參考文獻 |
文獻及早期資料
1.市川渡,《尾蠅歐行漫錄》,1862,收於大塚武松編,《遣外使節日記纂輯第二》,東京:日本史籍協會,1929。
2.淵辺徳蔵,《歐行日記》,1862,收於大塚武松編,《遣外使節日記纂輯第三》,東京:日本史籍協會,1930。
3.葛飾北齋,《一筆畫譜》,名古屋:永樂屋東四郎,1823,個人藏。
4.葛飾北齋,《北齋漫畫》全十五編,名古屋:永樂屋東四郎,1814,個人藏。
5.葛飾北雲,《北雲漫畫》初編,名古屋:永樂屋東四郎,1824,個人藏。
6.福澤諭吉,《西航記》,1862,收於福澤諭吉,《福澤諭吉全集》第十九卷,東京:岩波書店,1971。
7.溪齋英泉,《神事行燈》三編,名古屋:永樂屋東四郎,1829,慈幼宗座大學藏本。
8.溪齋英泉、歌川廣重,《浮世畫譜》全三編,江戶:須原屋茂兵衛,1830,大英博物館藏本。
9.Alcock, Rutherford. Art and Art Industries in Japan. London: Virtue and Co, 1878.
10.Alcock, Rutherford. Catalogue of Works of Industry and Art, Sent from Japan. London: William Clowes and Sons, 1862.
11.Alcock, Rutherford. Familiar Dialogues in Japanese with English and French Translations. Paris: Benjamin Duprat; London: Trübner and Co, 1863.
12.Alcock, Rutherford. “Japanese Art.” The Art Journal New Series, Vol.1 (1875): 101-105, 197-202, 337-339.
13.Alcock, Rutherford. “Japanese Art.” The Art Journal New Series, Vol.2 (1876): 41-44, 110-113.
14.Alcock, Rutherford. “Japanese Art.” The Art Journal New Series, Vol.3 (1877): 73-76, 134-136.
15.Alcock, Rutherford. “Japanese Art.” The Art Journal New Series, Vol.4 (1878): 77-79, 233-236, 261-264.
16.Alcock, Rutherford. “Narrative of a Journey in the Interior of Japan, Ascent of Fusiyama, and Visit to the Hot Sulphur-Baths of Atami, in 1860.” The Journal of the Royal Geographical Society of London (1861): 321-356.
17.Alcock, Rutherford. “Narrative of a Journey Through the Interior of Japan, from Nagasaki to Yeddo, in 1861.” The Journal of the Royal Geographical Society of London (1862): 280-293.
18.Alcock, Rutherford. “Old and New Japan: A Decade of Japanese Progress.” The Contemporary Review (1880): 827-850.
19.Alcock, Rutherford. The Capital of the Tycoon, 2 Vols. London: Longman, Green, Longman, Robert, & Green, 1863.
20.Anonymous.“A Japanned Article.” Temple Bar, 1 July. 1863:281.
21.Anonymous.“Art and Art Industries in Japan.” The Morning Post, 31 December. 1878:3.
22.Anonymous.“Art and Art Industries in Japan.” The Pall Mall Gazette, 17 August. 1878:12.
23.Anonymous. “Art and Art Industries in Japan.” The Spectator, Vol.51 Iss.2614 (3 August,1878): 989-990.
24.Anonymous. “Art Books.” The Academy, Vol.14 Iss.334 (21 September, 1878): 302-303.
25.Anonymous.“Current Literature.” London Daily News, 20 August. 1878:2.
26.Anonymous.“International Exhibition.” The Times, 29 March. 1862:7.
27.Anonymous.“International Exhibition.” The Times, 15 May. 1862:11.
28.Anonymous.“International Exhibition.” The Times, 27 June. 1862:5.
29.Anonymous.“Japan at The Exhibition.” Cork Constitution, 2 July. 1862:no page number.
30.Anonymous.“Japan at The Exhibition.” The Irishman, 5 July. 1862:304.
31.Anonymous.“New Books.” Evening Standard, 9 September. 1878:2.
32.Anonymous.“Printing and Bookbinding in The International Exhibition.” The Illustrated London News, 27 September. 1862:350.
33.Anonymous.“Sir Rutherford Alcock On Japan.” The Times, 4 April. 1863:7.
34.Anonymous.“The Japanese Court in The International Exhibition.” The Illustrated London News, 20 September. 1862. In Bennett, Terry edited. Japan and The Illustrated London News: Complete Record of Reported Events, 1853-1899. Folkestone, Kent: Global Oriental, 2006, pp. 102-103.
35.Anonymous.“The Japanese Mission.” The Illustrated London News, 24 May. 1862. In Bennett, Terry edited. Japan and The Illustrated London News: Complete Record of Reported Events, 1853-1899, Folkestone, Kent: Global Oriental, 2006, p. 94.
36.Audsley, George Ashdown. The Ornamental Arts of Japan, 2 Vols. London: Sampson Low, Marston, Searle & Rivington, 1882.
37.Audsley, George A., James L. Bowes. Keramic Art of Japan, 2 Vols. London: Sampson Low, M. C. R, 1875.
38.Burges, William. “The International Exhibition.” The Gentleman’s Magazine (July, 1862): 3-12.
39.Cassell, John. Cassell’s Illustrated Exhibitor: Containing about Three Hundred Illustrations : with Letter-Press Descriptions of All The Principal Objects in The International Exhibition of 1862. London: Cassell, Petter, & Galpin, 1862.
40.Cutler, Thomas William. A Grammar of Japanese Ornament and Deign. London: B. T. Batsford, 1880.
41.Dresser, Christopher.“Botany, as Adapted to The Art and Art Manufacture.” The Art Journal (1857): 17-19, 53-55, 86-88, 109-112, 249-252, 340-342.
42.Dresser, Christopher.“Botany, as Adapted to The Art and Art Manufacture.” The Art Journal (1858): 37-39, 237-239, 293-295, 333-335, 362-364.
43.Dresser, Christopher. Japan: Its Architecture, Art, and Art Manufactures. London: Longmans, Green, and Co; New York: Scribner and Welford, 1882.
44.Dresser, Christopher.“Japanese Ornamentation.” The Builder (2 May, 1863): 308-309.
45.Dresser, Christopher.“Japanese Ornament.” The Builder (13 June, 1863): 423-424.
46.Dresser, Christopher.“The Art Manufacturers of Japan, from Personal Observation.” Journal of the Society of Arts 26 (1 February, 1878): 169-177.
47.Dresser, Christopher.“The Ornamental Art of Japan.” The Builder (23 May, 1863): 364-366.
48.Gonse, Louis. L’Art Japonais, 2 Vols. Paris: A. Quantin, 1883.
49.Jarves, James Jackson. A Glimpse at the Art of Japan. New York: Hurd and Houghton, 1876.
50.Leighton, John.“On Japanese Art.” The Journal of the Society of Arts (24 July, 1863): 596-599.
51.Leighton, John. On Japanese Art: A Discourse Delivered at the Royal Institution of Great Britain, May 1, 1863. London: Privately Printed, 50 Copies Only, 1863.
52.Michie, Alexander. The Englishman in China During the Victorian Era, 2 Vols. Edinburgh: W. Blackwood Publisher, 1900.
53.Royal Commission for the Paris Exhibition (1878). Official Catalogue of the British Section. London: George E. Eyre and William Spottiswoode, 1878.
54.Symonds, John Addington. Miscellaneous. London: Macmillan and Co, 1871.
55.Waring, John Burley. Masterpieces of Industrial Art & Sculpture at The International Exhibition, 1862, 3 Vols. London: Day & Son, 1863.
56.Wirgman, Charles. “A Journey in Japan.” The Illustrated London News, 24 May. 1862. In Bennett, Terry edited. Japan and The Illustrated London News: Complete Record of Reported Events, 1853-1899. Folkestone, Kent: Global Oriental, 2006, pp. 97-100.
57.Exhibition of the Works of Industry of all Nations,1851: Reports by the Juries on the Subjects in the Thirty Classes into Which the Exhibition Was Divided. London: William Clowes & Sons, 1852.
58.International Exhibition 1862: Medals and Honourable Mentions Awarded by The International Juries; with a List of Jurors, and the Report of the Council of Chairmen. Second Edition. London: Eyre & Spottiswoode, 1862.
59.The International Exhibition of 1862: The Illustrated Catalogue of The Industrial Department, 4 Vols. London: R. Clay, Son and Taylor, 1862.
60.Transactions of the Society, Instituted at London, for the Encouragement of Arts, Manufactures, and Commerce, Vol.XLIII. London: The Royal Society for Arts, Manufactures and Commerce, 1825.
近人著作
1.丁錫鏞,《1851至2005年世界博覽會全紀錄》上冊,臺北:嵐德,2006。
2.上海圖書館編,《中國與世博歷史紀錄(1851-1940)》,上海:上海科學技術文獻出版社,2002。
3.石川榮吉,《欧米人の見た開国期日本:異文化としての庶民生活》,東京:風響社,2008。
4.平野繁臣,《国際博覽会歴史事典》,東京:內山工坊,1999。
5.吉見俊哉,《博覽會的政治學:視線之現代》(博覽会の政治学:まなざしの近代),蘇碩斌、李衣雲、林文凱、陳韻如譯,臺北:群學,2010。
6.西岡淑雄,〈オールコックの見た大坂の芝居その他ワーグマン研究拾遺〉,《英学史研究》22號(1989),頁47-60。
7.西垣江利子,〈『日本の美術と工藝』にみるラザフォード・オールコックの日本美術観について〉,《千里山文学論集》97期(2017.09),頁73-92。
8.西垣江利子,〈江戸の工芸デザインとクリストファー・ドレッサーの日本趣味:ラザフォード・オールコックの日本美術コレクションを中心に―〉,《日本デザイン学会 デザイン学研究》65期(2018),頁36-37。
9.巫佩蓉,〈十九世紀後期西方旅人對日本早期佛教美術之認知──以1880 年代英文版旅行手冊為中心的考察〉,《新史學》30卷1期(2020.03),頁103-147。
10.佐野真由子,《オールコックの江戸:初代英国公使が見た幕末日本》,東京:中央公論新社,2003。
11.佐野真由子編,《万国博覧会と人間の歴史》,京都:思文閣出版,2015。
12.佐藤道信,〈近代日本の「美術」と「美術史」〉,《現代美術學報》東亞近代美術的開展與折射專題,30期(2015.12.01),頁13-52。
13.青木陽二,〈江戸時代に来訪した欧米人が残した風景記述の紹介〉,《ランドスケープ研究:日本造園学会誌》63卷1號(1999.08),頁53-57。
14.岡本隆司,《ラザフォード・オルコック—東アジアと大英帝国》,東京:ウェッジ,2012。
15.松村昌家,《大英帝国博覧会の歴史:ロンドン、マンチェスター二都物語》,京都:ミネルヴァ書房,2014。
16.周秀琴、李近明編,《文明的輝煌:走進世界博覽會歷史》,上海:學林,2007。
17.胡光麃,《影響中國現代化的一百洋客》,臺北:傳記文學出版社,1992。
18.洪楷晴,〈建構日本繪畫史:以Louis Gonse的《日本美術》為例〉,國立中央大學藝術學研究所碩士論文,2017。
19.派翠西亞.J.格拉罕(Patricia J. Graham),《日本的設計:藝術、美學與文化》(Japanese Design: Art, Aesthetics & Culture),張寅、銀豔俠譯,新北:遠足文化,2018。
20.針生清人,〈明治期の来日外国人の日本観(二)-オールコックの場合(1)〉,《アジア・アフリカ文化研究所研究年報》25期(1990),頁1-13。
21.戚文芬,《人類文明的盛宴──世界博覽會》,臺北:五南圖書,2017。
22.張育晴,〈十九世紀末法國人對日本繪本的詮釋──以Théodore Duret的著作為例〉,國立中央大學藝術學研究所碩士論文,2020。
23.渡辺俊夫,〈ロンドン万博(一八六二年)における日本美術への反応について〉,《美術史》Vol.L No.2(2001.03),頁241-242。
24.渡辺俊夫、佐藤智子,〈美的対話への試論 日本と英國1850-1930〉,收於渡辺俊夫、佐藤智子監修執筆,《Japanと英吉利西日英美術の交流1850-1930》(東京:世田谷美術館,1992),頁16-26。
25.黃虹、顏勇,《西方設計史》,北京:北京大學出版社,2016。
26.黃鴻釗,《中英關係史》,香港:開民書店,1994。
27.鈴木智夫,《近代中国と西洋国際社会》,東京:汲古書院,2007。
28.詹姆斯.麥克萊恩(James L. McClain),《日本史:1600-2000從德川幕府到平成時代》(Japan: A Modern History),王翔譯,新北:遠足文化,2017。
29.歐文瓊斯(Owen Jones),《紋飾法則》(The Grammar of Ornament),林貞吟、游卉庭譯,臺北:城邦文化,2018。
30.謝宜君,〈Christopher Dresser(1834-1904)《日本:其建築、藝術和藝術製造》圖像研究〉,國立中央大學藝術學研究所碩士論文,2020。
31.謝佳娟,〈藝術的進程:十八世紀下半葉英國藝術、製造業、商業勵進會對文雅藝術的提倡〉,《藝術學研究》26期(2020.06),頁57-142。
32.オールコック(Alcock),《大君の都—幕末日本滯在記》三冊(The Capital of the Tycoon, 2 Vols.),山口光朔譯,東京:岩波書店,2019。
33.オールコック・ラザフォード(Alcock, Rutherford),《長崎から江戸へ1861年日本内地の旅行記録》(“Narrative of a Journey Through the Interior of Japan, from Nagasaki to Yeddo, in 1861”),山本秀峰譯,東京:露蘭堂,2011。
34.ジャポニスム学会編,《ジャポニスム入門》,京都:思文閣,2002。
35.Checkland, Olive. Japan and Britain after 1859: Creating Cultural Bridges. New York and London: Taylor & Francis E-Library, 2003.
36.Cortazzi, Hugh edited. British Envoys in Japan, 1859-1972. Kent: Global Oriental, 2004.
37.Cortazzi, Hugh. “Sir Rutherford Alcock, The First British Minister to Japan 1859-1864: A Reassessment.” Transactions of the Asiatic Society of Japan (1994): 1-42.
38.Gere, Charlotte., Judy Rudoe. “Introduction: Christopher Dresser in Context: Papers of The Symposium Held Jointly by The Victoria and Albert Museum and The Decorative Arts Society 18 October 2004.” The Decorative Arts Society 1850 - the Present, No.29 (2005): 5-7.
61.Meyer, Jonathan. Great Exhibitions: London, New York, Paris, Philadelphia,1851-1900. Woodbridge: Antique Collectors Club, 2006.
39.Nish, Ian edited. Britain and Japan Biographical Portrait,Vol.2. Folkestone: Japan Library, 1997.
40.Sato, Fumiko. “Rutherford Alcock and Japanese Art.” Management Journal, No.20 (September, 2010): 87-96.
41.Wichmann, Siegfried. The Japanese Influence on Western Art since 1858. New York: Thames & Hudson, 2007.
電子資料庫及網路資源
1.日本時事新聞百科全書コトバンク:< https://kotobank.jp/>
2.国立国会図書館デジタルコレクション:<https://dl.ndl.go.jp/>
3.辞典・百科事典の検索サービスWeblio辞書国語辞典:<https://www.weblio.jp/>
4.博覽会近代技術の展示場:<https://www.ndl.go.jp/exposition/index.html>
5.橫浜芝山漆器研究會:<http://shibayamashikki.com/index.html>
6.British Newspaper Archive:<https://www.britishnewspaperarchive.co.uk/>
7.Bureau International des Expositions:< http://www.bie-paris.org/ >
8.Grove Art Online:<https://www.oxfordartonline.com/groveart>
9.Hathi Trust Digital Library:<https://www.hathitrust.org/>
10.Internet Archive:<https://archive.org/>
11.Jstor:<https://www.jstor.org/>
12.Oxford Reference:<https://www.oxfordreference.com/>
13.Periodicals Archive Online:<https://search-proquest-com.ezproxy.lib.ncu.edu.tw/pao?accountid=12690>
14.The Times Digital Archive:<https://galeapps.gale.com/apps/auth?userGroupName=twnsc183&origURL=https%3A%2F%2Fgo.gale.com%2Fps%2Fstart.do%3Fp%3DTTDA%26u%3Dtwnsc183&prodId=TTDA>
15.Victoria and Albert Museum:<https://www.vam.ac.uk/> |