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    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/74289

    Title: 客家戲曲中的人物塑造 -以榮興客家採茶劇團之《大隘風雲》為例;The Shaping of Characteristics in Hakka Dramas Here,we take “Da-ai Legends of Drama” of Rom Shing Hakka Opera Troupe for example.
    Authors: 温孟樺;Hua, Wen-Meng
    Contributors: 客家語文研究所
    Keywords: 客家大戲;《大隘風雲》;北埔事件;人物形象;戲曲行當
    Date: 2017-08-23
    Issue Date: 2017-10-27 13:42:04 (UTC+8)
    Publisher: 國立中央大學
    Abstract: 客家戲曲經過百年的歷史,以人物形象的塑造,創造出有別於其他劇種的文化特質。本研究以「榮興客家採茶劇團」2008年客家大戲《大隘風雲》為研究對象,探討編導演如何運用文字文本及表演文本的構思,塑造角色劇中的形象,突顯人物性格,讓故事情節環環相扣。
    ;Hakkas drama(opera) has experienced nearly one hundred years. The figure molding is created by culture characteristic that is different from other operas. The study using “The Legends Of Da-ai ” (大隘風雲) by Rom Shing Hakka Opera Troupe (榮興客家採茶劇團) from Miaoli in 2008 to discuss how to perform script conception and mold the role in the opera in order to make characters stand up and then the story becomes interesting and closely interconnected and inseparable.
    Defined as five chapters, including the first chapter Introduction and the last chapter Conclusion, to talk about “The Legends Of Da-ai” (大隘風雲) plays an important role of Hakkas drama. The second Chapter discussed the creation and development of Hakka’s drama in order to point out “The Legends Of Da-ai”(大隘風雲) is very important representative work and explain its meaning and worth. The third Chapter summarized the historical incident of “The Legends Of Da-ai”(大隘風雲) to understand the director how to distinguish between real events and story to show “Point of view”, “plot” and“Character Type” in Dialogue Operating. It also investigated its final effect. The four chapter is based on the traditional drama themes to see the director how to imagine the characters in the play. The investigation is also to know performers how to mold through dialogues and body-language to make the new life in the Hakka’s history.
    Appears in Collections:[客家語文研究所] 博碩士論文

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