| DC 欄位 |
值 |
語言 |
| DC.contributor | 中國文學系在職專班 | zh_TW |
| DC.creator | 李瑋質 | zh_TW |
| DC.creator | Wei-Chih Lee | en_US |
| dc.date.accessioned | 2009-6-24T07:39:07Z | |
| dc.date.available | 2009-6-24T07:39:07Z | |
| dc.date.issued | 2009 | |
| dc.identifier.uri | http://ir.lib.ncu.edu.tw:88/thesis/view_etd.asp?URN=951301011 | |
| dc.contributor.department | 中國文學系在職專班 | zh_TW |
| DC.description | 國立中央大學 | zh_TW |
| DC.description | National Central University | en_US |
| dc.description.abstract | 摘 要
南朝綺艷的宮體詩風作為一種文學現象，一旦注入文學史的長河之中，便會自然成為傳統的一部分而對後來詩文產生一定的影響。與南朝相隔四百年後的溫庭筠與李商隱身處於逐漸衰靡的晚唐時期，即使對政治懷有滿腔熱情，終究抵擋不了現實的打擊，只好寄情於都市的冶遊與享樂、秦樓楚館、絲竹樂聲之中，因此，「溫李」經歷了奢靡華麗的宴遊聽歌生涯，自然在詩風上也會走向唯美穠麗的意境，從其詩詞作品可以看出對南朝宮體詩「以艷為美」接受。
本論文除了第一章緒論與第六章結論之外，其餘共分四章來討論晚唐「溫李」作品對南朝宮體詩的承傳與創變。第二章對南朝與晚唐文學背景的考察，首先，通過溫庭筠、李商隱所處的晚唐政治背景與時代潮流來了解「溫李」唯美風格產生的原因。其次，分析宮體詩與晚唐「溫李」兩者的風格相似與相異之處，試圖從中釐清兩者之關聯性。
第三章與第四章分別就兩者的特色：「女性書寫」與「詠物詩」來展開論述，由詩作來分析寫作手法與題材，試圖歸納出幾種類型，以供辨識。其次比較二者的寫作手法與詩作中的情感意涵，從中探討兩者內在情感的變化。
第五章論述唯美風格的承傳與創變，承上兩章作一綜合與總論，討論宮體詩與晚唐溫李作品所呈現的唯美風格之差異。進而討論晚唐的唯美詩風對於之後花間集與婉約詞的影響。探討宮體詩與溫李作品之間的承傳關係，及其對後代文風的影響。
晚唐「溫李」對宮體詩「承傳」的是唯美綺靡的風格，對女性以及景物、物品的書寫；而有所「創變」的是「溫李」敏銳及善感的詩心，以豐富的情感、華美的文字寫下的作品，更令人感受到詩人對於女性的關懷以及感嘆己身的遭遇。此外，溫庭筠延續宮體詩綺麗的風格大量作詞，使得詞體的「婉約」風格的特色更趨定型，對於後代的詞風無疑有很大的影響。
| zh_TW |
| dc.description.abstract | Wen Ting-Yun and Li Shan-Yin’s works in the late Tang receive to the Gong-Ti Poetry of the Southern Dynasties
The Southern Dynasty’s figured and colorful “Gong-Ti Poetry”could be as a literature phenomenon. Once it pours into the history of literature, it could be a part of tradition which may have a certain influence to literatures in the post generation. Wen Ting-Yun and Li Shan-Gyin places in the late Tang which is a weak period after 400 years of Southern Dynasty. Even if they harbor the full of enthusiasm to politics, they could not resist the attack of reality eventually. They had to express feelings in the traveling, orgy and music. Therefore, Wen and Lee have experienced extravagant life that might lead naturally their writing style into a beautiful and gorgeous conception. From their poems, it could see that they accept the idea of gorgeous things is beauty from Southern Dynasty’s “Gong-Ti Poetry”.
“The Gong-Ti Poetry”pass down the style of aestheticism to the Wen and Lee in the late Tang, and the style includes the description for females, scenery and objects. However, the creation means that Wen and Lee use rich emotion and beautiful words to produce their works. It could represent strongly that the poets show their solicitude to females and their sadness to themselves. In addition, Wen Ting-Yun remain the gorgeous style of“Gong-Ti Poetry”to create lot of“Ci”.It makes the graceful mode of“Ci”more mature than before. There is no doubt that Wen Ting-Yun has a huge influence to writing style in the post generation.
| en_US |
| DC.subject | 李商隱 | zh_TW |
| DC.subject | 宮體詩 | zh_TW |
| DC.subject | 詞 | zh_TW |
| DC.subject | 溫庭筠 | zh_TW |
| DC.subject | 唯美詩風 | zh_TW |
| DC.subject | aest | en_US |
| DC.subject | Ting-Yun Ci | en_US |
| DC.subject | Shan-Yin Wen | en_US |
| DC.subject | Gong-Ti | en_US |
| DC.subject | Poetry Li | en_US |
| DC.title | 晚唐「溫李」作品對南朝宮體詩之承傳與創變 | zh_TW |
| dc.language.iso | zh-TW | zh-TW |
| DC.title | Wen Ting-Yun and Li Shan-Yin’s works in the late Tang receive to the Gong-Ti Poetry of the Southern Dynasties | en_US |
| DC.type | 博碩士論文 | zh_TW |
| DC.type | thesis | en_US |
| DC.publisher | National Central University | en_US |