| dc.description.abstract | ABSTRACT
The research on the development of Taiwan′s Hakka filmAnd television
enterprises is centered on Longge Culture Communication Co., Ltd.; Sun Tzu′s art of war says: ＂There is a fire sometimes, and there is a day in the fire.＂ Hakka film and television are like ＂three days of wind, two days of water.＂ In 1959, Hong Kong films entered Taiwan and replaced Hakka internal stage performances, and the troupe was disbanded. In 1962, Taiwan′s television development, unfair radio and television laws, national language policies, and Hakka language faced a crisis of being eliminated. Taiwan’s television industry had long been oligopolized by the old three channels before the martial law was lifted. After the martial law, film and television programs have sprung up like mushrooms after a rain shower, but it also brought negative effects. Film and television companies are cutting-edge technologies that disseminate cultural information. They can eliminate a group of people and help a group to flourish.
The Hakka audio-visual industry has introduced audio-visual recording from audio publishing. After 40 years of budding, it has grown to the stage of maturity and turbulence of cable TV, satellite TV, and cross-strait TV. Now the industry has entered a plateau of transformation and transformation. ＂Life cycle＂ theory, using qualitative research methods, in-depth interviews with industry operators and a number of academic and official representatives to communicate, and put forward important points and countermeasures.Keywords: Hakka cultural policy, Dragon Pavilion, film and television enterprises, life cycle, Hakka opera | en_US |