| 摘要: | 明清女性劇作家藉由書寫方式抒發內在幽微心曲，她們透過戲曲角色扮演、劇情編寫的代言體形式，運用超越現實狀態的夢境書寫，巧妙迴避社會禮教規範的約束，構築出女性劇作家幽深婉曲的心靈世界投影，表達女性劇作家自身的生命體驗與思想感情，凸顯其置身於父權社會中無法掌控自身命運的性別困境，建構女性劇作家的主體性。 本論文擬以葉小紈《鴛鴦夢》、王筠《繁華夢》、何珮珠《梨花夢》以及劉清韻《拈花悟》四種女性自傳劇作作為研究文本，探究為何橫跨晚明至晚清兩百多年時間向度的四種女性自傳劇作都選擇以迷離倘恍的夢境書寫呈現自我真實體驗與感受？她們擺盪於個人記憶的生命真實與夢境書寫的迷離虛幻，又是如何在劇情鋪排中闡釋自身的生命經驗，吐露其內心深處的憂悒苦悶與焦慮衝突，表述其人生理想與自我價值，這些問題都是本論文試圖探究、釐清的重點。 本論文先以縱向角度探討湯顯祖「因情成夢、因夢成戲」的戲劇觀點和「人生如夢」的佛道宗教哲理對明清女性劇作家的深遠影響。再分別從寫作動機和創作內涵兩個層面，透過文本細緻的梳理、剖析，展現明清女性自傳劇作夢境書寫的思想意涵與情欲追求。 Female writers of drama in Ch’ing-dynasty voiced internal feelings by writing. Through role-playing, theatrical composition, and surrealistic writing, they skillfully escaped the confusion regulations of the contemporary society, to develop the mental world inside female writer, thereby expressing their own life experiences and emotion, highlighting their difficulties to direct their own destiny resulting from the gender discrimination in a paternity society back then, so as to build up female’s structure of independence. The present study intends to adopt four memoir dramas, like Ye Shou-won’s Couple’s Dream,Wang Ying’s Prosperous Dream, Ho Pe-chu’s Pear Flower Dreamand Liu Chin-yin’s Flower-Holding Realization, as the research subjects, it attempts to figure out the root cause why the four dramas created during the period of more than 200 years from late Min-dynasty to late Ch’ing-dynasty all adopted the way of illusion to express their real emotion and feeling? and how they could explain physical life experience through the arrangement of theatrical composition, thereby unfolding inside depression, anxiety and conflict, exhibiting their ideals and self-value, all these are the key points to clarify of the present article. Through vertical standpoint, this study firstly discusses the dramatic viewpoint of Tom Hsian-chu’s “Dream due to emotion, Drama due to dream”, as well as the great effects on female authors in Min and Ch’ing dynasties of Buddhism and Dow-religion’s philosophy in relation to”Life is dream”. Further, it unfolds the thought content and emotional aspiration of Min-Ch’ing’s female drama writers from the aspects of writing motives and composition contents respectively, by means of fine analysis in the article. Key words: Memoir drama created by female authors in Min-Ch’ing dynasties, Illusion writing, Ye Shou-won, Couple’s dream, Wang Ying, Prosperous dream, Ho Pe-chu, Pear flower dream, Liu Chin-yin, Flower-holding realization. |
