| 摘要: | 「女冠」，即女道士。唐五代女冠是一個複雜而特殊的社會階層，女冠階層的形成，有其社會文化等多方面的原因。唐朝公主、嬪妃入道修真，帶動了社會上的女子修道之風。文化層次比較高的知識女性更多的介入道門，提升了女道士階層的整體文化素質。像李冶道、魚玄機、薛濤等人的「仙詩」，富有渴望成仙的浪漫色彩，大多收入了《全唐詩》裡。
本文擬從不同性別的寫作者角度，「觀看」女冠這種特殊身份的女性主題，在唐五代詩詞中具有何種的地位及影響。並嘗試比較「女性詩人筆下的女冠」與「男性詩人筆下的女冠」之差異，從中瞭解書寫者的性別對於作品本身的影響。其次，唐代開放的社會風氣，對於「女冠」的看法為何？女性的社會地位是否得到真正的解放？抑或只是遊走於慾望之間的情慾書寫？筆者希望藉由本文，從唐五代詩詞文本中，探尋女冠在性別、宗教、文學三個面向交互作用下所激放出來的燦爛火花。
關鍵詞：女冠 女道士 女冠詩人 女冠詩詞
;"Female Crown", that is, female Taoist priest. Tang and Five Dynasties Female Crown is a complex and special social class, the formation of Female Crown class, with its social and cultural reasons. Princess Tang Dynasty, concubines into the road comprehension, led the community of women in the wind of the monasticism. Cultural level of higher knowledge of women more intervention in the door, to enhance the overall quality of the female morality class. Like Li Ye Dao, Yu Xuan Ji, Xue Tao, who′s "fairy poem", full of desire for immortal romantic, most of the income of the "full Tang Poem".
This article intends to view the status and influence of the female subject of this special status in the poems of the Tang and Five Dynasties from the perspective of different gender writers. And try to compare the difference of Female Crown between "female poet′s " and "male poet′s ", from which to understand the gender of the writer′s influence on the work itself. Secondly, the Tang Dynasty open social atmosphere, for the "Female Crown" view? Does the social status of women get real liberation? Or is it just wandering between desire and desire to write? I hope that this article, from the Tang and Five Dynasties poems in the text, to explore the female crown in gender, religion, literature, three interaction for the excitement of the brilliant spark.
Key words: Female Crown, Female priest, Female Crown poet, Female Crown poetry |
