我這篇論文的重點主要是對奧修愛的宗教思想作出研究，並由此嘗試詮釋出奧修的愛之美學。在此項詮釋工作中會面臨「解脫情感」訴求與「感性情感」訴求之衝突問題，而我把對此個問題的思考和提出解決方案視為我這篇論文的目的所在。我運用了由蕭振邦先生所提倡的突現美學為理論參考資源，並以之來建構奧修愛的美學。在參考突現美學以後，我認為建立奧修愛的美學時之所以會面臨「『解脫感性情感』訴求的宗教情操與『感性情感』的美學訴求之衝突」的問題，原因在於我們把「美」視為「感情情感」此一屬性。我選擇突現美學為理論參考系，是因為我認為它能克服「解脫感性情感訴求」和「感性情感訴求」之間的衝突。根據突現美學，「美」不再是作為一種屬性，而是在於人存不可化約的生命體驗。總而言之，我在這篇論文中將會透過以突現美學來詮釋奧修愛的思想，展示出美學和宗教衝突之問題的解消，進而嵌結了生活美感向宗教情操的過渡。 In this thesis, I mainly investigate the religious thought of love from Osho, trying to explain Osho’s aesthetics of love. However, in the process of explaining Osho’s aesthetics of love, I am confronted with the conflict of demand from “relieve of feeling” and “feeling.” Therefore, figuring out how to solve this conflict is my purpose of thesis. I take reference of “Emergent Aesthetics” which is promoted by Mr. Sao Zhen Bang, constructing Osho's aesthetics of love. After I study the “Emergent Aesthetics," I believe the reason why the conflict between the religious sentiment of demand from "relieve of feeling" and the aesthetic demand from “feeling” is that we consider "beauty" a attribute of “feeling.” The reason why I choose “Emergence Aesthetics” is because that I think this theory can overcome the conflict between “relieve of feeling” and “feeling.” According to “Emergence Aesthetics,” “beauty” is no longer “a kind of attribute,” instead, a life experience of human which cannot be further disunited anymore. In conclusion, I am going to interpret Osho’s cogitation of love by “Emergent Aesthetics,” solving the conflict between aesthetics and religion, and further connect the transit from life feeling to religious sentiment.