| 摘要: | 本計畫《手抄本中的崑曲流播考──以金華武義崑曲舊抄本為研究主軸》，乃是思考草崑的研究開展新課題的可能。崑腔流播異地，是持續的歷程，崑曲史不同階段，以及崑腔流播過程中，與各地流行聲腔的相互影響，都成為草崑現存樣貌的一部分。換言之，草崑的劇目與特色，不僅是表演場域的反映，當中更存在崑曲發展的「歷史痕跡」與「路徑」，但「歷史痕跡」與「路徑」是什麼？如何辨析？對崑劇史、崑劇流播有什麼研究意義？如何進行這方面的研究？本計畫從抄本間的差異切入，考證差異的源流，及其中反映的崑曲流播問題。由於草崑遍佈各地，範疇過大，本計畫選擇金華崑曲老藝人舊抄本五種為研究主軸:《火焰山・借扇》、《白蛇傳》三折、《荊釵記》、《鐵冠圖》、《長生殿》，以相關抄本為參照，從「劇目」切入，觀察崑腔劇目流播的可能線索。研究方法從抄本相互參照中，釐清可供研究的個案，深入探討個案所反映的現象，並從整體觀照的角度，探討崑劇及其劇目流播的相關問題。此外，本計畫也關注近年漸次出版的藏書抄本，運用抄本進行金華崑研究的過程中，考證這些相關抄本的學術定位，以期有助於後續相關研究的開展。 ;This project "Quanqu flow in the manuscripts - the use of Jinhua Wuyi Kunqu old manuscript as the main axis of research" is to consider the research of Cao Kun, whether there is still the possibility of launching new topics. The Kunming cavity is a continuous process, and the different stages of the Kunqu history, as well as the interaction between the popular sound chambers and the local sound chambers, have become part of the existing appearance of Cao Kun. In other words, Cao Kun's repertoire and features are not only a reflection of the performance field, but also the "historical traces" and "paths" of Kunqu's development. But what are the "historical traces" and "paths"? How to distinguish? What is the research significance of Kunqu Opera History and Kunqu Opera Streaming? How to conduct research in this area? The plan cuts through the differences between the transcripts and observes the streaming problems reflected by the differences. Because Cao Kun is spread all over the country, the scope is too large. The plan selects five kinds of old manuscripts of Jinhua Kunqu Opera as the main research axis: "Flame Mountain, Fan Fan", "White Snake Biography", "Jing Xi Ji", "Iron Crown Map" ""The Longevity Hall", based on the relevant transcripts of the large collections of books published in recent years, is cut into the "drama" and observes the possible clues of the Kunqu Opera repertoire. The research method clarifies the cases available for research from the cross-reference of transcripts, and deeply explores the phenomena reflected in the cases, and discusses the related issues of Kunqu Opera and its repertoire from the perspective of overall observation. In addition, the project also pays attention to the transcripts of the collections that have been published in recent years. In the process of using the transcripts for Jinhuakun research, the academic orientation of these related transcripts is examined, with a view to contributing to the follow-up research. |
