;The study introduces the conception of "Aesthetics of Relinquishment", it is to reveal the rich signification in Chuang-Tzu’s idea about “Non-human”, try to correspond the contemporary environmental aesthetics. To be targeted at the straits about how to get the adequate solutions and development limitation, it is intent to create an optimal viewpoint of environmental aesthetics by cross-reference with the emergence theory and the deep naturalistic experientialism, and to reconstruct an aesthetics in everyday life.
It is to investigate the specific issues, the researches of relative domains and themes by “the interpretations of paradigm shift”: that is, by analyzing the contexts, the semantics, and the inferential structures to uncover the significations of texture, coordinating with the dimensions of the meanings, the senses, and the implications.
The main practical embodiments by “I lost myself” and “the transformations of things” are able to emerge creatively with everything as a whole, so as to exhibit an impetus with open, dynamic, and plural qualities of freedom. Wholly, it highlights and makes the human-being assure distinct inherent characters as an individual living with specific meanings and values.
The “Reservoir of Heaven” and the “inner light” are in action that emerge an background of “fitness” by the embodiment of Tao, making the diverse parts of emergence to transform naturally, and leading to new meanings and values with new interactive ways. That is the deep implication of connection between “the Transformation” and “the Enjoyment” with the attitude of “Art”: Each novel emergence triggers more multivariate and richer items in life that open a different viewpoint or view-scape, thus, the life will full of diverse wonders, touching and possibility.