魏晉辭賦的圖像化書寫;The Visualizing-Writing Pattern Of Wei-Jin Fu

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題名:	魏晉辭賦的圖像化書寫;The Visualizing-Writing Pattern Of Wei-Jin Fu
作者:	陳秀彥;Chen, Shiou-Yan
貢獻者:	中國文學系
關鍵詞:	魏晉賦;圖像;玄學;物色;寫物;巧構形似;Wei-Jin Fu;Visualizing;metaphysics;wu se;sie wu;ciao gou sing sih
日期:	2022-08-20
上傳時間:	2022-10-04 10:50:55 (UTC+8)
出版者:	國立中央大學
摘要:	在魏晉時期的辭賦作品中，文人善於透過各種具象的文字形容，來試圖展現自身的創作意旨，這些作品中以文字呈現出的具體圖像包含人、物、景，種類繁多，情境逼真，這樣的文學現象，本研究稱之為「圖像化書寫」。「圖像化書寫」係指文人在作品中以文字為媒介來描繪出具體圖像的創作手法，且勾勒之圖像除客觀之存在外，亦包含了主觀的想像。此手法使用的目的乃在於突破抽象性語言文字對於觀念指涉的限制，能夠更大程度地發揮出創作主體的創作意念，以貼合個人種種難以言說的幽微心緒。「圖像化書寫」的運用，早在先秦的作品中便已略具雛形，然對於此文學現象的討論，多囿於傳統的比興、物色觀念，而未有完整而系統性的觀照。本文透過梳理自先秦、兩漢、建安之際文學史的內部演化歷程，以及分析魏晉時王弼玄學「立象盡意」觀與人物品評風氣對於文學領域的推波助瀾，得以證明「圖像化書寫」的表現模式至魏晉發展已臻於成熟。本文將「圖像化書寫」的表現手法分成點型圖像、線型圖像、面型圖像三個樣態，以此詳細分析在抒情與說理內容的文本中，文人如何使用不同的表現手法，達到展露作品意旨的目的。魏晉文人善於採取圖像化的文字表露主體之情志，同時利用作品中各種圖像式語言的象徵，亦能更好地掌握對於形而上內容真理的指涉。因此，透過「圖像化書寫」的表現技巧，中國古代文人困擾已久的言／意隔閡的問題，終於獲得了一個解決之道，而在此寫作模式的影響下，亦造成了魏晉之後的文學作品具有愈加趨向於「巧構形似」的風尚。 ;In Wei-Jin dynasties, writers are good at expressing writing meanings with vivid and detailed concrete descriptions, including people, objects, and scenes. This common phenomenon of Wei-Jin Fu literature, is called ‘’Visualizing-Writing Pattern’’ in this thesis. ‘’Visualizing-Writing Pattern’’ is a literary form to display concrete pictures via words. The content of Fu is not only describe objective existence, buy also subjective imagination. The reason of using ‘’Visualizing-Writing Pattern’’ aims to break though the limit of abstract language on conceptual reference, fitting authors’ indescribable opinions better. The embryonic form of ‘’Visualizing-Writing Pattern’’ was starting in Pre-Chin era. However, most of the researchers are using the traditional viewpoint instead of developing a comprehensive and systematic proposition. As a result, this thesis will go through the internal evolution process of Chinese literary history from Pre-Chin era to Jian-an era, Additionally, it will analyze the influence of Wang-Bi ’’ li siang jin yi’’ （立象盡意）theory and Figures Evaluation culture to better prove the maturity of the “Visualizung-Writing Patten” in Wei-Jin dynasties. This thesis will classify ‘’Visualizing-Writing Pattern’’ to three types: point type, line type, plane type, to analyze the different skill between emotional and logical texts. In summary, with the literary form of “Visualizing-Writing Pattern’’, the inference problem (the gap between words and meaning) that has plagued Chinese writers for a long time finally has a solution, which has also caused the “ciao gou sing sih”（巧構形似） fashion of the Northern and Southern Dynasties.
顯示於類別:	[中國文學研究所] 博碩士論文

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