知識生產與文化傳播：新論楊慎;Knowledge Production and Cultural Diffusion: A New Study of Yang Shen

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Title:	知識生產與文化傳播：新論楊慎;Knowledge Production and Cultural Diffusion: A New Study of Yang Shen
Authors:	王鐿容;Wang,I-Zong
Contributors:	中國文學系
Keywords:	楊慎;知識生產;文化傳播;聲譽;地域;展演;性別;先驅性;Yang Shen;Knowledge Production;Cultural Diffusion;Reputation;Regional;Performing;Gender;Innovation
Date:	2014-07-14
Issue Date:	2014-10-15 14:32:09 (UTC+8)
Publisher:	國立中央大學
Abstract:	本文為文化研究模式的明中葉文人個案討論，論題核心首為「傳播」。據《明史．楊慎傳》得知楊慎（1488—1559）是明代著作最多的文人，本文就文學／文化傳播角度，探究其人其文遠傳廣播的知名成因。本文也處理楊慎其文的讀者反應議題，藉由正反兩方如：李卓吾、謝肇淛、考據學群等，對楊慎的閱讀、理解、評論，重新檢視此一文化／文學接受現象。楊慎其人一生充滿傳奇和爭議，本文將以展演、自我形象建構等視角，就其行其事，如以大禮議事件為核心的一連串展演，重新詮釋其行在文學和文化史上啟蒙屬性。楊慎遠放雲南三十餘年的「千古奇謫」，卻帶來雲南景域文化聲譽的提升，本文對此，以人文地理學和後殖民概念，探討其人對雲南史地、文學、教育的啟蒙之功，觀察其人藉由貶謫經驗、地域書寫提升其文文化聲譽和文學多元性，和其中透顯的漢人中心意識。明中葉考據學興起，楊慎諸多有關「物」質的考據論述成為當時文人雅士建構品味生活的知識載體。在這種文化生態下，考據學具有物質文化「新」知識體的屬性。另一「新」屬性是楊氏夫婦的文章唱和和以黃峨為名的作品頗多，且論《升庵詩話》、《赤牘清裁》、《江花品藻》、《漢雜事秘辛》、《麗情集》、《倉庚傳》等楊慎相關編撰作品，以及評點《文心雕龍》、《史記題評》、當代文人文集等，凡此，皆可謂楊慎為先驅人物的例證。 ;This essay is a cultural case study of a Middle Ming Dynasty litterateur, which takes “diffusion” as its main topic of discussion. According to The History of Ming, Biography of Yang Shen, Yang was the litterateur who had most writings in Ming Dynasty. The factors and reasons that had made him and his writings wild-spread are discussed in this article on a literal and a cultural diffusion perspective. This research discuss the reader response issue. The cultural and literal acceptance phenomenon is re-examined throughout the readings, understanding, and critics about Yang from the people who like Yang and the people who don’t. Yang Shen’s life was legendary and controversial. In a new aspect of performing and self-image construction, the researcher re-explains the profound meaning of Yang Shen in literary and cultural history in Middle Ming Dynasty by what he had done. Yang Shen’s 30-year demotion in Yunnan had increased the cultural reputation there. Based on a human geographic concept, this approach studies how Yang brought inspiration and innovation to Yunnan’s history, geography, literature and education. Also, the research observes how Yang rose his cultural reputation and diversity through his demotion experience and regional writings. Textology was on the rise in Middle Ming Dynasty. The textual research that Yang Shen had written about materialism was the knowledge carrier that other litterateurs used to add up flavor to their life. In this way of cultural ecology, textology’s attribute was the” new” knowledge system of material culture. The other “new” attribute is that there were a lot of writings that Mr. and Mrs. Yang wrote together. Also, there were a lot of works from Mrs. Yang, Huang E. This research also talks about the works that Yang Shen had compiled such as Shan-an Shi Hua, Chih Du Cing Cai, Jiang Hua Pin Zao, Han Za Shi Mi Xin, Liqingji, and Cang Geng Chuan. Furthermore, the research comments other literal works such as The Literary Mind and the Carving of Dragons, The Lost Notes of the ShiJi, Collected Works of scholars in Middle Ming Dynasty. The works mentioned above are the proof that Yang Shen was the pioneer at the time.
Appears in Collections:	[Graduate Institute of Chinese Literature] Electronic Thesis & Dissertation

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