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    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/71711

    Title: Zola′s Paris Triology
    Authors: 蔡佩妤;Tsai,Pei-Yu
    Contributors: 英美語文學系
    Keywords: 左拉;巴赫金;班雅明;達爾文;怪誕理性主義;嘉年華;百貨公司;漫遊者;拱廊計畫;資本主義;Zola;Baktin;Benjamin;Darwin;grotesque realism;carnival;department store;flâneur;the arcade project;capitalism
    Date: 2016-08-23
    Issue Date: 2016-10-13 13:47:59 (UTC+8)
    Publisher: 國立中央大學
    Abstract: 此論文以三本自然主義小說為主軸,分別為酒店、娜娜和婦女樂園,以及三個理論家米哈伊爾‧巴赫金所撰寫的拉伯雷和他的世界,探討文中的怪誕理性主義和嘉年華、查爾斯‧達爾文在探討本能中的適者生存而不適者淘汰的論述以及華特•班雅明對於十九世紀巴黎的轉變記載在三本小說中如何各自被呈現。

    ;In this thesis on three Naturalist novels, L′assommoir, Nana and Au Bonheur des Dames, I respectively discuss the idea of grotesque realism and carnival in Mikhail Bakhtin′s Rabelais and His World, the idea of instinct in Charles Darwin′s survival of the fittest, and the idea of transition in Walter Benjamin′s literary theory.
    Émile Zola, the author of L′assommoir, Nana and Au Bonheur des Dames, is obviously connected with those three intellectuals′ theories, and his L′assommoir, Nana and Au Bonheur des Dames can be viewed as his response and his reverse of the original idea to the intellectual positions of Bakhtin, Darwin, and Benjamin. As a Naturalistic novelist who seeks to depict reality, Zola has his characters cope with their internal and external conditions, and his narration is then tinged with Bakhtin′s, Darwin′s and Benjamin′s ideas. In light of Bakhtin′s Rabelais and His World, Darwin′s survival of the fittest, and Benjamin′s literary theory, the characters in L′assommoir, Nana and Au Bonheur des Dames are shown to be helpless creatures in a competitive universe which is based on capitalism.
    Appears in Collections:[英美語文研究所 ] 博碩士論文

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