dc.description.abstract | Talking about the belonging of Tungshih Hakka Modality, there are Chiang, Min-Hua(1998) and Jiang,Jiunn Long (2003) have been studied in their thesis, and define Tungshih Hakka Modality as Guangdong Province’s Dapu Hakka. And then, WU Chong-chieh (2008) has different opinions, he consider that the key of Tungshih Hakka Modality is Dapu Hakka, however which consist other sub-dialects, and which not equal to any dialects points. The writer wants to clear the source of Tungshih Hakka Modality and went to Guangdong Province’s Dapu , and Feng Shuenn to research, and understands the transform of Tungshih Hakka Modality.
There are six chapters in the thesis; the first chapter is the introduction, clear the research motivation and goal, the language spread in Dapu , and Feng Shuenn , the thesis research, research method. The second chapter is the language system of Dapu , and Feng Shuenn Hakka Modality, they statement the Hakka language system in Taichung Dongshih, Dapu, and Feng Shuenn. The third chapter describe the difference between Dapu , and Feng Shuenn Hakka Modality and Ancient Chinese. The fourth chapter statement the language special point of Dapu , and Feng Shuenn Hakka Modality, which also compare the language in Taichung Dongshih, Dapu, and Feng Shuenn, it means to clear the special 35 blends in Taichung Dongshih. The fifth chapter describes the wording of Dongshih, Dapu, and Feng Shuenn. It compares joint words in inner and exterior, the inner difference words use the key of Dongshih Hakka Modality. Compare the source, influenced by other languages and changed itself of Dongshih Hakka Modality. Try to understand the composing of Dongshih Hakka Modality. The sixth chapter is the conclusion, the chapter reconsider the belong question of Dongshih Hakka Modality.
In the language special point of Dongshih, Dapu, and Feng Shuenn, the common language points consists are as follows. 1. The behavior of Nasals and Stops are different. 2. The Ancient Nasals reads as Affricates, such as ts?-、t??-. 3. Three levels such as Consonants have detail voice. 4. Two levels voices have detail voices. 5. Original voice of two level voices. 6 Some parts of voices are upper voices. 7. Parts of voices have no end voices. There are some inner differences. 1. Dapu Hakka Modality have voice behind tongue, such as t?-、t??-、?-、?-, and some other forms of Consonants are similar, such as t?-、t??-、?-and ts-、ts?-、s-. 3. The vowels of Feng Shuenn Hakka Modality read as –en. 4. Feng Shuenn Hakka Modality retains more heal ups. 5. Dongshih Hakka Modality has more increase detail voices, such as kieu31. 6. Parts of Dapu Hakka Modality are upper voices. 7. Parts of Feng Shuenn Hakka Modality are upper voices.
Compare the Dongshih Hakka Modality to Dapu, and Feng Shuenn Hakka Modality. To analysis the detail language special difference, the unity of Dongshih and Feng Shuenn is higher than Dapu; If we compare the special words, the influence of inner common words is 35%, Feng Shuenn Hakka Modality is 23%, Dapu Hakka Modality is 13 %, the similarities of Feng Shuenn and Dongshih is higher than Dapu. The same as WU Chong-chieh(1997) said, Dongshih Hakka Modality may be the composition of Dapu, Feng Shuenn and Jaoping. From writer’s research, Dongshih Hakka Modality’s key point is Dapu and Feng Shuenn Hakka Modality, and added some other dialects in Dongshiha areas, in the end to blend to be a Hakka Modality which is the main trend in Dongshih, and the components in Feng Shuenn is more than Dapu, some other Hakka Modalities which is not influenced Dongshih Hakka Modalitiy is also be retained in the words of appellation.
| en_US |