| 參考文獻 |
西文書籍
Ben Elwes Fine Art, ed. First Impressions: Landscape Oil Sketches, 1780-1860, from the John Lishawa Collection. London: Ben Elwes Fine Art, 2012.
Bindman, David, ed. The History of British Art. Vol. 2. London: Tate Pub., 2008.
Black, Jonathan. Abstraction and Reality: The Sculpture of Ivor Roberts-Jones. London: Philip Wilson Publishers Ltd., 2014.
Boime, Albert. The Academy and French Painting in the Nineteenth Century. London: Phaidon, 1971.
Broughton, Michael, William Clarke and Joanna Selborne. The Spooner Collection of British Watercolours at the Courtauld Institute Gallery. London: Courtauld Institute of Art, 2005.
Brown, David Blayney. Oil Sketches from Nature: Turner and His Contemporaries. London: Tate Gallery Pub, 1991.
Conisbee, Philip and Lawrence Gowing, Painting from Nature: The Tradition of Open-air Oil Sketching from the 17th to the 19th Centuries. London: Arts Council of Great Britain, 1980.
Conisbee, Philip. Claude-Joseph Vernet, 1714-1789. London: The Council, 1976.
Conisbee, Philip, et al. In the Light of Italy: Corot and Early Open-air Painting. Washington: National Gallery of Art; New Haven: Yale University Press, 1996.
Edwards, Ralph, et al. Thomas Jones (1742-1803): First Exhibition of the Artist’s Recently Discovered Oil Sketches of Wales, Rome and Naples. London: Greater London Council, 1970.
Evans, Mark, Nicola Costaras and Clare Richardson. John Constable: Oil Sketches from the Victoria and Albert Museum. London: V&A Pub., 2011.
Gage, John. A Decade of English Naturalism, 1810-1820. Norwich: Norwich Castle Museum, 1969.
Galassi, Peter. Before Photography: Painting and the Invention of Photography. New York: Museum of Modern Art, 1981.
—. Corot in Italy: Open-air Painting and the Classical-landscape Tradition. New Haven: Yale University Press, 1991.
Garlick, Kenneth J., ed. Eighteenth Century Master Drawings from the Ashmolean. Washington, D.C.: International Exhibitions Foundation, 1979.
Gowing, Lawrence. The Originality of Thomas Jones. New York: Thames and Hudson Inc., 1985.
Hargraves, Matthew. ‘Candidates for Fame’: the Society of Artists of Great Britain, 1760-1791. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2005.
Herrmann, Luke. British Landscape Painting of the Eighteenth Century. New York: Oxford University Press, 1973.
—. Nineteenth Century British Painting. London: Giles de la Mare, 2000.
Hoozee, Robert, ed. British Vision: Observation and Imagination in British Art, 1750-1950. New York: Cornell University Press, 2007.
Johnston, Catherine. Baltic Light: Early Open-air Painting in Denmark and Northern Germany. New Haven: Yale University Press in association with National Gallery of Canada, Ottawa, 1999.
Jones, Stephen et al. Frederic, Lord Leighton: Eminent Victorian Artist. New York: Harry N. Abrams; London: Royal Academy of Arts, 1996.
Maser, Edward. Image and Imagination: Oil Sketches of the Baroque. Los Angeles: Los Angeles County Museum of Art, 1968.
Miller, Asher Ethan, ed. The Path of Nature: French Paintings from the Wheelock Whitney Collection, 1785-1850. New York: The Metropolitan Museum of Art, 2013.
Mongan, Agnes. Drawings & Oil Sketches by P. P. Rubens from American Collections. Cambridge, Mass: Fogg Art Museum, Harvard University, 1956.
MonganAgnes. Drawings & Oil Sketches by P. P. Rubens from American Collections. Cambridge, Mass.: Fogg Art Museum, Harvard University, 1956.
Oppe, Paul, ed. The Thirty-Second Volume of the Walpole Society, 1946-1948: Memoirs of Thomas Jones, Penkerrig, Radnorshire. Oxford: Printed for the Walpole Society by Oliver Burridge, 1951.
Ottani Cavina, Anna. Geometries of Silence: Three Approaches to Neoclassical Art. New York: Columbia University Press, 2004.
Ottani Cavina, Anna, ed. Paysages d’Italie: Les Peintres du Plein Air (1780-1830). Paris: Reunion des musees nationaux, 2001.
—. Un Paese Incantato: Italia Dipinta da Thomas Jones a Corot. Milan: Electa, 2001.
Parissien, Steven, ed. Turner and Constable Sketching from Nature: Works from the Tate. London: Tate Publishing, 2013.
Parris, Leslie. Landscape in Britain, c.1750-1850. London: Tate Gallery, 1973.
Postle, Martin and Robin Simon eds, Richard Wilson and the Transformation of European Landscape Painting. New Haven: Yale University Press, 2014.
Reynolds, Graham. The Early Paintings and Drawings of John Constable. Vol. 1. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1996.
Reynolds, Joshua. Discourses on Art. Ed. Robert R. Wark. New Haven: Published for the Paul Mellon Centre for Studies in British Art, 1997.
Riopelle, Christopher and Xavier Bray eds., A Brush with Nature: The Gere Collection of Landscape Oil Sketches. London: National Gallery, 2003.
Rosenthal, Michael. British Landscape Painting. Oxford: Phaidon, 1982.
Schuster, Peter-Klaus. Carl Blechen: Zwischen Romantik und Realismus. Berlin: Nationalgalerie Berlin, 1990.
Solkin, David H., ed. Art on the Line: the Royal Academy Exhibitions at Somerset House, 1780-1836. New Haven: Published for the Paul Mellon Centre for Studies in British Art and the Courtauld Institute Gallery by Yale University Press, 2001.
Sumner, Ann and Greg Smith eds. Thomas Jones (1742-1803): An Artist Rediscovered. New Haven: Yale University Press in Association with National Museums & Galleries of Wales, Cardiff, 2003.
The Pierpont Morgan Library. The Thaw Collection: Master Drawings and Oil Sketches Acquisitions Since 1994. New York: The Pierpont Morgan Library, 2002.
Tonkovich, Jennifer, ed. Studying Nature: Oil Sketches from the Thaw Collection. New York: The Morgan Library & Museum, 2011.
Turner, Nicholas. European Drawings: Catalogue of the Collections. Ed. J. Paul Getty Museum. Vol. 4. Los Angeles: J. Paul Getty Museum, 2001.
Walch, Peter. French Oil Sketches and the Academic Tradition: Selections from A Private Collection on Loan to the University Art Museum of the University of New Mexico, Albuquerque. New York: American Federation of Arts, 1994.
Wilcox, Timothy. Francis Towne. London: Tate Gallery Publishing, 1997.
Wilton, Andrew and Anne Lyles. The Great Age of British Watercolours, 1750-1880. London: Royal Academy of Arts and Munich: Prestel-Verlag, 1992.
Wollheim, Richard. Painting as an Art. London: Thames and Hudson, 1987.
中文書籍
修．歐納（Hugh Honour）、約翰．弗萊明（John Fleming）（著），吳介禎等（譯），《世界藝術史》（A World History of Art），臺北縣：木馬文化事業公司，第五版，2001。
日文書籍
?岡?立美術館編集，《?????光景，1780-1850：印象派??道》，靜岡市：靜岡?立美術館，2004。
西文期刊
Conisbee, Philip. “Pre-Romantic Plein-air Painting,” Art History, Vol. 2, Issue 4 (1979), pp. 413-428.
Egerton, Judy. “The Originality of Thomas Jones by Lawrence Gowing,” The Burlington Magazine, Vol. 128, No. 1000 (Jul., 1986), p. 508-509.
Gere, John. “An Oil-Sketch by Thomas Jones,” The British Museum Quarterly, Vol.21, No.4 (Oct., 1959), pp.93-94.
Gere, John, “Thomas Jones: An Enghteenth-century Conundrum,” Apollo, 91 (Jun., 1970), p. 469-470.
Herrmann, Luke. “George Lambert and Thomas Jones: Two London Exhibitions,” The Burlington Magazine, Vol. 112, No. 809 (1970), pp. 548-552.
James, Merlin. “Painting from Nature,” Modern Painters, Vol. 16, Issue 4 (Winter, 2003), pp. 106-112.
Meeson, Philip. “Painting as an Art: Richard Wollheim,” British Journal of Aesthetics, Vol. 28, Issue 3(1988), pp.281-284
Morgan, Pry. “Thomas Jones of Pencerrig,” The Radnorshire Society Transactions, Vol. 57 (1987), pp. 49-62.
Oliver, R. C. B.. “The Account Book of Mr. Thomas Jones, Pcnkerrig,” The Radnorshire Society Transactions, Vol. 70 (2000), pp. 104-110.
Penny, Nicholas. “Painting as an Art by Richard Wollheim,” London Review of Books, Vol. 10, No. 4 (1988), pp.19-20.
中文期刊
謝佳娟，〈設計的化身、繪畫的文法——十七至十八世紀中葉英國素描概念的演變與意義〉，《新史學》，21：4（台北，2010），頁57-139。
日文期刊
????????（Peter Galassi）（著），〈?真以前──????真??明2〉，山梨?美子、大日方欣一（?），《美術手帖》，646（1991，11），頁215-226。
學位論文
李昀，《論Grosvenor Gallery展覽對於英國藝術的推展，1877-1890》，國立中央大學藝術學研究所，碩士論文，2013年。
網路資源
1.Art UK〈http://artuk.org〉
2.BBC News〈http://www.bbc.com/news/〉
3.Biodiversity Heritage Library〈http://www.biodiversitylibrary.org〉
4.Dictionary of Art Historians〈https://dictionaryofarthistorians.org〉
5.Internet Archive〈https://archive.org〉
6.Musee du Louvre〈http://cartelen.louvre.fr〉
7.Museum of the Shenandoah Valley〈https://www.themsv.org〉
8.Osterreichische Galerie Belvedere〈http://digital.belvedere.at〉
9.Oxford Art Online〈http://www.oxfordartonline.com〉
10.Sue Bond Public Relations〈http://www.suebond.co.uk〉
11.The Tate Britain〈http://www.tate.org.uk〉
12.The Guardian〈https://www.theguardian.com〉
13.The Independent〈http://www.independent.co.uk〉
14.The Morgan Library & Museum, New York, founded by Pierpont Morgan〈http://www.themorgan.org〉
15.The National Gallery〈http://www.nationalgallery.org.uk〉
16.The National Library of Wales 〈https://www.llgc.org.uk〉
17.The World According to Art〈http://rijksmuseumamsterdam.blogspot.tw〉
18.Yale Center for British Art〈http://collections.britishart.yale.edu〉
19.You Tube〈https://www.youtube.com〉
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