| 參考文獻 |
展覽及館藏圖錄
Bindman, David, Mind-forg′d Manacles: William Blake and Slavery (London: Hayward Gallery, 2007)
_______, The Shadow of the Guillotine: Britain and the French Revolution (London: Published for the Trustees of the British Museum by British Museum Publications, 1989.)
British Council, Tate Gallery, William Blake 1757-1827 (London: Tate Gallery, 1947).
British Museum, William Blake and His Circle: a Bicentenary Exhibition (London: British Museum, 1957)
Burlington Fine Arts Club, Exhibition of Works of William Blake (London: Printed by Spottiswoode & Co, 1876).
Butlin, Martin, A Catalogue of the Works of William Blake in The Tate Gallery (London: Tate Gallery, distributed by Heinemann, 1957)
_______, William Blake (London: Tate Gallery, 1978)
Carey, Frances, ed., The Apocalypse and the Shape of Things to Come (Toronto; Buffalo: University of Toronto Press, 1999)
Carfax & Co., Exhibition of Works by William Blake, 1757-1827 (London: The Company, 1906)
Essick, Robert N., The Works of William Blake in the Huntington Collections: a Complete Catalogue (San Marino, Calif.: Huntington Library, Art Collections, Botanical Gardens, c1985)
_______, William Blake and His Contemporaries and Followers: Selected Works from the Collection of Robert N. Essick: an Exhibition at the Henry E. Huntington Library and Art Gallery, November 1987 through February 1988 (San Marino, Calif.: Huntington Library and Art Gallery, c1987)
_______, William Blake at the Huntington: an Introduction to the William Blake Collection in the Henry E. Huntington Library and Art Gallery, San Marino, California (New York: H.N. Abrams in association with the Henry E. Huntington Library and Art Gallery, 1994)
Finkel, I.L., Seymour, M.J., ed., Babylon: Myth and Reality (London: British Museum Press, 2008)
Hamlyn, Robin, William Blake (London: Tate Gallery, 2000)
_______, William Blake, Art and Revolution (London: Tate Gallery, 1994).
_______, William Blake, Independence and Innovation (London: Tate Gallery, 1993).
_______, William Blake: the Apprentice Years (London: Tate Gallery, 1992).
Museum of Fine Arts, Boston, Exhibition of Books, Water Colors, Engravings, etc. by William Blake: February 7 to March 15, 1891 (Boston: Printed for the Museum by A. Mudge & Son, 1891).
_______, Exhibition of Drawings, Water Colors, and Engravings by William Blake Arranged in the First Print Room (Boston: Alfred Mudge & Son, printers, 1880)
Pennsylvania Academy of the Fine Arts, Examples of the English Pre-Raphaelite School of Painters, Including Rossetti, Burne-Jones, Madox-Brown and Others, Together with a Collection of the Works of William Blake (Philadelphia: Press of Globe Printing House, 1892)
Rowlands, John, ed., Master Drawing and Watercolours in the British Museum (London: Published for the Trustees of the British Museum by British Museum Publications, c1984).
Russell, Archibald G. B., Catalogue of Loan Exhibition of Works by William Blake (London: printed under the authority of H. M. Stationery Off. By Darling and Son, 1913).
Stainton, Lindsay, British Landscape Watercolours, 1600-1860 (New York: Cambridge University Press, 1985)
Tate Gallery, Descriptive and Historical Catalogue of the Pictures and Sculptures in the National Gallery, British Art (London: Printed for H.M. Stationery Off., and sold at the Gallery, 1904)
_______, National Gallery, Millbank, Illustrations (London: The Trustees, 1923.)
_______, National Gallery, Millbank: Illustrated Guide British School (Glasgow: Robert Maclehose & Co., 1931)
_______, The Tate Gallery Illustrated Catalogue (London: Cassell, 1910).
Thomson, David Croal, The National Gallery of British Art: The Tate Gallery (London: Art Journal, 1897)
西文專書
Balakian, Anna, Surrealism: the Road to the Absolute (Chicago: University of Chicago Press, 1986)
Bentley, G.E. Jr., William Blake in the Desolate Market (Montreal; Kingston: McGill-Queen′s University Press, 2014).
Bindman, David, The History of British Art, 1600-1870 (London: Tate Pub., 2008)
Crosby, Mark Christopher, Robert N. Essick, and Robert R. Wark, Genesis: William Blake′s Last Illuminated Work (San Marino, Calif.: Huntington Library, Art Collections, and Botanical Gardens, 2012).
Garnett, Richard, William Blake: Painter and Poet (Amsterdam: Fredonia Books, c2004).
Gilchrist, Alexander, Life of William Blake: with Selections from His Poems and Other Writings 2 vols. (New York: Phaeton Press, 1969).
Hackney, Stephen, Rica Jones, and Joyce Townsend, ed., Paint and Purpose: a Study of Technique in British Art (London: Tate Gallery Pub., 1999).
Humphreys, Richard, The Tate Britain Companion to British Art (London: Tate Pub., 2001)
Searing, Helen, Art Spaces: The Architecture of Four Tates (London: Tate Pub., 2002)
Spalding, Frances, The Tate: A History (London: Tate Gallery Publishing, 1998).
Stevens, Bethan, William Blake (London: British Museum Press, 2005).
Sung, Mei-Ying, William Blake and the Art of Engraving (London: Pickering & Chatto, 2009)
Townsend, Joyce H. ed., William Blake: The Painter at Work (Millbank, London; Princeton, N.J.: Princeton University Press, 2003.)
Trodd, Colin. Visions of Blake: William Blake in the Art World 1830-1930 (Liverpool: Liverpool University Press, 2012).
Vaughan, William, William Blake (London: Tate Gallery, 1999).
Wark, Robert, The Revolution in Eighteenth-Century Art: Ten British Pictures, 1740-1840 (San Marino: Huntington Library, 2001)
Wilson, Simon, British Art: From Holbein to the Present Day (London: Tate Gallery; New York: Barron′s, 1979)
期刊論文
謝佳娟，〈書評：《英國藝術史1600―1870》〉，《藝術學研究》第四期（2009），頁153―162。
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“Our National Collections,” The Burlington Magazine for Connoisseurs, Vol. 11, No. 50 (May, 1907): 67
B. D. N.. “The New National Gallery, London,” The Art Journal (1875-1887), New Series, Vol. 2 (1876): 350-351
Bentley, G. E. Jr.. “Thomas Butts, White Collar Maecenas,” PMLA, vol. 71, No. 5 (Dec., 1956): 1052-1066.
Bindman, David. “William Blake: London and New York”, The Burlington Magazine, Vol. 143, No. 1176 (Mar., 2001): 172-174.
_______. “William Blake – An Exhibition and a Book”, The Burlington Magazine, Vol. 120, No. 903, Special Issue Devoted to the ItalianQuattrocento (Jun., 1978): 418-419+421.
Butlin, Martin. “The Bicentenary of William Blake”, The Burlington Magazine, Vol. 100, No. 659 (Feb., 1958): 40-45.
_______. “The Blake Collection of Mrs. William T. Tonner,” Philadelphia Museum of Art Bulletin, Vol. 67, No. 307 (Jul. - Sep., 1972): 2+5-31.
Carretta, Vincent. “Exhibition Review”, Eighteenth-Century Studies, Vol. 34, No. 3, French Revolutionary Culture (Spring, 2001): 440-445.
Essick, Robert N.. “John Linnell, William Blake, and the Printmaker′s Craft,” Huntington Library Quarterly, vol. 46, No. 1 (1983): 18-32.
Griffiths, Antony, “The Department of Prints and Drawings during the First Century of the British Museum”, The Burlington Magazine, Vol. 136, No. 1097 (Aug., 1994): 531-544.
Hamlyn, Robin. “’Blake’s Fate at the Tate”, Blake: An Illustrated Quarterly, Vol. 23, No.4 (Spring 1990): pp. 211-213.
Hoock, Holger. “"Struggling Against a Vulgar Prejudice": Patriotism and the Collecting of British Art at the Turn of the Nineteenth Century,” Journal of British Studies, vol. 49, No. 3 (July. 2010): 566-591.
MacColl, D. S.. “Twenty-One Years of the National Art Collections Fund,” The Burlington Magazine for Connoisseurs, Vol. 44, No. 253 (Apr., 1924): 174-177+179
Paley, Morton D.. “Book Reviews”, Studies in Romanticism, Vol. 41, No. 2, The Once and Future Blake (Summer, 2002): 349-351.
Phillips, Michael. “No. 13 Hercules Buildings, Lambeth: William Blake′s Printmaking Workshop and Etching-Painting Studio Recovered”, The British Art Journal, Vol. 5, No. 1 (Spring/Summer 2004): 3-21.
Russell, Archibald G. B.. Croix, Rouge. “The Graham Robertson Collection,” The Burlington Magazine for Connoisseurs, vol. 37, No. 208 (Jul., 1920): 27-29+32-35+39.
Ward, Aileen, “"Sr Joshua and His Gang": William Blake and the Royal Academy,” Huntington Library Quarterly, Vol. 52, No. 1 (Winter, 1989): 75-95.
網路資源
Ashmolean Museum:
http://potweb.ashmolean.org/PotPeop3.html
British Council:
https://www.britishcouncil.org/
British Museum:
http://www.britishmuseum.org/
GOV. UK:
https://www.gov.uk/government/history/past-foreign-secretaries/george-curzon
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
http://www.harvardartmuseums.org/art/230048
History Today:
http://www.historytoday.com/
Lady Lever Art Gallery:
http://www.liverpoolmuseums.org.uk/ladylever/
legislation.gov.uk:
http://www.legislation.gov.uk/ukpga/1954/65/pdfs/ukpga_19540065_en.pdf
National Art Collections Fund:
https://www.artfund.org/about-us/our-history
National Portrait Gallery:
http://www.npg.org.uk/
Oxford Art Online:
http://www.oxfordartonline.com/subscriber/;jsessionid=8BB64016F79246BD86EC793C7AA80458
Oxford Dictionary of National Biography:
http://www.oxforddnb.com/
Royal Academy of Arts Collection:
http://www.racollection.org.uk/ixbin/indexplus?record=VOL3254
SITES Lab:
http://siteslab.org/commons/
Tate Education History:
https://www.timetoast.com/timelines/tate-education-history
Tate Galleries:
http://www.tate.org.uk/
The Fitzwilliam Museum:
http://www.fitzmuseum.cam.ac.uk/
The Henry Crabb Robinson Project:
http://www.crabbrobinson.co.uk/
The Huntington
http://www.huntington.org/
The Metropolitan Museum of Art:
http://www.metmuseum.org/
The National Gallery:
https://www.nationalgallery.org.uk/
The William Blake Archive:
http://www.blakearchive.org/blake/
University College London:
https://www.ucl.ac.uk/
Victoria and Albert Museum:
http://collections.vam.ac.uk/ |
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