| dc.description.abstract | As a performance art born and grown in the local area, Xiqu has established unique expression methods and choreography skills on stage presentations for thousands of years, and its artistic essence is related to this uniqueness. However, due to the lack of its own theory and the influence of Western theories, today′s opera screenwriters tend to ignore the unique nature of opera in practical operations. The transformation of person and perspective in opera discussed in this article is such a creative technique that belongs to the essence of opera and is often overlooked. The personal perspective of opera is not only the first, second, third person or God perspective in simple grammar, but also represents the relationship between the opera actors and the people in the stage performances, and it also includes how the writers present the story to The audience′s approach. Therefore, the transformation of person and perspective is a valuable asset left by classical opera, and it is also a bridge between opera stage performances and historical text materials that we can see.
Since contemporary times, drama screenwriters have formed a profession independent of drama directors and actors, but there are still parts that can be supplemented in the study of drama screenwriting methods, especially in classical drama theory. Therefore, this article hopes to review the history of opera from the perspective of screenwriting, comb the importance and operating rules of the transformation of personal perspective in the creation of opera in detail, and establish a detailed discussion of screenwriting theory. Through the study of screenwriting theory, some references are made for the current practice of drama screenwriting. | en_US |