| DC 欄位 |
值 |
語言 |
| DC.contributor | 客家語文暨社會科學學系客家研究碩士在職專班 | zh_TW |
| DC.creator | 劉醇遠 | zh_TW |
| DC.creator | Chun-Yuan Liu | en_US |
| dc.date.accessioned | 2018-8-23T07:39:07Z | |
| dc.date.available | 2018-8-23T07:39:07Z | |
| dc.date.issued | 2018 | |
| dc.identifier.uri | http://ir.lib.ncu.edu.tw:88/thesis/view_etd.asp?URN=100756001 | |
| dc.contributor.department | 客家語文暨社會科學學系客家研究碩士在職專班 | zh_TW |
| DC.description | 國立中央大學 | zh_TW |
| DC.description | National Central University | en_US |
| dc.description.abstract | 本研究以藝術本位論為主要的理論基礎架構，參與觀察《藍衫之下》的創作過程，試圖瞭解不同族群背景的劇本創作人如何看待及解析客家女性，如何從不同的觀點，將對議題的感悟融入創作之中，以及影響他們創作因素為何。並解析創作人如何運用劇本結構、符號及語言，以呈現或象徵「現代客家女性」。 | zh_TW |
| dc.description.abstract | This study is based on art-based research to observe the production process of drama “Other Than Indigo”. By studying different races and backgrounds playwright, this research analyzes Hakka women from multiply perspectives. The reasons of inspiring playwrights and the issues that playwrights integrate into the script are the main topics that this research presents. This research presents how does the playwright of “Other Than Indigo” use script structure, symbol, and language to interpret the modern Hakka women. | en_US |
| DC.subject | 藝術本位 | zh_TW |
| DC.subject | 客家女性 | zh_TW |
| DC.subject | 戲劇創作 | zh_TW |
| DC.subject | Art-based Research | en_US |
| DC.subject | Hakka Women | en_US |
| DC.subject | Drama and Hakka | en_US |
| DC.title | 《藍衫之下》創作過程對於「客家女性」的建構 | zh_TW |
| dc.language.iso | zh-TW | zh-TW |
| DC.type | 博碩士論文 | zh_TW |
| DC.type | thesis | en_US |
| DC.publisher | National Central University | en_US |