| 摘要: | 《風月報》（1937-1944）是誕生在日治中後期的藝文刊物，成為文人雅士消磨閒情的場所。而日治時期的台灣，在揉合了日本的統治政策，上海的摩登時尚，以及西方的新式觀念之下，女性逐漸脫離傳統的閨房空間，走向社會大眾，參與學習智識，體驗自由戀愛，與開放的人際交往，衣著改以洋裝絲襪，髮型以短蓬卷髮為時尚，腳下踩著高跟，便是「新女性」的標準模樣。在《風月報》中，以富代表性的學生、給仕與演員三種角色，因應小說、散文、詩歌、劇作等不同的文學載體，女性被書寫的姿態也各有不同。教育的普及與高等，放大了女學生的存在；珈琲店如雨後春筍開在都市街頭，使花枝招展的女給仕，成為新興的女性職業；而新劇在日治後期的短暫崛起與式微，使女演員成為教化的工具。於是藉由《風月報》將女性的多元面貌抽離觀看，欲整合出女性在日治時期的特質為何，以成為本文研究探索的面向。;"Fong Yueh Tabloid" is the arts publications was born in the late Japanese occupation, and became the gathering place for scholars and gentlemen. During the Japanese occupation, due to the policy of Japan, Shanghai′s modern fashion, and the new concept of the West, women began moving away from the traditional boudoir space. They started go out, study, experience free love and social life, dress themselves and wear stockings, let hair curly and short for fashion, wear high heels. This is the standard looks of "the new woman". In "Fong Yueh Tabloid", in response to novels, essays, poetry, plays, such as different types of literature. The students, waitress, and actress was described differently. Popularization of education enlarged the presence of female students. The rise of coffee shops in the city streets let dressed waitress become a popular women′s career. Actress turned to indoctrination tool, because the decline of new drama. The purpose of this paper is to summarize the women image during the Japanese colonial period from diverse descriptions of these roles. |
