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|題名: ||張夢機詩晚期風格;The Late Style of Zhang Meng-Ji′s Poems|
|作者: ||汪筱薔;Wang, Hsiao-Chiang|
|關鍵詞: ||張夢機;晚期風格;臺灣古典詩;Zhang Meng-Ji;Late Style;Classical poetry of Taiwan|
|上傳時間: ||2017-05-05 17:09:59 (UTC+8)|
|摘要: ||本文探討臺灣當代古典詩人張夢機(1941－2010)詩晚期風格。由「晚期風格」(Late Style)理論獲得啟發，同時重視作者視域觀點與詩歌文本所鑲嵌的文化脈絡，以「史傳研究法」探悉創作全貌，深入考察張夢機晚期風格的成因與特色、詩法文字與主體精神展現，進一步思考抒情傳統所體現的「晚期風格」。|
;Zhang Meng-Ji(1941-2010) is a contemporary classical poet in Taiwan from the late twenty to early twenty-first century. This study inspired by the Late Style Theory is to explore Zhang’s poems during his late lifetime period. We pay much attention not only to the viewpoint of Meng-Ji himself, but also to the cultural context that the poems based on. This study makes an in-depth investigation to the origin and characteristics of Zhang′s late poems style, including his poetic skills and subjective spirit, and does further study to the "Late Style" embodied in the Chinese lyrical tradition.
In the beginning, the study reviews the lifetime achievements of Zhang Meng-Ji and the process of his personal work style which formed and shaped the outline of his late style. Then we probe gradually and thoroughly to picture the prosperous structure of this style from three aspects, including subjective characteristics, format of poem methodology and the poet’s inner world.
Zhang’s works showed contradictory late style feature and harmonious cultural wisdom in his later poems. Those truly reflected the ups and downs of the poet′s feeling and carried out the attitude of "being loyal to himself". As a result, the emotional expression played a crucial role in his writing, and often lead his nature awareness to create, his poem became majorly earnest.
British poet John Milton once said: "Who wants to be a poet, he himself must be a true poem." Zhang Meng-Ji reveals a great abundance of creative energy and the heat for life in his late poems, he profoundly conveys magnificent poetic style in the poet appearance and the soul of poetry.
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