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    請使用永久網址來引用或連結此文件: http://ir.lib.ncu.edu.tw/handle/987654321/72861


    題名: 漢魏樂府表演藝術研究;The Research on the Performing Art of the Han and the Wei Dynasties’ Yuefu
    作者: 謝燕履;Yanlu, Xie
    貢獻者: 中國文學系
    關鍵詞: 漢魏;表演藝術;樂府;Han Wei;Performing Arts;Yuefu
    日期: 2017-03-10
    上傳時間: 2017-05-05 17:10:06 (UTC+8)
    出版者: 國立中央大學
    摘要: 歷來多數學者皆將漢魏之際之樂府定位成具備社會政治功能、可以反映民間社會現實的詩篇,筆者認為此種說法尚有可商榷的空間。根據各方面的考察,當時的樂府當為一種「表演藝術」。因此,本文便藉由對漢魏樂府文本之主題內容、寫作形式兩方面分析探究的方式,來證明漢魏樂府為一種「表演藝術」。
    本文各章內容安排如下:第一章「緒論」;第二章探看「漢魏樂府表演藝術之流行性」。包含作品中以悲為美,以哀為尚之主題內容與文字淺白、老嫗能解之用詞造句特性表現,其中可見流行性特質所展現的表演藝術性;第三章探究「漢魏樂府表演藝術之口說性」。聲口轉換之運用及設問技巧之使用展現出濃厚的口說性,此能說明漢魏樂府為一種說唱表演,故透過其口說性表現可見其中所蘊含的表演藝術特性;第四章探討「漢魏樂府表演藝術之故事性」。第三人稱全知觀點敘事手法推展劇情、典故事例引發共鳴、賦彩描摹技巧加深印象等手法展現出濃烈的故事性,而其故事性特點又能符合表演藝術之特質內涵,因而能據此論證漢魏樂府為一種表演藝術;第五章探論「漢魏樂府表演藝術之音樂性」。漢魏樂府作品中套式之運用與句式之節奏性表現皆展露其音樂性,而音樂即為一種表演藝術,故從中可證漢魏樂府為一種表演藝術;第六章「結論」。
    經由析論漢魏樂府作品中所展現的「流行性」、「口說性」、「故事性」、「音樂性」四層面之主題內容、寫作形式,得以觀見其表演特性,進而證明漢魏樂府為一種「表演藝術」。
    ;Historically, most scholars have positioned that Yuefu of the Han dynasty and the Wei dynasty as a poem with social and political functions and can reflect the reality of civil society at that time. The author thinks that it is room for further discussion. According to various aspects of the study, Yuefu was considered as a “Performing arts” at that time. Therefore, in this research, it is proved that the Han and the Wei dynasties’ Yuefu is a kind of “Performing arts” by analyzing its subject and the writing style.
    This thesis includes six chapters: the first chapter is the “Introduction” ; the second chapter discussed about the “Epidemic of Performing Arts in the Han and the Wei dynasties’ Yuefu”. The subject of advocating the sad aesthetic and the understandable characters in the works, which show the performing characteristics in the epidemic; the third chapter focused on the “Mouthfulness of the Performing Arts in the Han and the Wei dynasties’ Yuefu”. The using of the mouth of the conversion and the using of skills about putting question to show a strong mouthfulness that can explain the Han and the Wei dynasties’ Yuefu as a rap performance, so the performing arts features can be seen through the performance of the mouthfulness; the fourth chapter contained the “Storytelling of the Performing Arts of in the Han and the Wei dynasties’ Yuefu”. The narrative techniques of third-person omniscient view to promoted the plot, allusions to cause resonance, coloring skills to deepen the impression etc. These can show a strong storytelling, and its Storytelling’s features can meet the characteristics of performing arts, and thus can prove the Han and the Wei dynasties’ Yuefu as a performing arts; the fifth chapte concentrated on the “Musicality of Performing Arts in the Han and the Wei dynasties’ Yuefu”. The using of nested and the rhythm of the sentence in the Han and the Wei dynasties’ Yuefu are revealing its musicality, and the music is a performing arts, so that the Han and the Wei dynasties’ Yuefu can be proved to be a performing arts; chapter six is the “Conclusion”.
    This research studied the subject and writing style of “Epidemic”, “Mouthfulness”, “Storytelling” and “Musicality” in the Han and the Wei dynasties’ Yuefu, that showed its performing characteristics. In addition, it is provide the further proof that the Han and the Wei dynasties’ Yuefu is a “Performing Arts”.
    顯示於類別:[中國文學研究所] 博碩士論文

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