| 參考文獻 |
西文參考書目
Annette Messager: the messengers. Paris: Centre Pompidou, 2007.
Annette Messager [Exhibition catalog]. New York: The Museum of Modern Art, 1995.
Annette Messager: Faire Parade 1971-1995. Paris: Museé d’Art Moderne de la Ville de Paris, 1995.
Bernadac, Marie-Laure (ed. ). Annette Messager: Word for Word. New York: D. A. P. / Distributed Art Publishers, 2006.
Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
Caillois, Roger. Les jeux et les hommes. Paris: Gallimard, 1991, [1958].
Cottingham, Laura. Seeing through the Seventies: Essays on Feminism and Art. Amsterdam: G+B Arts Intentional, 2000.
Danto, Arthur C. Unnatural Wonders: Essays from the gap between art and life. New York: Farrar, Straus and Giroux, 2005.
DeRoo, Rebecca J. The Museum Establishment and Contemporary Art: The Politics of Artistic Display in France after 1968. New York: Cambridge University Press, 2006.
Elaine Marks and Isabelle de Courtivron (eds.). New French Feminisms: an Anthology. New York: Schocken Books, 1981.
Grenier, Catherine. Annette Messager. Paris: Flammarion, 2001.
Henry Madoff, Steven (ed.). Pop Art: a Critical History. Berkeley, California: University of California Press, 1997.
Highmore, Ben. Everyday Life and Cultural Theory: An Introduction. New York: Routledge, 2003.
Hutcheon, Linda. A Theory of Parody. New York: Routledge, 1985.
Johnstone, Stephen. The Everyday: Documents of Contemporary Art. Cambridge: the MIT Press, 2008.
Jones, Amelia (ed.). A Companion to Contemporary Art since 1945. Malden, MA ; Oxford : Blackwell Pub., 2006.
Laubier, Claire (ed.). The Condition of Women in France, 1945 to the Present: A Documentary Anthology. London: Routledge, 1990.
Lefebvre, Henri, translated by John Moore. Critique of Everyday Life: Volume 1. London: Verso, 1991 [1947/1958].
Lippard, Lucy R. From the Center: Feminist Essays on Women’s Art. New York: E. P. Dutton, 1976.
Mark, Lisa Gabrielle (ed.). WACK! Art and the Feminist Revolution. Cambridge, Mass.: The MIT Press, 2007.
Meskimmon, Marsha (ed.). Women Making Art: History, Subjectivity, Aesthetics. London and New York: Routledge, 2003.
Michael Newman and Jon Bird (eds.). Rewriting Conceptual Art. London: Reaktion Books Ltd, 1999.
Moore, Catrion (ed.). Dissonance: Feminism and the Arts 1970-90. NSW, Australia: Artspace, 1994.
Norma Broude and Mary D. Garrard (eds.). The Power of Feminist Art: the American Movement of the 1970s, History and Impact. New York: H. N. Abramas, 1994.
Robinson, Hilary (ed.). Feminism-Art-Theory : an Anthology, 1968-2000. Malden, Mass.: Blackwell Publishers, 2001.
Rozsika Paker and Griselda Pollock (eds.). Framing Feminism: Art and the Women’s Movement 1970-1985. London: Pandora Press, 1987.
Sandler, Irving. Art of the Postmodern Era: from the Late 1960s to the Early 1990s. Colorado: Westview Press, 1998.
Sheryl Conkelton and Carol S. Eliel (eds.). Annette Messager. New York : Museum of Modern Art ; London : Thames & Hudson [distributor], 1995.
Stimpson, Cathar. Where the Meanings Are: Feminism and Cultural Spaces. New York and London: Methuen, 1988.
Warr, Tracey (ed.). The Artist’s Body. London: Phaidon, 2000.
Winzen, Matthias. Deep Storage: Collecting, Storing and Achieving in Art. New York: Prestel, 1998.
西文期刊
Foray, Jean-Michel. “Annette Messager Collectionneuse d’histoires,” Art Press, no. 147, 1990.
Fredrickson, Laurel. “Memory and Projection in Annette Messager’s Early Work,” Art Criticism, Vol. 18, No. 2, 2003, pp. 36-64.
Hall, Stuart. “Ethnicity: Identity and Difference,” Radical America, Vol. 13, No. 4, June: 1991, pp. 9-20.
Langbauer, Laurie. “Cultural Studies and the Politics of the Everyday,” Diacritics, Vol. 22, No. 1, Spring: 1992, pp. 47-65.
Obrist, Hans-Ulrich. “Mind over Matter,” Artforum International, Vol. 35, November: 1996.
Pohlen, Annelie. “The Utopian Adventures of Annette Messager,” Artforum, Vol. 1, No. 29, September: 1990, pp. 111-116.
Rembert, Virginia Pitts. “Annette Messager,” Woman’s Art Journal, Vol. 17, No. 2, Autumn, 1996 – Winter, 1997.
Roger, Célestin (ed.). Beyond French Feminisms: Debates on women, Politics, and Culture in France, 1981-2001. New York: Palgrave Macmillan, 2003.
Rowlands, Penelope. “Art that Annoys,” ARTnews, October 1995, pp. 132-135.
Russell, John. “ART; Exploring Human Identity as a Hybrid of Hard Facts,” New York Times, October 15, 1995.
Troncy, Eric. “Annette Messager: From Statements on a Life of Mediocrity to the Wondrous Postulates of Fiction,” Flash Art, Vol. 24, No. 159, Summer: 1991, pp. 103-105.
論文
DeRoo Rebecca J. “Private objects, public institutions: French art and the reinvention of the museum, 1968—1978,” Ph. D. dissertation, The University of Chicago, 2000.
Bradford, Thomasine Haynes. “The relations of American and French feminism as seen in the art of Annette Messager,” Ph. D. dissertation, State University of New York at Stony Brook, 2000.
中文參考書目
Barthes, Roland著，許薔薔、許綺玲譯，《神話學》，台北：桂冠，1997。
Butler, Judith著，林郁庭譯，《性卅別惑亂―女性主義與身分顛覆》，台北：桂冠，2008。
Ducan, Carol著，王雅各譯，《文明化的儀式：公共美術館之內》，台北：遠流，1998。
Goffman, Erving著，《日常生活中的自我表演》，徐江敏、李姚軍譯，台北：桂冠，1999。
Huizinga, Johan著，多人譯，《遊戲的人》，杭州：中國美術學院出版社，1996。
Hutcheon, Linda著，劉自荃譯，《後現代主義的政治學》，台北：駱駝，1996。
Irigaray, Luce著，李金梅譯，《此性非一》，台北：桂冠，2005。
Isaak, Jo Anna著，陳淑珍譯，《女性笑聲的革命性力量：女性主義與當代藝術》，台北：遠流，2000。
Moi, Toril著，陳潔詩譯，《性別/文本政治：女性主義文學理論》，台北：駱駝，1995。
Pollock, Griselda著，陳香君譯，《視線與差異：陰柔氣質、女性主義與藝術歷史》，台北：遠流，2000。
Seven Best、Douglas Kellner著，朱元鴻等譯，《後現代理論：批判的質疑》，台北：巨流，1994。
顧燕翎主編，《女性主義理論與流派》，台北：女書文化，1996。
廖炳惠編著，《關鍵詞200：文學與批評研究的通用辭彙編》，台北：麥田，2003。
王德威著，《從劉鶚到王禎和》，台北：時報文化，1993。
紀蔚然，《現代戲劇敘事觀：建構與解構》，台北：書林，2007。
朱崇儀，〈性別與書寫的關連―談陰性書寫〉，《中興大學文史學報》，第30期，2000年6月，頁37-51。
劉瑞琪，〈迫切地追尋女性觀者：辛蒂．雪曼的《無題電影停格》系列〉，《女學學誌：婦女與性別研究》，第15期，2003年5月，頁153-194。
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