| DC 欄位 |
值 |
語言 |
| DC.contributor | 客家語文研究所 | zh_TW |
| DC.creator | 徐碧美 | zh_TW |
| DC.creator | Pi-mei,Hsu | en_US |
| dc.date.accessioned | 2013-8-16T07:39:07Z | |
| dc.date.available | 2013-8-16T07:39:07Z | |
| dc.date.issued | 2013 | |
| dc.identifier.uri | http://ir.lib.ncu.edu.tw:88/thesis/view_etd.asp?URN=997202002 | |
| dc.contributor.department | 客家語文研究所 | zh_TW |
| DC.description | 國立中央大學 | zh_TW |
| DC.description | National Central University | en_US |
| dc.description.abstract | 本文擬分析陳永淘的創作歌謠。他素有客家「吟唱詩人」的美稱，是當代客語流行歌壇家喻戶曉的創作型歌手，目前已出版過四張音樂專輯。本文研究材料以陳永淘公開發表過的72首歌謠作品為主，從陳永淘的生活閱歷與作品主題、詞彙風格、文學修辭、詩樂諧合四個面向探究其歌謠特色。
全文共分六章，第一章是緒論，說明研究動機與目的、研究過程與相關文獻探討。第二章為生活閱歷與作品主題，探討作者、作品與環境間的關係，並從創作傾向中歸納出六個主題類型。第三章是歌謠的用字整理與詞彙風格分析，將歌詞用字統一並進行詞性分類後，再採用詞彙風格學的研究觀點，剖析其詞彙風格。第四章探討歌謠的修辭，從表意方法的調整與優美形式的設計兩個面向，分析了陳永淘所運用的13種修辭格。第五章是詩樂諧合──語言聲調與音樂曲調的諧合分析。使用調位分析法，歸納出幾種類型，再選取數首歌曲逐句分析，探討陳永淘歌謠語言聲調與音樂曲調的諧合關係。第六章為結論，總結以上研究成果。
關鍵字：陳永淘 客語歌謠 詞彙風格 修辭 詩樂諧合 | zh_TW |
| dc.description.abstract | This dissertation would analyze Mr. Chen Yong-Tao’s (陳永淘) creative Hakka songs. Mr. Chen, famed as a Hakka “Chanting Poet”, is a contemporary well-known singer with his creative Hakka songs, along with 4 CD albums being published. The research materials will mainly focus on his already circulated 72 songs—exploring specific features through 4 aspects: his life experience corresponding to his main ideas in songs, wording styles, rhetoric, and harmonic poetry and music.
The dissertation is divided into 6 chapters:
Chapter 1: The preface—explains research motive and purpose, proceedings and bibliographic list. Chapter 2: Mr. Chen’s life experience and major ideas in songs—explores the relationships among the author, songs and environment, then concluded into 6 theme styles.Chapter 3: Wording arrangement and vocabulary analysis—Categorize and analyze songs’ wording style with researching viewpoints of stylistics in vocabularies. Chapter 4: Rhetoric on songs—Take semantic adjustment on expressive ways and delicate design to analyze Mr. Chen’s 13 kinds of rhetoric styles.Chapter 5: Harmonic poetry and music—Harmonic analysis on language tones and music tunes. Use analytical tune degrees to induce several models, then take some songs to analyze lyrics sentence by sentence. The harmonic relationship between language tones and music tunes in Mr. Chen’s Hakka songs could be found.Chapter 6: Conclusion—Summary of the research accomplishment.
Key words: Chen Yong-Tao, Hakka folk songs, Wording style, Rhetoric,
Harmonic poetry and music | en_US |
| DC.subject | 陳永淘 | zh_TW |
| DC.subject | 客語歌謠 | zh_TW |
| DC.subject | 詞彙風格 | zh_TW |
| DC.subject | 修辭 | zh_TW |
| DC.subject | 詩樂諧合 | zh_TW |
| DC.subject | Chen Yong-Tao | en_US |
| DC.subject | Hakka folk songs | en_US |
| DC.subject | Wording style | en_US |
| DC.subject | Rhetoric | en_US |
| DC.subject | Harmonic poetry and music | en_US |
| DC.title | Research on Mr. Chen Yong-Tao’s Creative Hakka Songs | zh_TW |
| dc.language.iso | zh-TW | zh-TW |
| DC.title | 陳永淘創作歌謠研究 | en_US |
| DC.type | 博碩士論文 | zh_TW |
| DC.type | thesis | en_US |
| DC.publisher | National Central University | en_US |