| DC 欄位 |
值 |
語言 |
| DC.contributor | 亞際文化研究國際學位學程 | zh_TW |
| DC.creator | 梁匡哲 | zh_TW |
| DC.creator | Leung Hong Chit | en_US |
| dc.date.accessioned | 2022-9-28T07:39:07Z | |
| dc.date.available | 2022-9-28T07:39:07Z | |
| dc.date.issued | 2022 | |
| dc.identifier.uri | http://ir.lib.ncu.edu.tw:88/thesis/view_etd.asp?URN=107129001 | |
| dc.contributor.department | 亞際文化研究國際學位學程 | zh_TW |
| DC.description | 國立中央大學 | zh_TW |
| DC.description | National Central University | en_US |
| dc.description.abstract | 在晚明，情是一種重要的思想。情的特性在於，一方面是對於欲望的探索，另一方面帶有導欲向情的教化目標，此兩者形成了一個充滿著張力的關係。男色小說是情欲的載體，也受到這個思想的影響。本文即是對於男色小說中「情」的一種反思性的閱讀，並從「情」的階序性、文人情感，小官的能動性三個角度去考察「文人意識」。
《弁而釵》所講的都是關於「情」典範的好男色，我重新審視這種讀法的問題，並且提出一種「階序性」的讀法，以展開一種對於親密關係中權力的思考。小說不斷展露出文人的羞恥感，以及小說再現了文人墮落成小官所展現的犧牲，都說明了這些小說的「情」的特性，是一種負面性的連結，多於一種平等性的互補。
《宜春香質》則呈現了置小官於死地的「懲罰」，我嘗試梳理這種敘事設定字裡行間的文人情感流動，探討對於壞男色的愛恨交纏。我欲指出而在這種愛恨交纏的情感，所描述的不只是小官的問題，還有對於文人自身面對更廣泛社會處境的不穩狀態。
而《龍陽逸史》則展現了小官營業的真實面貌，以及性產業的社群的眾生相，我則以一種性工作的問題意識，去探究中介人與小官的互動如何一方面構築無「情」世界，又如何同時強調人情、面子的面向。並且提出有別於貪財好利的閱讀，以能動性作為座標，觀察小官從競爭脈絡底下的行動。 | zh_TW |
| dc.description.abstract | In the late Ming Dynasty, qing was an important thought. The characteristic of qing is that, on the one hand, it is the exploration of desire, and on the other hand, it has the educational goal of guiding desire to emotion, forming a relationship full of tension. Nanse novels are the carrier of eroticism, and are also influenced by this idea. This article advocates a reflective reading of ＂qing＂, and examines ＂literati consciousness＂ from three perspectives: the hierarchical implication of ＂qing＂, the emotion of literati, and the agency of catamites.
What ＂Cap and Hairpins “talks about is a precious model of Nan Se （or translated as homoerotic relationship）, which is generally accepted as an ideal relationship among literati. I re-examine the problem in my reading and propose a ＂hierarchical＂ understanding of ＂qing＂ in order to develop a deepened understanding of power in intimate relationships. The novel constantly reveals the literati′s sense of shame, and emphasizes the sacrifice of literati’s into nanse. All of this illustrate the nature of the ＂emotion＂ is a negative connection rather than an complementary relation.
While “Fragrance of the Pleasant Spring” presents the ＂punishment＂ that kills the bad nanse. I try to sort out the emotional flow of literati between the lines, and try to articulate literati′s love and hate for bad boys in the narrative. ＂The Forgotten Tales of Longyang＂ shows the true face of the business of catamites, as well as the interaction within the community of sex industry. I read the fiction with the problematic of sex work in order to explore the interaction between in-between and catamites, as well as the agency initiated by catamites under the context of competition. | en_US |
| DC.subject | 情 | zh_TW |
| DC.subject | 文人 | zh_TW |
| DC.subject | 晚明 | zh_TW |
| DC.subject | 男色 | zh_TW |
| DC.subject | 小說 | zh_TW |
| DC.title | 男色為何物：晚明小說《弁而釵》、《宜春香質》、《龍陽逸史》中「情」作為文人意識的探討 | zh_TW |
| dc.language.iso | zh-TW | zh-TW |
| DC.title | What is Nanse : An examination of ＂qing＂ in the Late Ming Novels ＂Cap and Hairpins＂, ＂Fragrance of the Pleasant Spring＂ and ＂The Forgotten Tales of Longyang＂ as a notion of literati consciousness | en_US |
| DC.type | 博碩士論文 | zh_TW |
| DC.type | thesis | en_US |
| DC.publisher | National Central University | en_US |