書寫日常生活：培瑞克、巴特及法國1980年後的文學發展;Writing about Everyday Life in France : Perec, Barthes and Writers after 1980 (I-Iii)

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題名:	書寫日常生活：培瑞克、巴特及法國1980年後的文學發展;Writing about Everyday Life in France : Perec, Barthes and Writers after 1980 (I-Iii)
作者:	許綺玲
貢獻者:	國立中央大學法國語文學系
關鍵詞:	語文
日期:	2012-12-01
上傳時間:	2014-03-17 12:00:17 (UTC+8)
出版者:	行政院國家科學委員會
摘要:	研究期間：10108~10207;This new project of my research, “Writing about Everyday life in France : Perec, Barthes and writers after 1980”to be realized during three years is a continuation and an extention of my actual project. Georges Perec (1936-82), during his writer’s career between 1960 and 1982, wrote many novels and essays, concerning more or less urbanism in modern Paris, the consumption society and nothingness of everyday life. For each work, he tried to modify or invent his writing strategy in order to correspond to the indeterminacy of everyday life. Roland Barthes, once considered as a “tutor”of thinking and rhetoric lessons by Perec for his first works, was also interested in everyday life details, and in his final College seminaries, he proposed terms like “haiku”, “romansque”, “fragments”, “fantastic reading”, “idiorrythmie”to deal with ethics as well as writing for his new life, “vita nova”. My plan of research will start by a close critical survey of the thinking “system”in late Barthesian writing, then take Barthes as sort of filtering method to examine texts of Perec, so as to define his style/ rythme; and finally I will pass to the production of French writers after 1980, such as Marc Augé, Jacques Roubaud, Julien Gracq, etc. to see how they receive and developpe literary “legacy”both from Barthes and Perec.
關聯:	財團法人國家實驗研究院科技政策研究與資訊中心
顯示於類別:	[法國語文學系] 研究計畫

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