放下的美學：從《莊子》「非人」實義探究生活突現之美;Aesthetics of Relinquishment: A Study of Emergent Beauty in Everyday Life from the Signification in Chuang-Tzu’s “Non-Human”

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題名:	放下的美學：從《莊子》「非人」實義探究生活突現之美;Aesthetics of Relinquishment: A Study of Emergent Beauty in Everyday Life from the Signification in Chuang-Tzu’s “Non-Human”
作者:	吳鈺崧;Wu, Yu-Sung
貢獻者:	哲學研究所
關鍵詞:	天府;吾喪我;物化;放下;突現美學;莊子;葆光;Reservoir of Heaven;I lost myself;the transformations of things;relinquishment;emergence aesthetics;Chuang-Tzu;inner light
日期:	2017-07-05
上傳時間:	2017-10-27 13:47:57 (UTC+8)
出版者:	國立中央大學
摘要:	本文提出「放下的美學」觀點，揭露《莊子》思想有關「非人」要義所隱涵的豐富實義，試圖照應當前環境美學研究的學術要求，針對當中的解題困境和發展限制，交互參照突現美學理論和莊子式的深層自然體驗論，重構為一種生命∕生活向度的美學，據此以開發環境美學在學術經營上一個更佳的視點。本文採用「典範轉移的文獻解讀法」探究不同文獻或傳統之間的特定議題、研究論域和主題，此係以脈絡性分析、語意分析和推論結構分析為主要方法，並且照應「文意建構」的操作要領：意義、意含和涵義等向度的解讀、理解和詮釋需求，以揭露隱含的實義。本文指出透過「吾喪我」、「物化」等工夫實踐歷程，能與事物整全地生發創意性突現，進以促動並展示其開放的、動態的與多元的自主自由的創造性特色，從而也整體地彰顯並且保障了人存作為生命個體成員自身所訴求的個殊意義與價值歸趨之獨特性內涵。在「天府葆光」的發用下，藉由體道突現「適」之背景，促使各種突現因子自然地轉化並以新的互動方式再引發新的意義與價值，此即以「藝」的態度嵌結「化」、「遊」二者的深層涵義：每一次的新穎突現都有可能讓人發現生活∕生命更多元、更豐富的促動因子，是以也為人打開不同的視野或景觀，因而生活世界處處充滿了不同的驚奇、感動與各種可能。 ;The study introduces the conception of "Aesthetics of Relinquishment", it is to reveal the rich signification in Chuang-Tzu’s idea about “Non-human”, try to correspond the contemporary environmental aesthetics. To be targeted at the straits about how to get the adequate solutions and development limitation, it is intent to create an optimal viewpoint of environmental aesthetics by cross-reference with the emergence theory and the deep naturalistic experientialism, and to reconstruct an aesthetics in everyday life. It is to investigate the specific issues, the researches of relative domains and themes by “the interpretations of paradigm shift”: that is, by analyzing the contexts, the semantics, and the inferential structures to uncover the significations of texture, coordinating with the dimensions of the meanings, the senses, and the implications. The main practical embodiments by “I lost myself” and “the transformations of things” are able to emerge creatively with everything as a whole, so as to exhibit an impetus with open, dynamic, and plural qualities of freedom. Wholly, it highlights and makes the human-being assure distinct inherent characters as an individual living with specific meanings and values. The “Reservoir of Heaven” and the “inner light” are in action that emerge an background of “fitness” by the embodiment of Tao, making the diverse parts of emergence to transform naturally, and leading to new meanings and values with new interactive ways. That is the deep implication of connection between “the Transformation” and “the Enjoyment” with the attitude of “Art”: Each novel emergence triggers more multivariate and richer items in life that open a different viewpoint or view-scape, thus, the life will full of diverse wonders, touching and possibility.
顯示於類別:	[哲學研究所] 博碩士論文

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