摘要(英) |
Lillian Ng’s novel, Silver Sister (1994), and Ann Hui’s film, A Simple Life (2012), both centers on the life story of Chinese female domestic servant, and the two texts have similar narrative pattern in terms of the subjects and the relationships between the maids and their employers. This thesis aim at explicate how the two resembling stories can generate contrasting political and ideological effects by examining the correlation between these two fictional representations and social- historical representations of Chinese female domestic servitude and subjects like zishu nu, mooi jai and amah. In so doing, we can see that Silver Sister’s unitary narrative logic emphasizing individual success, female autonomy and the modern present, while A Simple Life’s ambiguous narrative suggests the importance of human companionship, selfless dedication and the historical past. By applying the social-historical narratives of zishu nu and amah, we can understand how and why the novel builds up the image of its female protagonist, Silver Sister, from a distressful war refugee into a respectable and independent working woman as well as a modern citizen. This kind of narrative strategy is applied in relation to the construction of an imagined and idealized Australia modern nation-state, which served as a contrast toward the backward and patriarchal Chinese world depicted in the novel. Nevertheless, if we approach A Simple Life with the knowledge of historical figures like mooi jai in mind, we can perceive the inconspicuous social criticism that the director makes through the use of mise en scene and narratives in regard to Tao Jie’s domestic servant identity, female domestic servitude and the exploitative nature of master-maid relationship. In addition, we can also detect the perplexity and complexity of Tao Jie’s psychological state as a modern amah who is haunted by the past stigma of mooi jai. The two fictional representations both have engrossing narratives (Silver Sister’s personal success; the transformed relationship between Tao Jie and her employer, Roger), and with the help of social-historical narratives of different domestic servant figures, the political implications and social criticism hidden within the compelling narratives are able to surface. However, on the other hand, through the juxtaposition of different kinds of narratives, the imagination of fiction is able to raise question and challenge the deficiency and certainty of social-history. |
參考文獻 |
Benjamin, Geoffrey. “The Unseen Presence: A Theory of the Nation-State and Its Mystification”. Department of Sociology Working Papers 91 (1988). Singapore: National University of Singapore. Print.
Carroll, John M. “A National Custom: Debating Female Servitude in Late Nineteenth Century Hong Kong”. Modern Asian Studies 43.6 (2009):1463-93. Cambridge Journals. Web. 30 Dec. 2011.
Chatelain, Elise Marcel. “Refiguring Domestic Work: Representation, Femininities, and Meanings of Labor in Contemporary U.S. Popular Culture”. Diss. University of California, 2012. ProQuest Dissertations and Thesis. Web. 3 Mar. 2014.
Cheuk, Pak Tong. Hong Kong New Wave Cinema: 1978-2000. Bristol, UK; Chicago:
Intellect. 2008. Print.
Chiang, Claire. “Female Migrant in Singapore: Towards a Strategy of Pragmatism and Coping”. Women and Chinese Patriarchy: Submission, Servitude, and Escape. Ed. Maria Jaschok and Suzanne Miers. Hong Kong: Hong Kong University Press. 1994. 238-63. Print.
Chin, Angelina. Bound to Emancipate: Working Women and Urban Citizenship in Early Twentieth-Century China and Hong Kong. Lanham: Rowman & Littlefield Publishers. 2012. Print.
Constable, Nicole. Maid to Order in Hong Kong: Stories of Migrant Workers. Ithaca and London: Cornell University Press. 2007. Print.
---. “Filipina Workers in Hong Kong Homes: Household Rules and Relations.” Global
Woman. Ed. Babara Ehrenreich and Arlie Russell Hochschild. New York: Henry Holt and Company. 2002. 115-41. Print.
Ding, Naifei 丁乃非. “Kan/Bu Jian Die Ying--Jia Wu yu Xing Gong Zuo Zhong de Bi Qie Juan Xing” 看/不見疊影——家務與性工作中的婢妾身形 [Seeing Double or Domestic and Sex Work in the Shade of the Bondmaid-concubine]. Penumbrae Query Shadow: Queer Reading Tactics罔兩問景︰酷兒閱讀攻略. Ed. Chuen Juei Ho. 2007. Taiwan: The Center for the Study of Sexualities, 2007. 247-78. Print.
Ebert, Roger Joseph. “A Simple Life”. Chicago Sun Times. 2012. Web. 15 Mar. 2014.
Erens, Patricia Breet. “The Film Work of Ann Hui.” The Cinema of Hong Kong: History, Arts, Identity. Ed. Poshek Fu and David Dresser. Cambridge, UK; New York, NY: Cambridge University Press. 2000. 176-95. Print.
Gates, Hill. China′s Motor: A Thousand Years of Petty Capitalism. Ithaca: Cornell University Press. 1996. Print.
Gong, Yan龔艷. “Tao Jie: Fei Dian Xing Xu Shi yu Zhang Li Ren Wu Guan Xi” 《桃姐》:非典型敘事與張力人物關係” [ A Simple Life: Non-Typical Narrative and Dramatic Character Relationship]. The Journal of Beijing Film Academy 6 (2012): 90-92. China Journals Full-text Database. Web. 30 May 2013.
Jaschok, Maria. Concubines and Bondservants: A Social History. London: Zed Books.1988. Print.
Jaschok, Maria., and Suzanne Miers. “Women in the Chinese Patriarchal System: Submission, Servitude, Escape and Collision”. Women and Chinese Patriarchy: Submission, Servitude, and Escape. Ed. Maria Jaschok and Suzanne Miers. Hong Kong: Hong Kong University Press. 1994. 1-24. Print.
Ji, Ya Wen吉雅雯. “She Hui Fa Zhan Zhong de Bei Ju Gu Shi: Ann Hui Jing Tou Xia de Hong Kong Xian Shi” 社會發展中的悲劇故事:許鞍華鏡頭下的香港現實 [Tragedy in the Social Development: Hong Kong Reality in Ann Hui’s films]. New Films 5 (2004): 47-51. China Journals Full-text Database. Web. 30 May 2013.
Kuo, Shuo Ling. “The Re-evaluation of Female Self and Re-establishment of Female Model
in Silver Sister”. Ma thesis. National Cheng Kung University, 2006. Print.
Lee, Yan Lam李恩霖. Tao Jie Yu Wo桃姐與我 [Tao Jie and Me]. Hong Kong: Red
Corporation Limited. 2012. Print.
Lin, Peili林沛理. “Pi Pan Tao Jie Zhu Pu Qing Shen de Bei Ju” 批判《桃姐》主僕情深
悲劇 [A Critic of the Tragedy of Master-Maid Relationship in A Simple Life].
Douban.com, 17 Apr. 2012. Web. 8 May. 2014.
Luo Ka羅卡. “Ann Hui: Jiao Zhuo Bu An de Ren Wen Zhu Yi Zhe” 許鞍華:焦灼不安的人文主義者 [ Ann Hui: The Restless Humanist ]. Ann Hui on Ann Hui. 許鞍華說許鞍華. Ed. Paowei Kuang. Shanghai: Fudan University Press. 2010.224-31. Print.
Mier, Suzanne. “Mui Tsai Through the Eyes of the Victim: Janet Lim’s Story of Bondage and Escape”. Women and Chinese Patriarchy: Submission, Servitude, and Escape. Ed. Maria Jaschok and Suzanne Miers. Hong Kong: Hong Kong University Press. 1994. 108-21. Print.
Ng, Lillian. Silver Sister. Port Melbourne: Mandarin Austrlia, 1994. Print.
Sankar, Andrea. “Female Domestic Service in Hong Kong”. Michigan Occasional Papers in Women’s Studies 1 (1978): 51-62. Michigan Publishing. Web. 24 May 2013.
Stockard, Janice E.. Daughters of the Canton Delta: Marriage Patterns and Economic Strategies in South China, 1860-1930. Stanford, California: Stanford University Press, 1989. Print.
Sun, Wanning. Maid in China. London and New York: Routledge, 2009. Print.
---. “Indoctrination, Fetishization, and Compassion: Media Construction of the Migrant Women”. On the Move: Women In Rural-to-Urban Migration in Contemporary China. Ed. Arianne M. Gaetano and Jacka Tamara. New York: Columbia University Press. 2004. 109-128. Web. 29 Jul. 2014.
Sun, Wei chuan孫慰川.“Lun Ann Hui Dian Ying Zhong de Liang Xing Xiang ji Xing Bie Yi Shiz” 論許鞍華電影中的兩性形象及其性別意識 [On the Images of Both Sexes and the Gender Consciousness in Ann Hui′s Movies]. Journal of School of Chinese Language and Culture Nanjing Normal University 4 (2008): 146-51. China Journals Full-text Database. Web. 30 May 2013.
Topley, Marjorie. “Marriage Resistance in Rural Kwangtung”. Women in Chinese
Society. Ed. Margery Wolf and Roxane Witke. Stanford: Stanford University Press. 1975. 67-88. Print.
Wang, Jui王睿. “Kao Jin Ni Wen Nuan Wo: Ping Dian Ying Tao Jie” 靠近你,溫暖我-評電影《桃姐》[Close to you, Warm me: a Review of A Simple Life]. Movie Review 13 (2012): 32-33. China Journals Full-text Database. Web. 30 May 2013.
Watson, Rubie S.. “Girls’ Houses and Working Women: Expressive Culture in the
Pearl River Delta, 1900-41”. Women and Chinese Patriarchy: Submission,
Servitude, and Escape. Ed. Maria Jaschok and Suzanne Miers. Hong Kong:
Hong Kong University Press. 1994. 25-44. Print.
Weng, Hsiao Shan翁曉珊. “Yang Mei Nu Zi: Ann Hui Dian Ying Zhong de Nu Xing Juan Fen” 揚眉女子:許鞍華電影中的女性身份[Proud Women: Female Identities in Ann Hui’s Films]. Ann Hui on Ann Hui 許鞍華說許鞍華. Ed. Paowei Kuang. Shanghai: Fudan University Press. 2010. 356-69. Print.
Wu, Guei Fong吳貴奉. “Hong Kong Te Se Er Nai Tian Kong” 香港特色,二奶天空 [Hong Kong Feature, Mistresses’ Sky]. Coolloud, 13 Aug. 2008. Web. 27 Feb. 2015.
Yang, Shih楊詩. “Qian Tan Dian Ying Tao Jie de Ren Wu yu Xu Shi" 淺談電影《桃姐》的人物與敘事 [ A Short Review on the Characters and the Narrative of A Simple Life]. Movie Literature 19 (2013): 66-67. China Journals Full-text Database. Web. 15 Mar. 2014.
Ye, Ziling. “Zishu nu: Dutiful Daughters of the Guangdong Delta”. Intersections: Gender and Sexuality in Asia and the Pacific Issue 17 (2008). Web. 19 Dec. 2011.
Gaetano, Arianne M. “Filial daughters, modern women: migrant domestic workers in post-Mao Beijing”.
Filmography
A Simple Life. [桃姐]. Dir. Ann Hui. Perf. Andy Lau and Deannie Yip. Bona International Film Group, Focus Films and Sil-Metropole Organisation. 2012. Film.
|