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    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/66833

    Title: 從接受美學視角看臺灣客家歌謠的現代傳承與女性形象再現;A Study on Modern Inheritance and Female Image Reproduction of Taiwan Hakka Ballad from the Perspective of Aesthetics of Reception
    Authors: 黃霈瑄;HUANG,PEI-HSUAN
    Contributors: 客家語文研究所
    Keywords: 客家;歌謠;流行歌曲;接受美學;女性形象;Hakka;Ballad;Pop Songs;Reception aesthetic;Female images
    Date: 2015-01-13
    Issue Date: 2015-03-16 15:47:31 (UTC+8)
    Publisher: 國立中央大學
    Abstract: 本文係以接受美學觀點探討臺灣客家歌謠傳統與創新的接受情形,並且探究
    ;Based on the subject of Hakka female image reproduction, the paper explores the reception situation of Taiwan Hakka ballad tradition and innovation from the perspective of aesthetics of reception referring to British and American feminism theory as the concept basis. The study process applies text analytic method. Firstly,the study takes 63 pieces of traditional ballad texts from the pop Hakka albums from 1981 to 2013 as the text research range. It mainly takes the female image from Jauss’s Expectation Vision on Tradition and Innovation ballad text and applies British and American Feminism School to regard the female image of Taiwan Hakka ballads. The
    research finds that modern Hakka singers have their different innovation process to traditional ballad reception. Besides, the female images in the Hakka ballads explained from the perspective of British and American feminism are different in the female reproduction processes in different ballads which will be further explored in this study.
    Appears in Collections:[客家語文研究所] 博碩士論文

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