| dc.description.abstract | This study delves into the intricate nature of fiction, exploring the distinctions, emotional impact, and truths associated with fictional works. Drawing on the insights of scholars such as Fred Kroon, Alberto Voltolini, Peter Lamarque, Stein Haugom Olsen, Kendall Walton, John Searle, Kathleen Stock, Eileen John, and Jenefer Robinson, this research aims to shed light on the multifaceted dimensions of fiction. By examining a diverse range of literary masterpieces, including Harry Potter series by J.K. Rowling, The Great Gatsby by F. Scott Fitzgerald, To Kill a Mockingbird by Harper Lee, When the Emperor Was Divine by Julie Otsuka, Moby Dick by Herman Melville, and On Earth We’re Briefly Gorgeous by Ocean Vuong, this study explores how these remarkable works support and contribute to key points regarding fiction’s nature and impact. It investigates the relationship between fiction and truth, highlighting the role of the fictive stance in reader engagement and the acceptance of fictional worlds. Additionally, the research examines the concept of fiction beyond traditional mediums, considering how fictional entities can manifest in daily life. It explores the distinction between fiction and nonfiction, focusing on the speech acts and illocutionary intentions of authors. Furthermore, the emotional impact of fiction is explored, emphasizing the integral role of emotions in narrative comprehension. By examining these varied perspectives, this study offers a comprehensive exploration of fiction, uncovering its complexities, emotional resonance, and distinct qualities that captivate readers across diverse literary landscapes.
Keywords: Cognition, Emotion, Fiction, Nonfiction, Morality, Truth | en_US |