| dc.description.abstract | The series publication of wen-ji which passed through from late 1950s into mid 1980s is the important treasury of Taiwanese literature. This series includes re-launch bi-hui, literature quarterly, literature bimonthly, wen-ji quarterly and wen-ji bimonthly. The writers from these are important sources to bring generous patterns of Taiwanese literature. The series publication of wen-ji and their writers perform a literary group of wen-ji. They enriched theories and articles of modernism and realism, awaked the argument and progress of them in Taiwanese literature, and also attested the chaos and transformation of regional literature and localization consciousness. In particular, the great contributors of this group are the editor of chief, theorists, and writers. The editor in chief is Wei Tian-Chong; the important theorists are Wang Mong-Ou, Hoh Shin, Yau E-Wei, Yah Ney, Liu Kau-Song, Shu Chan-Hwei, etc; the important writers are Chen Yin-Jen, Huang Chwen-Ming, Wang Jan-Hoh, Liu Da-Ren, Chee Den Shen, Yah Dee, Guo Fong, etc. The kind of materials allowably include traditional inheritance of native culture, blending of Chinese and western cultures, and conflict and reconciliation during importing other cultures. In addition, because the members of group come from different and specific background, they have plural irradiation and contribution in literature writings and culture researches. The series cease publication in mid of 1980s. But until now, Taiwanese literature researchers can’t ignore the achievements of publications and members of this series. However, merits and achievements of this group and their writings have fall on dead ears in past documents of Taiwanese literature. In this article, I deal with archives research. I observe and research the original texts. The goal of this article is made a proper summary of achieve for literature position and values of wen-ji. | en_US |