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    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/93678

    Title: 國立臺灣文學館館藏佐佐木康之藏書票研究;A study of Sasaki Yasuyuki’s bookplates from the National Museum of Taiwan Literature
    Authors: 鄒妮廷;TSOU, Ni-Ting
    Contributors: 藝術學研究所
    Keywords: 藏書票;國立臺灣文學館;佐佐木康之;ex-libris;bookplate;National Museum of Taiwan Literature;Sasaki Yasuyuki
    Date: 2024-01-17
    Issue Date: 2024-03-05 18:00:46 (UTC+8)
    Publisher: 國立中央大學
    Abstract: 國立臺灣文學館擁有目前全臺規模最大的藏書票收藏,計有8000餘件藏書票,以及周邊相關的文獻資料,其中80%以上來自日本藏家佐佐木康之所捐贈的藏書票。
    ;National Museum of Taiwan Literature (NMTL) harbors the largest collection so far in Taiwan of more than 8000 bookplates (or ex-libris), of which more than 80% come from the donation of Japanese collector Sasaki Yasuyuki (1942-2021).

    As a piece of paper embossed on the inside of a book cover to mark the owner of a book, bookplate is generally made using replicable printing techniques, as such it can also be regarded as a kind of small print. Having always a small audience, low circulation, bookplates are closely connected to books. They rarely become object of independent collection, even less of purposely setting up special collection institutions. Established in 2007, NMTL has its own institutional mission. Apparently, if not the connection between bookplate and book, few seems justify this collection for NMTL. However, a series of historical opportunities have made NMTL the leading institution and showcase of domestic bookplates collection.

    On the other hand, Sasaki Yasuyuki’s bookplates, which constitute the core of the NMTL’s bookplates collection, are the result of 30 years of collection activities. It has also been claimed by the donor to be representative of the history of modern Japanese bookplates. The main research objective of this thesis is set on the study of this collection. In my research, these bookplates are considered not only as works of art, but also as deposits of social relationships. Through literature discussion and formal comparison, this research will try to demonstrate the contextual factors that played a role in the formation of this collection, and the changes in classification order brought about by institutional collection, so as to establish a basis for further research in the future.
    Appears in Collections:[藝術學研究所 ] 博碩士論文

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