| dc.description.abstract | “One Hundred Poems of Localities” is a form of poetry that described every kind of landscapes, including high spots, historic interest, plants or ancient objects in the same place by using hundreds of quatrains and verses. This poetic form can let readers know the overview of these place and it was used extensively in the Southern Song dynasty.
This thesis starts from the course of topography and memory research and the reason of the prospering of “One Hundred Poems of Localities” in the Song dynasty. It mainly probed that Fang SinJu(方信孺), Tseng Chi(曾極), and Tung SzuKao(董嗣杲) chanted the local spirit of Nanhai(南海), Jinling(金陵), and Xihu(西湖), and the characteristic of the three groups of One Hundred Poems of Localities, and the memory of the place, sense of these place by using One Hundred Poems of Localities.
The approach of One Hundred of Local Composed Poems passed through the culture heritage of Wei, Jin, Tang, and Northern Song dynasty, and its flourish contains the reasons as follow: First, the traveling activities was in vogue in Song dynasty and it brings up the rise of scenic spots; Second, the changing of the territory of Southern Song dynasty made multi mentalities of the local recognition of Southern Song poets; Third, the prevalent of publishing in Southern Song dynasty made readers have ability to request the reference providing and landscape reappearing.
The Nanhai poems of Fang SinJu, Jinling poems of Tseng Chi, and Xihu poems of Tung SzuKao, not only recorded the natural landscapes and human history of Nanhai, Jinling, and Xihu, but also had personal emotions and memory in their poems.
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