本篇論文試圖處理十九世紀五○年代進入上海寓居的袁祖志，如何引領晚清文人參與洋場形象的塑造。文章首先聚焦在袁祖志進入上海的活動經歷，梳理袁祖志與上海文藝圈的密切關係。其次，就上海早期中文報紙描寫洋場的文學作品，分析文人看待洋場由抗拒走向接納的觀念轉型，以及袁祖志從中扮演的樞紐角色。第三，就《滬游雜記》與《重修滬游雜記》兩部介紹洋場的指標作品，探究對外展售的指南書在禁令管理、消費景觀、時間意識所呈現的都會風貌。最後，討論袁祖志遊歷海外撰寫的《談瀛錄》在中西風俗的比較視野與出版策略下，展示其溝通中西、連接上海與世界的意圖。;The present study aims to focus on how Yuan Zhu Chih lead the late Qing intellectual′s Shanghai description when he first started lived in Shanghai from 1850s. The first part of this essay is focus on Yuan Zhu Chih’s Shanghai experience, and analyze the relation between Yuan Zhu Chih and Shanghai literary circles.The second part is based on the chinese-language newspapers, to find out how Yuan Zhu Chih play important role in change the mindset of intellectuals from opposed to accept the "Shanghai" in literature. The third part is based on Hu You Za Ji (the notes on traveling in Shanghai) and Chong Xiu Hu You Za Ji (the renovation of the notes on traveling in Shanghai), both were introductory books of Shanghai, to inspect how a guidebook constructed an urban impression, by introduce the prohibition, consumer landscape and the time consciousness. Lastly, the perspective on looking the differences between eastern and western culture and the publishing strategy of Tan Ying Lu, wrote by Yuan Zhu Chih when he travel overseas, had shown his motivation for cultural exchange and connecting Shanghai with the world.
