臺灣無職業崑劇劇團，除曲友票戲外，崑劇演出由京劇演員兼演為常態。1949年後，滯臺京劇藝人在臺灣的演出，保留過去京班中兼演崑劇的傳統。1951年後小大鵬、復興、小陸光、小大宛、小海光等相繼成立並招生，自入劇校便以同場曲開蒙，分科後，兼以崑劇教學期培養出崑亂不擋的演員。徐露於1980年演出新象《牡丹亭》，帶動了臺灣戲曲界的崑劇風潮，展現崑亂兩下鍋的演出能力。1991年起曾永義與洪惟助聯合主持了長達十年的「崑曲傳習計畫」，規模培養京劇演員學習崑劇。2000年洪惟助成立「臺灣崑劇團」，台北崑劇團、蘭庭崑劇團、1/2Q劇場等相繼成立，為臺灣的崑劇發展帶來繁榮的景象。臺灣崑劇史的發展脈絡中，京劇演員不曾缺席。因此，本文擬研究臺灣京劇演員參與崑劇史，探討各時期京劇演員的崑劇參與狀況與未來發展。;There’s no professional Kun’ju troupe in Taiwan. That’s the reason why Kun’ju was performed by people who love-and-learn Kun’qu and Jing’ju performers in Taiwan. After 1949, Jing’ju performers kept the tradition of performing both Kun’ju and Luan’tan(Kun-Luan bu dang). From 1951 onwards, junior-Da’Pong, Fu’Xing, junior-Lu’Kuang, junior-Da’Wan, junior-Hai’Kuang gradually established. They were enlightened from lots of tong’chang’qu on beginners qu’pai course. “New Aspect” invited Xu-Lu starring the Kun’ju “Peony Pavilion” in 1980, which aroused more Jing’ju performers acting Kun’ju. “Kun’qu Inheritance Plan” started in 1991, inviting dozens of Kun’ju performers to teach. Since 2000, more Kun’ju troupes were founded, bringing frequent Kun’ju performance. This thesis is about the history of Jing’ju performers participating Kun’ju performance in Taiwan from 1951 to 2013.
