本文以《紅樓夢》的陰性書寫為主題，通過「重讀」《紅樓夢》中的微物，探尋隱含的幽情，以樹立不同於西方的陰性書寫。此陰性書寫與西方「陰性書寫（Écriture féminine）」不同處，所指著重在鬼怪傳統，在於漢文化傳統中的「陰」，有其陰間、幽冥等漢字引申義可循，若將文本置於傳統文學史，則可於志怪文學、文人筆記傳統脈絡之中。因此本文以「重讀」《紅樓夢》為方法，透過物、情、陰性書寫，佐志怪文學及古典文學傳統，並輔以記憶理論，觀察記憶技藝在書中如何闡發，藉以不同角度詮釋《紅樓夢》中幽微靈秀之物情，闡發書中幽隱的物件體系、孤女幽情等現象書寫。;This article focuses on feminine writing in the "Dream of the Red Chamber". It sets out to create a contrast from feminine writing from the West through “rereading” and exploring micro things and exquisite feelings in the novel.
This feminine writing differs from Western feminine writing (Écriture féminine) as the Chinese character ‘yin’ means both ‘feminine’ and ‘supernatural’. Thus there is an emphasis on the Han culture and traditions of the underworld and supernatural. For organisational purposes, this thesis can be placed in the traditional context of Zhiguai literature.
Therefore, this thesis employs "rereading" as a method to explore "Dream of the Red Chamber" and its depiction of things, emotions, and femininity. It is also observes how the memory technique is presented and elaborated in the book, so as to interpret the novel from different angles, to explain the hidden object system, and the exquisite feelings of orphan girls and other phrnomena.
