| dc.description.abstract | Abstract
This thesis takes ＂Xian-Dai-Wen-Xue(現代文學)＂, ＂Lung-Tsu(龍族)＂, ＂Chung-Wai-Wen-Xue(中外文學)＂, and ＂Chuang-Shi-Ji(創世紀)＂ poetry issues published in the early 1970s (1970-1975) as the research objects. By understanding the changes in Taiwan′s external environment, factors that subsequently influence the form and content of modern Taiwanese poetry are identified.
This stimulation prompts the Taiwanese poetry scene to embark on a trend of ＂returning to reality.＂ With the purpose of retrospectively examining the development of modern poetry and exploring its future, poetry special issues primarily focusing on modern poetry are edited and discussed.
This thesis starts by tracing the historical background of poetry special issues, and through the sequence of their publication, it examines another perspective of the process of poetic discourse in the modern Taiwanese poetry scene. By doing so, it synthesizes the development context of modern poetry in the early 1970s from the viewpoint of poetry special issues. Starting with the editorial format, this study delves into the poetry special issues by understanding the main editors and authors.
It places emphasis on analyzing the discourse and creation of modern poetry featured in these special issues. It examines the arguments and dialogues between different poetry special issues, thus supplementing the content analysis of ＂Xian-Dai-Wen-Xue＂, ＂Chung-Wai-Wen-Xue＂, and ＂Chuang-Shi-Ji＂, which has been lacking in the research on the discourse of modern poetry.
Keyword: Taiwan′s poetry special issues, Xian-Dai-Wen-Xue, Lung-Tsu, Chung-Wai-Wen-Xue, Chuang-Shi-Ji | en_US |