| dc.description.abstract | This thesis was focused on the poets, who are belongs to the new Taiwanese generation at the early 1970s, and their activities of poetry groups. The revolution of their poetry groups was studied by the analysis of external surroundings and their own internal characteristics. We also observed their “generation characters” and “social group characters”, and further estimated the value in the poetry history. Five poetry groups, which are Lung-Tsu(龍族), Chu-Liu(主流), Ta-Ti(大地), Hou-Lang(後浪), Pao-Feng-Yu(暴風雨), were sampled. We established the past group activities by the analysis of all poetry literatures, and also checked that again by the field work method.
The poets, who have different growing backgrounds and characteristics comparing with their predecessors, started to form an association and were against with those early predecessors at 1970s. But they were usually taken into “transition state” and ignored due to the short period of group activities. In this work, we investigated their theories and dug out their meanings in the history of poetry. We found that their ideology of “Taiwanese realism” will influence strongly the local culture in the controversy of local philology at the late 1970s. Furthermore, those poets might separate with each other due to the different cognition of history. That is because two concepts, “Chinese ideology” and “Taiwanese ideology”, needed to be clarified respectively. These two different concepts will lead to the differences of literary creations and the viewpoint of life. Then, those poetry groups stepped to the dismission. This “individual character” of each poet linked closely with the fortune of all poetry groups. | en_US |