties’ Counterculture
作者:	宋怡德;I-Te Sung
貢獻者:	英美語文學研究所
關鍵詞:	窮山惡水;我倆沒有明天;反文化;六十年代;亡命鴛鴦電影;花村;反叛;Badlands;McCabe and Mrs. Miller;the system;the people;rebel postures;outlaw couple films;the sixties;counterculture;Bonnie and Clyde
日期:	2003-07-09
上傳時間:	2009-09-22 09:18:47 (UTC+8)
出版者:	國立中央大學圖書館
摘要:	本論文分析三部亡命鴛鴦電影：我倆沒有明天、窮山惡水及花村，如何反映對當時六十年代反文化的批判，並且探討其如何試圖解決和統治階層和一般人民之間的矛盾困境。 This thesis analyzes three outlaw couple films of the late sixties and early seventies: Bonnie and Clyde, Badlands, and McCabe & Mrs. Miller. By doing so, it intends to contribute to the understanding of how outlaw couple films carry the sociopolitical critique to reflect the exhilarations and anxieties of its times; moreover, how they manage to resolve the quandary that they are facing in their relationship with the people and the dominant order. I argue that Bonnie and Clyde helps seal the myth of the outlaw couple by making their death into a long-lasting artwork. For the chapter on Badlands, it suggests that not only for the counterculture, but also counterrevolution are prone to become superficial consumptions of existing icons and rituals. For the chapter on McCabe & Mrs. Miller, it demonstrates the counterculture’s dilemma to destruct the System and at the same time, the distrust between the people and the countercultural rebels, which reflects the counterculture’s failure. At last, it aims to suggest their influence on later outlaw couple films in the early nineties.
顯示於類別:	[英美語文研究所 ] 博碩士論文

文件中的檔案:

檔案	大小	格式	瀏覽次數

在NCUIR中所有的資料項目都受到原著作權保護.

社群 sharing

資料載入中.....