藝術收藏、旅行書寫、與圖像製作：十八世紀後期印刷文化中的英國鄉間別墅;Art Collecting, Travel Writing, and Picture Making: English Country Houses in Late-Eighteenth-Century Print Culture

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题名:	藝術收藏、旅行書寫、與圖像製作：十八世紀後期印刷文化中的英國鄉間別墅;Art Collecting, Travel Writing, and Picture Making: English Country Houses in Late-Eighteenth-Century Print Culture
作者:	謝佳娟
贡献者:	藝術學研究所
关键词:	英國鄉間別墅;藝術收藏;旅行書寫;圖像製作;印刷文化;十八世紀;研究領域：藝術
日期:	2011-08-01
上传时间:	2012-01-17 18:03:35 (UTC+8)
出版者:	行政院國家科學委員會
摘要:	英國貴族鄉間別墅（country houses）不僅在十八世紀藝術文化、政經社會發展上扮演重要角色，今日，鄉間別墅亦具有英國國家文化遺產的地位。本計畫以十八世紀後期勃興的印刷文字與圖像對鄉間別墅的再現為研究主題。透過這樣的視角，將得以觀察鄉間別墅在當時的社會文化場域中如何被認知與扮演何種角色，從而探討英國鄉間別墅如何從具體的「貴族住所—私人藝廊」，轉而成為具有公共性質的英國國家藝術的象徵。本計畫為期兩年，第一年主題為有關鄉間別墅的書寫出版，以農業推動者Arthur Young (1741-1820) 於1768及1770年出版的遊記為首要探討文本。Young除了記錄各地農業發展與勞動實況外，並常插入對鄉間別墅建築、庭園及其繪畫雕刻收藏大篇幅的讚賞描述。本計畫即要探討此種書寫方式可能具有的意義，進而討論鄉間別墅在十八世紀後期英國文化地景中的定位，以及藝術收藏與國家財富的關係。第二年研究主題轉向鄉間別墅的圖像再現問題，以Paul Sandby、William Watts、William Angus所製作的三套1770-80年代出版的版畫圖集為討論核心。Sandby的圖集中將鄉間別墅與其他城堡、修道院廢墟、如畫風景等合併成冊，而Watts與Angus的圖集則首度將鄉間別墅獨立發行，形成一新的專門類別，為此類圖集的先驅。研究中將分析這些版畫再現鄉間別墅的方式，再從媒材的觀點，討論這些印刷圖像和油畫、水彩描繪的鄉間別墅間的相互關係，進而從印刷出版的角度來探討鄉間別墅圖像再現的社會意義。結合兩年的研究成果，筆者希望闡釋十八世紀後期印刷文化對鄉間別墅意象的塑造，以及此過程對貴族私人別墅轉化為英國國家藝術文化遺產象徵的作用與意義。 In eighteenth-century England country houses played an important role artistically, politically, and socio-economically; today, they are highly acclaimed as national heritage. By looking at how country houses were represented in printed words and images in the late eighteenth century, this research aims to understand how country houses were perceived and what roles they played in the social and cultural field, and to explore the process through which the status of country houses changed from being a ‘private home and gallery of aristocracy’ into a public symbol of English national art and culture. This is a two-year research project. The first year explores the publication of writings about country houses and focuses on the two Tours by the famous agricultural writer Arthur Young (1741-1820) published in 1768 and 1770. By setting his Tours in the context of the increasingly popular country-house visiting and picturesque tour, this research aims to explore the significance of Young’s intentional mixture of agricultural information with lengthy descriptions of art in one book, and to discuss the relationship between art collecting and national wealth and the position of country houses in the late-eighteenth-century English cultural landscape. The second year turns to look at pictorial representation of country houses, centering on three books of prints by Paul Sandby, William Watts, and William Angus published in the 1770s and 1780s. In Sandby’s The Virtuosi’s Museum prints of country houses were mixed with prints of castles, architectural ruins, and picturesque scenes, while Watts’s and Angus’s The Seats of the Nobility and Gentry were consisted only of prints of country houses as a new genre. This research aims to examine the way in which these prints represented country houses, and to explore the relationship and difference between these printed images and oil paintings and watercolours depicting country houses. Finally, it is hoped that this research will shed some light on the agency of print culture in constructing a public image of country houses by turning them from being private houses into epitomizing the art and culture of the English nation. 研究期間：10008 ~ 10107
關聯:	財團法人國家實驗研究院科技政策研究與資訊中心
显示于类别:	[藝術學研究所 ] 研究計畫

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