史特拉汶斯基歌劇《浪子歷程》之研究

以作者查詢圖書館館藏

、以作者查詢臺灣博碩士

、以作者查詢全國書目

、勘誤回報

、線上人數：36

、訪客IP：18.221.41.214

姓名

張雅婷(Yating Chang) 查詢紙本館藏

畢業系所

藝術學研究所

論文名稱

史特拉汶斯基歌劇《浪子歷程》之研究
(The Study of Stravinsky's Opera, The Rake's Progress)

相關論文

★ 亨德密特音樂的調性研究	★ 白遼士戲劇交響曲《羅密歐與茱麗葉》研究
★ 大陸來臺音樂家-康謳研究	★ 幻想曲之風格流變與形式特質研究-以鍵盤幻想曲為例
★ 標題協奏曲研究－從九首取樣作品檢視協奏曲與標題音樂的結合	★ 韓德爾歌劇綜合研究
★ 楊納傑克 (Janáček) 歌劇《顏如花》(Jenůfa) 之研究	★ 古典時期協奏曲第一樂章曲式研究
★ 從古典到浪漫:德奧鋼琴四重奏探討	★ 威爾第抒情喜劇《法斯塔夫》之研究
★ 華格納歌劇《帕西法爾》之研究	★ 皮亞佐拉 (A. Piazzolla)《布宜諾斯艾利斯的瑪麗亞》（María de Buenos Aires）小歌劇（operita）研究
★ 小約翰●史特勞斯輕歌劇《蝙蝠》研究	★ 伯恩斯坦的音樂生涯與創作特色- 以西城故事為例

檔案

[Endnote RIS 格式]

[Bibtex 格式]

[相關文章]

[文章引用]

[完整記錄]

[館藏目錄]

[檢視]

[下載]

本電子論文使用權限為同意立即開放。
已達開放權限電子全文僅授權使用者為學術研究之目的，進行個人非營利性質之檢索、閱讀、列印。
請遵守中華民國著作權法之相關規定，切勿任意重製、散佈、改作、轉貼、播送，以免觸法。

摘要(中)

本論文主要探討二十世紀重要作曲家史特拉汶斯基 (Igor Fyodorovich Stravinsky, 1882-1971) 於1951年完成的歌劇《浪子歷程》(The Rake’s Progress)。《浪子歷程》為史特拉汶斯基創作的唯一一部三幕歌劇，故事來源為賀加斯 (William Hogarth, 1697-1764) 的系列畫作《浪子歷程》(A Rake’s Progress)，再由劇作家奧登 (Wystan Hugh Auden, 1907-1973) 和卡爾曼 (Chester Simon Kallman, 1921-1975) 改編而成。此歌劇演出後，引發了許多討論。包括，對於其中新古典主義的理念以及創作手法的質疑與批判。對於一個不曾創作如此規模歌劇的作曲家而言，《浪子歷程》之創作理念與手法絕對是值得探討的問題。
本論文一開始將闡述史特拉汶斯基的生平，以及將其含有歌樂之舞台作品作風格上的綜觀，以作為研究《浪子歷程》之基底。接著，將重點放在《浪子歷程》的創作歷程和演出的狀況。之後再針對《浪子歷程》的戲劇內容和音樂創作進行詳盡的分析。最後，歸納此歌劇的特色，並對其風格與爭議作一結論。

摘要(英)

The thesis’ main principal is probing into in-depth of an opera, The Rake’s Progress (1951), composed by a famous composer, Igor Fyodorovich Stravinsky (1882-1971) in the 20th century.The Rake’s Progress is the only masterpiece by Igor Fyodorovich Stravinsky contains with three theatrical performances. The origin of the story began with William Hogarth’s (1697-1764) painting, A Rake’s Progress, and latter revised by famous playerights, Wystan Hugh Auden (1907-1973) and Chester Simon Kallman (1921-1975). The play has had create a substantial debates and discussions since the commence of the performance, where it include a criticisms on the idea of Neo-classicism .Indeed, the ideas and techniques of The Rake’s Progress, is worthwhile for further exploration especially for Igor Fyodorovich Stravinsky, who had never composed such an large-scale opera before creation of The Rake’s Progress.
The thesis begins with an elaboration on bio-bibliography of Igor Fyodorovich Stravinsky. The contents also include a comprehensive description on his composing style on all of his composed plays as a basis for in-depth research and study on The Rake’s Progress. Latter part will be the emphasis on explicit analysis on drama contents and musical creation of Rake’s Progress. The thesis will then conclude with description on drama’s unique characteristics and make verdicts on the drama’s style and controversial comments.

關鍵字(中)

★ 新古典主義
★ 歌劇
★ 史特拉汶斯基
★ 浪子歷程

關鍵字(英)

★ Stravinsky
★ The Rake’’s Progress
★ Neo-classicism
★ Opera

論文目次

緒言 1
第一章史特拉汶斯基生平及其含有歌樂之舞台創作 4
第一節史特拉汶斯基生平 4
一、出生、成長與學習背景 (1882-1908) 6
二、成名與離開俄國 (1908-1919) 7
三、定居法國與進入新古典主義創作時期 (1920-1938) 11
四、定居美國和新古典主義創作後期 (1939-1952) 16
五、十二音列主義創作與晚期 (1952-1971) 18
第二節史特拉汶斯基含有歌樂之舞台作品創作 21
第二章《浪子歷程》之創作與演出 28
第一節《浪子歷程》之創作 28
一、賀加斯的畫作《浪子歷程》 28
二、《浪子歷程》歌劇創作 35
第二節《浪子歷程》之演出 51
一、威尼斯首演 51
二、其他地區演出 55
第三章《浪子歷程》之內容與音樂分析 62
第一節《浪子歷程》前奏及第一幕內容與音樂分析 62
一、序曲 62
二、第一景 62
三、第二景 74
四、第三景 77
第二節《浪子歷程》第二幕內容與音樂分析 79
一、第一景 79
二、第二景 83
三、第三景 86
第三節《浪子歷程》第三幕與結尾內容及音樂分析 90
一、第一景 90
二、第二景 95
三、第三景 100
四、結尾 105
第四節《浪子歷程》之寫作特色 106
一、新古典主義之體現 106
二、調性安排 107
第四章結語 111
參考資料 114
附錄 119

參考文獻

一、專書與期刊
? Baker, David J.: “The progress of the Rake. Ⅰ: Reversal of fortune.” Opera news 67 (2003): 20-24.
? Berger, Arthur: “Review: Igor Stravinsky: The Rake’s Progress.” The Musical Quarterly 41(3) (1955): 412-414.
? Bowers, R. H.: “A Middle English ‘Rake’s Progress’ Poem.” Modern Language Notes 70(6) (1955): 396-398.
? Carter, Chandler: “Stravinsky’s ‘Special Sense’: The Rhetorical Use of Tonality in ‘The Rake’s Progress’.” Music Theory Spectrum 19 (1997): 55-80.
? -------------------: “The Rake’a Progress and Stravinsky’s Return:The Composer’s Evolving Approach Setting Text” Journal of the American Musicological Society 63(3) (2010): 553-640.
? Chew, Geoffrey: “Pastoral and Neoclassicism: A Reinterpretation of Auden’s and Stravinsky’s ‘Rake’s Progress’.” Cambridge Opera Journal 5 (1993): 239-263.
? Cooke, Deryck: “’The Rake’ and the 18th Century.” The Musical Times 103 (1962): 20-23.
? Craft, Robert, Vera Stravinsky, and Rita McCaffrey: Igor and Vera Stravinsky: a photograph album, 1921-1971. New York: Thames and Hudson, 1982.
? Craft, Robert: Stravinsky: Chronicle of a Friendship. Rev. and expanded ed. Nashville: Vanderbilt University Press, 1994.
? ----------------: “Bungled Biography.” The Musical Quarterly 85 (2001): 391-400.
? Cross, Jonathan: The Stravinsky Legacy. New York: Cambridge University Press, 1998.
? -------------------: ed. The Cambridge Companion to Stravinsky. New York: Cambridge University Press, 2003.
? Dunlop, William: “The progress of the Rake. Ⅱ: The case for the defense.” Opera news 67 (2003): 25-27.
? Evans, Joan: “Stravinsky’s Music in Hitler’s Germany.” Journal of the American Musicological Society 56 (2003): 525-594.
? Fuente, Eduardo de la: Twentieth Century Music and the Question of Modernity. New York: Routledge, 2011. pp. 67-79, 103-114.
? Gardner, Howard: Creating Minds: An Anatomy of Creativity seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993.
? Gombirch, E. H: “A Classical ‘Rake’s Progress’.” Journal of the Warburg and Courtauld Institutes 15 (1952): 254-256.
? Griffiths, Paul, Igor Stravinsky, Robert Craft and Gabriel Josipovici: Igor Stravinsky: The Rake’s Progress. New York: Cambridge University Press, 1982.
? Grout, Donald Jay , J. Peter Burkholder, and Claude V. Palisca: A History of Western Music. 7th ed. New York and London: W. W. Norton & Company, 2006. pp. 819-829.
? Horgan, Paul: Encounters with Stravinsky: A Personal Record. Rev. ed. Middletown, CT: Wesleyan University Press, 1988.
? Josipovici, Gabriel: “The Rake’s Progress: Some Thoughts on the Libretto.” Tempo, New Series 113 (1975): 2-13.
? Mendelson, Edward ed.: W. H. Auden and Chester Kallman: Libretti and Other Dramatic Writings by W. H. Auden, 1939-1973. New Jersey: Princeton University Press, 1993. pp. 47-94, 573-629.
? Northcott, Bayan: “Notes on Auden: 2. Life after Britten? Bayan Northcott Completes His Survey of Auden’s Life in Music by considering the Poet’s Collaborations with Stravinsky, Henze, and Others.” The Musical Times 134 (1993): 68-72.
? Oliver, Michael: Igor Stravinsky. London: Phaidon Press, 1995.
? Pasler, Jann: “Review: Stravinsky and His Craft: Trends in Stravinsky Criticism and Research.” The Musical Times 124 (1983): 605-609.
? Ross, Alex: The Rest is Noise: Listening to the Twentieth Century. New York: Picador, 2007.
? Scherliess, Volker: Igor Strawinsky und Seine Zeit. Laaber: Laaber-Verlag, 1983.
? Schiff, David: “Redeeming the Rake.” Atlantic Monthly 1072 (1997): 136-139.
? Shapero, Harold: “Review: Igor Stravinsky: The Rake’s Progress.” Notes, Second Series 9(3) (1952): 488-489.
? Straus, Joseph N., Igor Stravinsky: “Stravinsky’s ‘Tonal Axis’” Journal of Music Theory 26(2) (1982): 261-290.
? Straus, Joseph N.: “The Progress of a Motive in Stravinsky’s the Rake’s Progress.” The Journal of Musicology 9 (1991): 165-185.
? -----------------------: Stravinsky’s Late Music. New York: Cambridge University Press, 2001.
? Stravinsky, Igor, Robert Craft: “A Quintet of Dialogues.” Perspective of New Music 1(1) (1962): 7-17.
? Stravinsky, Igor: Poetics of Music: in the form of six lessons. Cambridge, MA: Harvard University Press, 2003. 中文譯本《音樂七講》，許常惠譯。台北：愛樂書店，1965。
? Taruskin, Richard: The Danger of music and other anti-utopian essays. Berkeley: University of California Press, 2009. pp. 109-117.
? Van Den Toorn, Pieter C.: The Music of Igor Stravinsky. London: Yale University Press, 1983. pp. 42-48, 252-261.
? Walsh, Stephen: Stravinsky: A Creative Spring: Russia and France, 1882-1934.Clifornia: University of California Press, 2002.
? --------------------: Stravinsky: The Second Exile: France and America, 1934-1971. California: University of California Press, 2006.
? White, Eric Walter: “The Rake’s Progress.” Tempo, New Series 20 (1951): 10-22.
? Whittall, Arnold: “Review: Paul Griffiths: The Rake’s Progress.” Music & Letters 64 (1983): 101-102.
? ---------------------: “Review: Paul Griffiths: The Master Musicians: Stravinsky.” The Musical Times 134 (1993): 146-147
二、樂譜
? Stravinsky, I.: Les Noces. Full Score. Mineola: Dover Publication, 1998.
? Stravinsky, I.: Pulcinella. Piano-Vocal Score. London: J. & W. Chester, 1920.
? Stravinsky, I.: The Rake’s Progress. Piano-Vocal Score. German translation by Fritz Schröder . London: Boosy& Hawkes, 1951.
? Stravinsky, I.: Renard. Full Score. Mineola: Dover Publication, 2000.
三、影音光碟
CD：
? Stravinsky, I.: Oedipus Rex. Herbert von Karajan conducts Orchestra sinfonica e coro di Roma della RAI. Documents 291228. 1952
? Stravinsky, I.: The Rake’s Progress. Igor Stravinsky conducts Metropolitan Opera Orchestra. Naxos 8.111266-67. 1953.
? Stravinsky, I.: Le rossignol. André Cluytens conducts French Radio and Television Chorus and Orchestra. Naxos 9.80292. 1955.
? Stravinsky, I.: Les Noces. Péter Eötvös conducts Slovak Philharmonic Chorus and Savaria Symphony Orchestra. Hungaroton HCD12989. 2003.
? Stravinsky, I.: The Firebird‧Petrushka. Robert Craft conducts Philharmonia Orchestra. Naxos 8.557500. 2005.
? Stravinsky, I.: The Rite of Spring‧The Nightingale. Robert Craft conducts Philharmonia Orchestra. Naxos 8.557501. 2005.
? Stravinsky, I.: 125th Anniversary Album. Robert Craft conducts Philharmonia Orchestra. Naxos 8.557508. 2007.
DVD：
? Stravinsky, Igor: Oedipus Rex. Seiji Ozawa conducts Saito Kinen Orchestra. Philips 074307-7. London. 1993.
? Stravinsky, Igor: Le Rossignal. James Conlon conducts Orchestra and Choeurs de l’Opéra National de Paris. EMI IDVD-0502. Paris. 2005.
? Stravinsky, Igor: The Rake’s Progress. Sylvain Cambreling conducts Vienna State Opera Chorus. Salzburg Festival. ORF WG-0023. New York. 2006.
四、網路資源
? Boosey and Hawkes – Igor Stravinsky:
http://www.boosey.com/pages/cr/composer/composer_main.asp?composerid=2708& (2011/02/24, 11:30)
? David Hockney – Stage Design – The Rake’s Progress
http://www.hockneypictures.com/rakes_progress.php# (2011/10/18, 20:30)
? The New York Times - Anthony Tommasini, “The Greatest”, The New York Times, 21 Jan. 2011：
http://www.nytimes.com/2011/01/23/arts/music/23composers.html?pagewanted=1&_r=2&hp (2011/02/23, 10:00)
? Ingmar Bergman Foundation – Theatre – The Rake’s Progress
http://www.ingmarbergman.se/page.asp?guid=66F33CC6-B034-4966-8CD9-E7718ED104F6 (2011/10/18, 17:10)
? Musical Symbolism in the Tarot and the Rake’s Progress- Roger Cantrell
http://opera.org/musicalsymbolism.html (2012/01/15, 02:00)
? Royal Opera House - Rake’s Progress:
http://www.roh.org.uk/merchandise/display.aspx?id=841&showcase=104&category=420&claim_session=1 (2011/09/07, 11:00)
? Select Italy - Teatro La Fenice:
http://selectitaly.com/theater.php?product_id=19 (2011/09/24, 23:00)
? WDW - Igor Stravinsky, Time 26 July 1948：http://www.whosdatedwho.com/tpx_2777852/time-magazine-united-states-26-july-1948 (2011/02/15, 15:30)
? W. Hograth – A Rake’s Progress:
http://www.darvillsrareprints.com/Hogarth%20Rake’’s%20Progress.htm (2011/09/15, 14:00)
? W. Hogarth – Gallery and Other works:
http://www.maximiliangenealogy.co.uk/hogarth/hogarthgallery.html (2011/09/22, 11:30)

指導教授

曾瀚霈

審核日期

2012-6-20

推文