| dc.description.abstract | Xi Xi, the winner of the 8th Hwua Tzeng award, is famous for her way of varieties over her writing skills. She is undoubtedly considered as one of the pioneers in writing the mandarin novels among the rest of mandarin authors. While my thesis is truly concentrated on the construction of her aesthetics, the texts in the thesis are divided into two types : “ words only” and “not words only ”, to further talk about how Xi Xi magically lay out the aesthetics. First of all, we anatomize the arrangement , from “ words only” to “sentence” to even “ structure”; I found that Xi Xi transforms the customs into an astonishing reading form. Secondly, compared with “ words only”, “not words only “has been widely used in functioning the writing skills. So I decided to cut it out into two chapters which are The Chapter 3 and The Chapter 4. The Chapter 3 begins with “not words only, which Xi Xi turns over the traditional stream-like reading system by adding the mutations of geometries and the punctuation marks . That stimulates the reader’s imagination as well as rebels “words only”. However, The Chapter 4 actually focus on her creation of the combination of images and writings. In that way I first dived into the general principle of combination of images and writings, with Xi Xi’s poetic image of the time during the 60’s to 90’s in comparison, trying to figure out Xi Xi’s transformation of her writing style within almost forty years. And then, in deep with analogizing the model itself to sort out any possibility by the base of the images. I noticed that how Xi Xi sparks the chemical reaction that comes out any vital novels without any image needed. In opposite, the one with images mingle really well one another to break through the cliché writing fashion, which leaves the fantasy for whomever reads her novels. | en_US |