《紅樓夢》自題名至全書情節推演，交織著豐富的眼目／視覺書寫。本論文策略性地擇取小說三個題名，分頭尋繹文本中不同面向的視覺書寫。「名與目」即標示出《紅樓夢》與「紅」，《風月寶鑑》與「鏡」以及《石頭記》與「眼」的論述架構及觀點。本文著眼於小說中的視覺元素、視覺物件乃至於視覺器官，探究其在敘事、象徵、寓意等層面的意涵，從中見出小說對於傳統資源的承繼與創新，進而掘發小說家超前的未來想像。再者，亦對魯迅「多立異名，搖曳見態」的表述作出回應。本文細讀小說文本，參照脂批評點，奠基前賢之論，進而衍伸補充，冀能再對《紅樓夢》的經典性有所詮釋與發明。;It can be easily deduced from the title that The Dream of the Red Chamber novel includes a lot of visual elements and imageries. This paper "Names and Visuals" strategically discusses the 3 alternate titles of the novel, and separately interprets the visual writing of different aspects among them. The title indicates the paper will focus heavily on the ′Red′ element of The Dream of the Red Chamber, the ′Mirror′ element of A Mirror for the Romantic, and lastly the ′Eye′ element of The Story of the Stone. This article follows this path and explores the role of visual elements, visual objects, and even visual organs in the text at the narrative, symbolic, and implied levels, and sees the inheritance and innovation of traditional resources in the novel, and then explores the novelist’s advanced futuristic imagination. Furthermore, the author also responded to Lu Xun′s statement of "creating different names and interpretations" through this paper. While referring to Zhi Yan Zhai′s criticism and foundation of previous scholars, this paper carefully examines the text of the novel, and further develops and supplements it, hoping to re-propose a new interpretation of the classics of The Dream of the Red Chamber.
