盜墓小說《鬼吹燈》研究;A Study on Gui Chui Deng, the Tomb-raid Novel

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題名:	盜墓小說《鬼吹燈》研究;A Study on Gui Chui Deng, the Tomb-raid Novel
作者:	杜靖瀅;Chun-yung Tu
貢獻者:	中國文學研究所
關鍵詞:	天下霸唱;《鬼吹燈》;盜墓文學;後現代;Tian-xia-ba-chang;Gui Chui Deng;Tomb-raid Literature
日期:	2012-01-17
上傳時間:	2012-06-15 19:43:25 (UTC+8)
摘要:	《鬼吹燈》為天下霸唱（張牧野）於2006年至2008年連載之長篇網路盜墓小說，由於網路點閱量與紙本銷售獲致空前成功，一時市面上充斥同類型題材作品，現代文學場域中的「盜墓文學」一詞於焉產生。本文第一部分配合古典文獻材料，探討《鬼吹燈》之盜墓書寫中可能的古典根源，並分析其運用手法及接受機制。第二部分梳理由奇幻文學、玄幻文學至盜墓文學的脈絡，並論及盜墓文學之現況發展。奇幻文學、玄幻文學及盜墓文學均屬於一貫的奇觀美學系統，其美學傾向與多媒體技術日新月異的發展直接相關。文學與多媒體文本如電子遊戲、電影等的互涉關係濫觴自奇幻文學，由於現代文學範疇中的盜墓文學乃一新興類型文學，故本文主要論述多媒體文本對於盜墓文學的單向影響，包括電子遊戲式循環結構、奠基於觀影經驗的敘事以及視覺性思維等。第三部分探討《鬼吹燈》與知青文學的關係，將其定位為後知青文學之一環，並探討文革語言在其中的功能與作用，及以道德問題為中心的外部、內部意識形態操作。盜墓文學沿襲奇幻及玄幻文學系統之奇觀美學，網路媒介賦予其多元拼貼的創作型態，其結構與敘事手法則受到電子遊戲與觀影經驗的強烈影響。藉由全面審視《鬼吹燈》之構成，可聯繫盜墓文學與中國傳統文學暨文化、奇幻文學系統、多媒體文本及近代歷史事件等之關係網絡，既可補足現代文學研究於盜墓文學場域之空白，亦可進一步清楚定位後現代社會通俗文本之創作與接受型態。The novel Gui Chui Deng, stories about the adventure of three tomb raiders, was serially posted on the internet by the writer Tian-xia-ba-chang and published later during 2006 to 2008. Due to the amazing sales performance of Gui Chui Deng, large amount of novel with the same theme were published in a short time. This phenomenon was called “Tomb Raid Fever”, and the name of “Tomb-raid Literature” appeared at the same time. This essay is a nearly complete text analysis of Gui Chui Deng. There is three parts. First, searching related elements of Gui Chui Deng and ancient literatures, and analyzing the usage of this novel. Second, arranging the context of Tomb-raid Literature. Fantasy Literature, Chinese Magic Fantasy Literature and Tomb-raid Literature own the same aesthetics, the spectacularity which is directly related with the progress media technology. In other words, multimedia text such as commercial films and electronic game, especially role play games, has great impacts to these types of literature. Third, researching the writing about the history of being intellectual youth in Gui Chui Deng. Gui Chui Deng belongs to Post- intellectual-youth Literature. Disgusting the usage of the language of Cultural Revolution (1966-76) is one of the important issue in this chapter. The analysis of Gui Chui Deng connects Chinese ancient culture and literature, Fantasy Literature system, multimedia context, and modern history issues. Besides to supplement the vacant of Tomb-raid Literature theory from modern literature field, this essay is also helping finding out more about the creation and acceptation process of similar types of novel.
顯示於類別:	[中國文學研究所] 博碩士論文

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