博碩士論文 100126009 完整後設資料紀錄

DC 欄位 語言
DC.contributor藝術學研究所zh_TW
DC.creator趙昱婷zh_TW
DC.creatorYu-Ting zhaoen_US
dc.date.accessioned2014-7-21T07:39:07Z
dc.date.available2014-7-21T07:39:07Z
dc.date.issued2014
dc.identifier.urihttp://ir.lib.ncu.edu.tw:88/thesis/view_etd.asp?URN=100126009
dc.contributor.department藝術學研究所zh_TW
DC.description國立中央大學zh_TW
DC.descriptionNational Central Universityen_US
dc.description.abstract十八世紀英國博物學家Mark Catesby (1682-1749)所出版的《自然史》是第一本廣泛收集北美洲物種的彩色博物學插圖書籍。其插圖畫面採用無背景動植物組合的形式,與傳統風格大不相同,是博物學插圖上的創新。雖然有零星的博物學畫家受到此風格影響,但是這種創新風格無法被持續的傳承下去。 本論文欲以其插圖風格的建立及傳承情形,來探究此創新風格出現所代表的意義。第一章將研究Catesby 與其贊主的互動及參考的圖像,藉以瞭解其插圖風格的影響來源。第二章依出版順序比對《自然史》的水彩原稿與版畫,以顯現這種創新風格建立的過程。第三章彙整當時人對《自然史》的評價與對其風格的改作,以釐清《自然史》及其插圖的創新風格受到忽視之緣由。經以上研究可發現同時身為園藝家的Catesby 重視植物研究,並以植物為觀察生物關聯的出發點。此不同於傳統的博物學家觀點與Catesby 在畫技上的取捨,造就了無背景動植物組合的風格。這個創新風格反映了領先於十八世紀的自然觀,更呈現動植物搭配的美感,其價值直到二十世紀才又在西方受到廣泛的注意。zh_TW
dc.description.abstractThe Natural History of Carolina, Florida and the Bahama Islands, the first account of the flora and fauna of North America, was published in 1731 and 1743 by Mark Catesby (1682-1749), who was an eighteenth-century British naturalist. The combination of flora and fauna without background in Natural History illustrations was an innovation in comparison to the traditional style. But this innovation did not become the mainstream in natural history illustrations and was soon forgotten. This thesis attempts to explore how Catesby’s innovative style could be established, and the significance of the emergence of this innovation. In the first chapter, I examine the interaction between Catesby and his sponsors and the images he may have consulted, so as to understand the possible influences on his style. In chapter two, I compare the watercolors and etchings of Natural History illustrations to show the process of the establishment of this innovative style. In the third chapter, I explore the contemporary comments on Natural History and adaptations of this style to clarify why the innovation was neglected. According to these studies, we can find that Catesby, who was also a gardener, observed birds and other creatures through their relationship to trees and plants, and this was different from the traditional viewpoint of natural history illustrators. The style of Natural History illustrations, which originated in Catesby’s natural outlook, conveyed a specific aesthetic and insight into the relationship between flora and fauna. It was not until the twentieth century that this innovation began to receive attention in the West.en_US
DC.subject十八世紀zh_TW
DC.subject博物學zh_TW
DC.subject自然史zh_TW
DC.subjectMark Catesbyzh_TW
DC.subject英國皇家學會zh_TW
DC.subjectSir Hans Sloanezh_TW
DC.subjectJohn James Audubonzh_TW
DC.subjectGeorge Edwardszh_TW
DC.subjectMaria Sibylla Merianzh_TW
DC.subjectWilliam Bartramzh_TW
DC.subjectGeorg Dionysius Ehretzh_TW
DC.subjectPieter de Beverezh_TW
DC.subjectPeter Collinsonzh_TW
DC.subject新世界zh_TW
DC.subject蝕刻版畫zh_TW
DC.subject鳥類學zh_TW
DC.subject植物學zh_TW
DC.subject英國zh_TW
DC.subject北美洲zh_TW
DC.subjecteighteenth-centuryen_US
DC.subjectnatural historyen_US
DC.subjectMark Catesbyen_US
DC.subjectRoyal Societyen_US
DC.subjectSir Hans Sloaneen_US
DC.subjectJohn James Audubonen_US
DC.subjectGeorge Edwardsen_US
DC.subjectMaria Sibylla Merianen_US
DC.subjectWilliam Bartramen_US
DC.subjectGeorg Dionysius Ehreten_US
DC.subjectPieter de Bevereen_US
DC.subjectPeter Collinsonen_US
DC.subjectNew Worlden_US
DC.subjectetchingen_US
DC.subjectornithologyen_US
DC.subjectbotanyen_US
DC.subjectGreat Britainen_US
DC.subjectnorth Americaen_US
DC.titleMark Catesby 《自然史》插圖在十八世紀西方博物學圖像中的創新與意義zh_TW
dc.language.isozh-TWzh-TW
DC.titleSignificance of Mark Catesby′s Natural History Illustrations in 18 Centuryen_US
DC.type博碩士論文zh_TW
DC.typethesisen_US
DC.publisherNational Central Universityen_US

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